House 2 For A Photographer OAB

2013-11-10 01:00

 © Alejo Bague

(Alejo Bague)

架构师提供的文本描述。一块长250米，宽18米，与海洋垂直的地块，有一块可耕地，从海滩本身一直延伸到一些古老的废墟、拐杖和柠檬树。

Text description provided by the architects. A 250 long by 18 meters wide plot perpendicular to the sea, with an arable area, leading from the beach itself to some old ruins, canes and lemon trees.

 © Alejo Bague

(Alejo Bague)

摄影师二的房子在情节的末尾。它建在一个高70厘米的平台上，高出天然洪水的地面，三座不规则的小平面图和部分建筑在一个空旷的空间中对话，可以看到转瞬即逝的景色。一片拥有52棵华盛顿棕榈树的棕榈树把我们从海滩引到了房子。

The house for the photographer II is at the end of the plot. Constructed on a platform 70 cm high above the level of natural floodable ground, three small irregular floor plan and section buildings dialogue through an empty space with fleeting views. A palm grove with 52 Washingtonian palm trees leads us from the beach to the house.

 © Alejo Bague

(Alejo Bague)

数量的崩溃是由于景观的条件，建筑，和光线暗示了毕加索的绘画是在该地区画的，目前在巴黎毕加索博物馆。

The breakdown of the volumes is due to the conditions of the landscape, to the construction, and to the light which suggests a Picasso painting that was painted in the area and which is currently in the Picasso Museum in Paris.

 © Alejo Bague

(Alejo Bague)

这样，空空的中心就变成了房子的主要区域：一个紧张的区域，由各个亭子的高不透明的物体在其上部几何地构成，在楼面平面图上的高度高达2.10米，在一个连续的区域内连接着各个阴凉的内部区域，可以看到大海，植物背景和平台上方的生活区。

The empty centre is thus converted into the main area of the house: a tense area, made up geometrically in its upper part by means of the high opaque bodies of the various pavilions, and on the floor plan up to a height of 2.10 meters in a continuous area connecting the various shady interior areas with view of the sea, the plant background and the living areas above the platform.

 © Alejo Bague

(Alejo Bague)

关于音量分解的剧本让我们想起了毕加索的立体派作品。地中海这一地区的明亮、黑暗和强烈的日光平衡了三角洲这一地区的地形丰富。

The play on volume decomposition reminds us of the Picasso cubist composition. The clear-dark and the intense daylight in this area of the Mediterranean balance the topographical plentitude of this area of the Delta.