这座房子的设计源于以前对厄瓜多尔高地地区建筑的研究和理解，以及它如何通过了解每一个地区的位置、构造和空间与现代系统互动，在这两个系统之间制造了一种张力。

The design of this house arises from previous research and understanding of the regional architecture of the Ecuadorian highlands, and how it engages with a modern system through understanding the place, tectonics and space of each, creating a tension between the two systems.

 © Sebastían Crespo Camacho

塞巴蒂安·克雷斯波·卡马乔

首先是传统的建筑和空间元素，如庭院，墙壁，门廊和斜坡。同时，开放的平面和连续的空间是与前面提到的元素形成鲜明对比的现代主义概念。材料调色板包括当地的石头、木材和瓷砖作为当地或特有的材料，暴露的混凝土、钢和玻璃作为现代材料。这种组合不仅表达了一种正式的想法，而且也表达了一种结构和建设性的想法，加强了这一论点。

First are the traditional architectural and spatial elements, such as the courtyard, the wall, porch and slope. At the same time, the open plan and the continuous space are modernist concepts contrasted with the elements previously mentioned. The material palette includes local stone, wood and tile as local or endemic materials, and exposed concrete, steel and glass as modern materials. This mix not only expresses a formal idea, but also a structural and constructive idea that reinforces the argument.

 © Sebastían Crespo Camacho

塞巴蒂安·克雷斯波·卡马乔

在​​的一个面积约2公顷，陡峭的斜坡，房子被安置在网站的最高部分，一个特权的视野。在计划中，房子的设计是线性的，充分利用了每个房间的景观。版面的设计变得很重要，从场地的上层到社交区、厨房和露台。最私人的地方和卧室在较低的楼层。

In an area of ​​approximately 2 hectares with a steep slope, the house is implanted in the highest part of the site, with a privileged view. In plan, the house is designed linearly, taking advantage of the views from every room. The design in section becomes important, access is from the upper level of the site to the social area, kitchen and terrace. The most private areas and bedrooms are on the lower floor.

 © Sebastían Crespo Camacho

塞巴蒂安·克雷斯波·卡马乔

这所房子分为两个区域：石基和顶部的玻璃盒子。地基是一块石质承重墙，在那里分布着私人区域。这个基地，符合其特点，是房屋在地面上的支持，并包含挖掘的土壤为其沉降。它完全是从某些角度来看的，而从另一些观点来看，它是半埋藏的，似乎出现了。在房子的后面和入口处，地面上的一个大切口形成了一个淹没的庭院，主要用于照亮和通风底层的卧室区域。同时，它也成为住宅最重要的参照点之一。它是由一个暴露的混凝土墙，与石墙形成对比，从而造成两个系统之间的紧张。

The house is stratified into two zones: the stone base and glass box on top. The base is a stone bearing wall, where private areas are distributed. This base, true to its characteristics, is the support of the house on the ground, and contains the excavated soil for its settlement. It comes into view in full from certain viewpoints, while from others it is half-buried and seems to arise. At the back and at the entrance of the house, a large cut in the ground generates a submerged courtyard which serves mainly to illuminate and ventilate the bedroom areas on the ground floor. At the same time, it becomes one of the most important areas of reference of the house. It is contained by an exposed concrete wall, contrasting with the stone wall, thus creating tensions between the two systems.

 © Sebastían Crespo Camacho

塞巴蒂安·克雷斯波·卡马乔

到达这座房子是通过一座与石墙相交的钢桥和玻璃桥，并将空间打开到一个巨大的钢制和玻璃屋檐下，其中包含了高层住宅的社会区域。这个屋檐上有一个传统的泥瓦屋顶。

The arrival to the house is through a steel and glass bridge that intersects with the stone wall, and opens the space to a large steel and glass nave that contains the social areas of the house on the upper floor. On this nave rests a traditional mud tile roof.

 © Sebastían Crespo Camacho

塞巴蒂安·克雷斯波·卡马乔

最后，房屋的装饰是简单的材料，如混凝土和地板上的木材，混凝土墙壁，木甲板等。在夜间，当人造光暴露其透气性和屋顶的巨大波幅时，玻璃顶部体积的亮度就更加明显，而屋顶的透光性又与它所依靠的基座的整体体积并列。

Finally, the finishes of the house are simple materials like concrete and wood on floors, concrete walls, wood deck, etc.. The lightness of the glass top volume is even more evident at night when artificial light exposes its permeability and the great nave of the roof, which is juxtaposed with the monolithic volume of the base on which it rests.