© Boris Cvjetanović

鲍里斯·克维塔诺维奇(BorisCvjetanović)

架构师提供的文本描述。博物馆建筑是游客为了克服海拔20米的差异而爬上的一条小路，从通道到高原，在那里发现了武大伟(VučEdol)文化考古发现。通过参观博物馆，参观者获得所有必要的信息，VučEdol文化，并来到考古奏鸣曲的地方，意识到该地方的重要性和意义。博物馆的展区是一系列的梯田，慢慢地爬升以适应地形。

Text description provided by the architects. The museum building is a path which the visitors climb to overcome the elevation difference of some twenty meters, from the access road to the plateau on which the Vučedol culture archaeological findings have been discovered. Passing through the museum visitors get all the necessary information about the Vučedol culture, and come to the place of the archaeological sondages aware of importance and meaning of that place. Exhibition areas of the museum are a series of terraces that climb slowly adapting to the topography.

西北的洞口朝向多瑙河。除了通过博物馆到达考古高原，人们还可以使用博物馆的蛇形绿色屋顶。

Openings to the northwest are orientated towards the Danube river. Instead of reaching the archaeology plateau through the museum one can also use the museum's serpentine green roof.

Vucedol位于多瑙河右岸，距武科瓦尔中心下游4.5公里。以其名字命名的文化，VučEdol文化(300-2400.g.pr.Kr.)，与美索不达米亚的苏美尔时期、埃及的旧王国和特洛伊的起源同时代。在其最初阶段，它位于斯里杰姆和东斯拉沃尼亚，在后期阶段，它蔓延到整个克罗地亚以及中欧和东欧11个国家的部分地区。

Vucedol is located on the right bank of the Danube River , 4.5 km downstream from the center of Vukovar. Culture that bears its name , the Vučedol culture ( 3000- 2400.g.pr.Kr .) , is contemporary with Sumerian period in Mesopotamia , the Old Kingdom in Egypt and the beginnings of Troy. In its initial phase its located in Srijem and Eastern Slavonia , and in the late stage it spread over the whole of Croatia and parts of 11 countries in Central and Eastern Europe.

第一次考古发现，在该遗址，使家族斯特里姆在19世纪后期，谁是VučEdol遗址的所有者，其重建的房子仍然矗立在考古公园。这引起了进一步的研究，其中最引人注目的是1938年的研究。当一位德国考古学家罗伯特·R·施密特(RobertR.Schmidt)发掘梅加隆时，发现了世界著名的武凯多尔·多夫。

First archaeological findings, on the site, made the family Streim in the late 19th century, who was the owner of Vučedol site and whose reconstructed house still stands in the archaeological park. This prompted further research, of which the most notable was the one made in 1938. when a German archaeologist, Robert R. Schmidt excavated Megaron and found the world famous Vucedol Dove.

 © Boris Cvjetanović

鲍里斯·克维塔诺维奇(BorisCvjetanović)

所有的格拉达克都是一个铸造中心，由于铸造过程中释放出的有毒气体，格拉达克与村庄的其他地方分离开来，成为村庄的卫城和宗教中心。VučEdol房屋有许多圆柱形墓葬，用作储藏室，有时还用作祭祀动物和人类的坟墓。VUčEdol房屋的特点是圆角和柳条墙，涂有粘土，中间有一个大壁炉。

All of Gradac was a casting center, and  because of casting and the poisonous gases released from that process, Gradac was separated from the rest of the village, and was as a kind of acropolis and religious center of the village. The Vučedol houses had numerous cylindrical tombs that were used for storage room, and sometimes as the tombs for ritually sacrificed animals and humans. Vučedol houses are characterized by rounded corners and walls of wicker, coated with clay, with a large fireplace in the center.

VučEdol的系统研究始于1984年。在发掘之初，就有了考古和博物馆的想法。由于战争，这项研究于90年代初停止，并于2000年在该地区的扫雷之后恢复。

Systematic research of Vučedol began in 1984. and already at the beginning of the excavations, there was the idea of an archeological  and a museum on the site of the excavations. The research stopped in the early 90’s because of the war and resumed in 2000 after the de-mining of the area.

 © Boris Cvjetanović

鲍里斯·克维塔诺维奇(BorisCvjetanović)

考古遗址延伸到6英亩多一点，大部分被树林和葡萄园覆盖。地势从博物馆入口处的90米AMSL上升到Gradac遗址的大约110米AMSL。公园的主要建筑是：博物馆、修复后的维拉街(将作为考古学家的研究中心)、古老的手工艺作坊(用于展示VučEdol文化的工艺品)、格拉达克遗址的地下建筑以及上面的梅加隆重建建筑。

The archaeological site extends to just over 6 acres and is mostly covered with woods and vineyards. The terrain rises from about +90 m AMSL where the entrance to the museum is, to approximately 110 m AMSL where the Gradac site is located. The main buildings in the park are: the museum, restored Villa Streim (which will serve as a research center for the archaeologists), old crafts workshops (for demonstrations of crafts from Vučedol culture), underground building on the site of Gradac and reconstructed building of Megaron above it.

博物馆概念背后的基本思想是融入地形，这是与博物馆设计实现的，博物馆的设计大多埋在地面上，只有门面对景观开放。它的形状，如蛇形，遵循地形，在它的绿色屋顶上，你可以到达博物馆的考古遗址。除了采用蛇形的形状外，通过选择材料实现了与地形的整合，为外层涂层选择的砖块也是如此，这是一种最类似于现场地面的天然材料。

The basic idea behind the concept of the museum was integration into the terrain, which is achieved with the museum design which is mostly buried in the ground and only the façade is open to the landscape. Its shape, as serpentine, follows terrain, and on whose green roof you can reach the archaeological sites over the museum. Integration into the terrain is achieved, except with serpentine form, by selecting materials, and so was brick selected for the outer coating, a natural material that most resembles the ground at the site.

 © Boris Cvjetanović

鲍里斯·克维塔诺维奇(BorisCvjetanović)

博物馆的内部被分成不同的部分。底层的内容，如咖啡厅和更衣室，是为游客设计的。办公室和仓库可从地面进入，并部分置于地下室。其余的室内展览空间被分成几个层次，与坡道相连。在不同层次的展览空间，可以退出博物馆，并继续在屋顶表面旅游。由于建筑大多是掩埋的，也是由于空间的深度，中庭被造出来进一步照亮室内空间。

The interior of the museum is divided into different sections. Ground floor contents, such as coffee shop and dressing rooms, are designed for visitors. Offices and storage are accessible from the ground and are partially placed in the basement. The rest of the interior exhibition space is divided into several levels, interconnected with ramps. On separate levels of exhibition space it’s possible to exit the museum, and continue touring on the roof surface. Due to the fact that the building is mostly buried, but also because of the depth of space, atriums were made to further illuminate the interior space.

博物馆的整个结构是用钢筋混凝土做的。它由一个基础板和每个蛇纹石之间的纵向墙、梯形横向墙、纵向和横向梁以及屋顶板组成。室内的处理很简单，墙上留下的是裸露的混凝土，最后涂上黑色，然后在地板上放上浅色橡木。

The entire structure of the museum is made of reinforced concrete. It consists of a foundation slab and the longitudinal walls between each serpentine, transverse trapezoidal walls, longitudinal and transverse beams and roof slabs. Treatment of the interior is simple; the walls were left as bare concrete, finally painted in black, and on the floor light oak was placed.

 © Boris Cvjetanović

鲍里斯·克维塔诺维奇(BorisCvjetanović)

作为未来公园的一部分，规划了旅游和娱乐活动，以及一个大型汽车和公共汽车停车场，以及一个旅游船只码头。

As part of the future park, tourist and recreational activities are planned, as well as a large parking lot for cars and buses, and a pier for tourist boats.

 Floor Plan