Factory Jaffa House Pitsou Kedem Architects
2013-11-11 01:00
架构师提供的文本描述。这座180平方米的住宅位于老贾法。它的位置是独特的,因为它设置在港口之上,面向西,所有的开口面对着壮观的地中海。虽然很难确定这些建筑物的确切楼龄,但很明显,它已经有几百年的历史了。
Text description provided by the architects. The 180 square meter residential home is located in Old Jaffa. Its location is unique in that it is set above the harbor, facing west with all of its openings facing the majestic splendor of the Mediterranean Sea. Whilst it is difficult to determine the buildings exact age, it is clear that it is hundreds of years old.
© Amit Geron
阿米特·杰龙(Amit Geron)
多年来,它经历了许多变化,并作出了许多补充,破坏了原来的质量的建筑物和它的空间。中心思想是恢复结构的原始,特征,石墙,分段天花板和拱门,包括原始材料的曝光(陶器和沙滩沙的组合)。这座建筑已经清除了所有外来的元素,从新的墙壁覆盖物,并经历了剥皮的过程,以暴露其原始状态。
Over the years, it has undergone many changes and had many additions made that have damaged the original quality of the building and its spaces. The central idea was to restore the structure's original, characteristics, the stone walls, the segmented ceilings and the arches including the exposure of the original materials (a combination of pottery and beach sand). The building has been cleaned of all of the extraneous elements, from newer wall coverings and has undergone a peeling process to expose its original state.
© Amit Geron
阿米特·杰龙(Amit Geron)
令人惊讶的是,现代简约的建筑风格让我们想起并与过去的苦行僧风格相对应,尽管两者之间存在着巨大的时间差异。中心思想是将新旧结合起来,同时保持每一种风格的质量,并创造新的空间,将这些风格融合在一起,甚至加强它们,因为不同时期之间的对比和张力。历史是通过维护建筑外壳的结构和材料,尊重建筑工程的一致性来表达的。
Surprisingly, modern, minimalistic construction styles remind us of and correspond with the ascetic style of the past, and this despite the vast time difference between them. The central idea was to combine the old and the new whilst maintaining the qualities of each and to create new spaces that blend the styles together even intensify them because of the contrast and tension between the different periods. The historical is expressed by preserving the textures and materials of the buildings outer shell and by respecting the building engineering accord.
© Amit Geron
阿米特·杰龙(Amit Geron)
现代的表现是空间的开放和改变内部流动到一个更开放和自由的环境,以及在不同的隔间、开口和家具中使用不锈钢、铁和韩国。该项目成功地既尊重和维护历史和几乎浪漫的结构价值,同时创造一个当代的项目,现代和适合其时期。尽管存在时间差异,但在一个令人惊讶的平衡和谐的空间中,各时期之间的紧张和二分法仍然存在。
The modern is expressed by the opening of spaces and by altering the internal flow to one more open and free environment along with the use of stainless steel, iron and Korean in the various partitions, in the openings and in the furniture. The project succeeds in both honoring and preserving the historical and almost romantic values of the structure whilst creating a contemporary project, modern and suited to its period. Despite the time differences, the tensions and the dichotomy between the periods exist in a surprisingly balanced and harmonic space.
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