架构师提供的文本描述。博物馆应该增强记忆的唤起能力。在这个意义上，博物馆是由不同的部分组成的，每个部分都有自己的价值和特点。这座博物馆成了一个平台，让人们看到目前为止看不见的东西。

Text description provided by the architects. A museum should empower the evocative capacity of the memory. In this purpose, the museum is a sum of parts where each has its own value and its own characteristics. The museum becomes a platform to make visible what was invisible until now

 © Miguel de Guzmán

米格尔·德古兹曼

新博物馆的定义是由城市边界决定的。将建筑物扩大到历史地块所产生的空间。通过规则的几何图形和间隙空间，重新定义了历史广场、街角和小巷。

The new museum is defined by its urban boundaries. The spaces generated by expanding the building recall to the historical plot. Through regular geometries and interstitial spaces, the historic squares, corners and alley are redefined.

 © Miguel de Guzmán

米格尔·德古兹曼

程序的需求通过使用“关节器”来解决，这给了博物馆一个身份。它们成为满足该机构的代表性和象征性需要的公认要素。新的展览室被设计为“现代修道院”。通过光通量工作，保证了空间的连续性。蓝宝石前板和桁架石灰石重新创造了一个罗马式的空间。

The program needs are solved through the use of "articulators" that give an identity to the museum. They become a recognized element that answers to the representative and symbolic needs of the institution. The new exposition rooms are designed as “modern cloisters”. Through the light flux work, the spatial continuity is guaranteed. The alabaster front plates and the trusses limestone recreate a Romanesque space.

 © Miguel de Guzmán

米格尔·德古兹曼

最后，奥维多考古学博物馆探讨了当代建筑和白话建筑之间的联系，以此作为用当代建筑语言重建时间和记忆的机会。因此，博物馆变成了时间的投影，不仅是身体上的，也是情感上的。

The Archaeological Museum of Oviedo, in conclusion, explores the links between contemporary and vernacular architecture as a chance to rebuild time and memory with a contemporary architectural language. The museum thus becomes a projection of time, not only physical but also emotional.