架构师提供的文本描述。这个特定的地点有一个非常广阔的海景，所以我很难找到基石。这使我找到了一个解决方案，在那里，我举起了整个大楼，并在尽可能自然的地方找到了入口。我以这个位置作为整体设计的核心和出发点，在钢筋混凝土支撑的中承式以上的上部是一个由木和钢框架桁架组成的多面屋顶框架的混合结构。足迹又细又长，形成了L形.私人区域，包括主卧室，在接近的一侧，主房间有一个12米的开口，可以看到大海的全景，整个结构(5米×20米)被举到地面上。

Text description provided by the architects. The particular site possesses a very wide view of the sea, so I had difficulty finding the cornerstone. This led me to a solution where I lifted the entire building and located the entrance at most natural approach possible. I used this position as the structural core and starting point for the overall design.　The upper part above the pilotis supported by the RC is a hybrid structure constituting a polyhedral roof frame, made of wood and steel-frame truss. The footprint is slim and long, forming an L-shape. The private zone, which includes the master bedroom, is on the approach side and the main room has a 12-meter opening which enables a panoramic view toward the sea, with the entire structure(5m×20m) lifted above ground.

 © Ken Yokogawa

c.横河健

木格(用于设计或控制空间的家具)从一楼钢筋混凝土核心的入口处通向，是一个楼梯，产生了垂直的流动。这也是一个边界的主要房间空间，一个不需要隔断或门。在上面，有人找到一个通向阁楼的画廊。从多面屋顶框架和康古的空间变化所表达的叙事，创造了一种不变的稳定感，一种从容不迫的居住在别墅里的喜悦感。

The wooden lattice KANGU (furniture used to design or control a space) leading up from the entrance of the RC core on the first floor is a staircase creating a vertical flow. This also serves as a boundary for the main room space, one that does not require a partition or door. Above, one finds a gallery leading up to the loft. The narrative expressed by the spatial changes from the polyhedral roof frame and the KANGU result in creating a sense of unchanging stability a sense of unhurried joy of living in the villa.