架构师提供的文本描述。英国人的田地

Text description provided by the architects. The Englishmen´s fields

.不可能的队伍登上外国船只，他们教会了一些当地人一个新的想法，一开始是荒谬的，关于如何通过踢球回到自然.用白色熟料勾勒出潮湿的绿草，任何能充满好奇的观众的田野都可以；坐在山坡上，离得很近，有些人抛下贝雷帽参加比赛.再一次，另一场人工的，一座小山，被绿色植物包围着，就像我们在玩，又一次机会.

...Impossible teams arrived on foreign ships, they taught a few locals a new idea, absurd at first, about how to get back to nature by kicking a ball around... ...with the white clinker outlining the moist, green grass, any field that could be filled with curious spectators would do; seated on the slopes close, so close that some threw off their berets to join in the game... ...Once again, another field this time artificial, a hill to sit on, surrounded  by greenery, almost as if we were playing, another opportunity...

植物振动

Plant vibration

 © Roland Halbe

罗兰·哈贝

与自然一起建造是多么困难。它总是面对着我们，而我们只有有限的资源去模仿它。体育场想要引入一种敏感的伪装，利用我们在体育场旁边种植的1001棵树木等森林的发光变体，使用由钢制成的人工/植物物质，在遮阳篷的褶皱下充满活力。穿过这个虚构的绿色窗帘的入口让我们进入了一个不同的地理位置，控制着观众的流动和入住率。

How difficult it is to construct with nature. It has always confronted us, and we only have course, limited resources to imitate it. The stadium wants to introduce a sensitive sort of camouflage using luminous variations of forests like the 1001 trees we have planted beside the stadium, using artificial/plant matter made of steel, vibrant beneath the folds of the awnings. The entrances through this fictitious green curtain bear us into a different geography that controls the spectators´ flow and occupancy.

地形斑

Topographic akaris

一个强大的外部形象和象征性的内部，由多个“建筑物”与独立的组织，不同的折叠的座位层，他们独特的花园和不同的观看视角。这些建筑物中的每一座都有自己的个性化服务和入口，使它们易于独立使用。这栋建筑现在每周只停止工作一个半小时，就像男性宣泄一样，并提出了这样一种形象：家庭主妇、分离主义大赦团体、甚至传统舞者组织下一次街头游行，这是一周愉快而又不愉快的聚会。体育场不仅是为了运动，还有一些人不喜欢足球，不是吗？除了这组程序之外，建筑物的统一性由屋顶提供，它直接反映了层次分明的结构，渗透到柔和的北光中，在雨水穿透室内花园的地方勾勒出，如果垂直下雨的话。日落时分，建筑物的折叠、半透明的体积变成了一盏柔软的折纸灯，能够在其作为无法挽回的辉煌过去的生存标志的作用中，标出一种新的发光地形图。

A powerful external image and an emblematic interior, formed by multiple “buildings” with independent organisation, differentiated by the folds of the seating tiers, their particularised gardens and the different viewing perspectives. Each one of these buildings holds its own individualised services and entrances, making them susceptible to independent usage. The building now only stops working for an hour and a half every week, like a male catharsis, and proposes the image of fruitful week of enjoyable, perverse gatherings of housewives, separatist amnesty groups or even traditional dancers organising their next street parade.A stadium is not just for sport...There are some who do not like football, aren´t there? The unity of the building beyond this battery of programs is provided by the roof, a direct reflection of the organisation of the tiers, permeable to the soft, north light, outlined at the points where the rain penetrates the interior gardens, if it ever rains vertically. At sunset, the folded, translucent volume of the building turns into a soft origami-like lamp, capable of marking out a new luminous topography in its role as the emblem of the survival of an irrecoverable glorious past. 

 © Roland Halbe

罗兰·哈贝

三年后.。

Three years later...

现实总是比小说更奇怪，小说正开始成为我们工作中唯一有趣的部分。穿着不锈钢袖子的微型堆通过钻过埋在体育场层下的鼓风炉的废墟，强行向下推进。40米深，看不见的，豪华的底座，以逃避被污染的污泥，其中包括内尔维翁河口。有奇怪应力的上百万公斤或更多的螺栓钢，以免显示可能代表自己的拉杆或结构。有固定铁芯的钢筋形状和不同厚度的机翼，以避免应力的影响。一个系统，证明自己是完美的迫切需要，坚实的，抵抗的，但一点也不多用。它们就像一颗钻石，坚硬、不可触摸，永远在那里。各种类型、颜色、电阻、导热性能、不锈钢、铜、铝、聚合物、聚丙烯、热焊接、折叠或螺栓连接的各种管子都穿过环形设备隧道，失去了视野，但没有失去控制。最先进的照明，以照明为凹槽，适应几何的折叠和削减，铭刻在黑暗中的建筑骨架。对于玩家来说，另外一个故事是，150盏聚光灯为未来的数字电视广播而燃烧数千瓦和可调亮度锥。

Reality is always stranger than fiction, which is beginning to be the only fun part of our job. Micropiles cased in stainless steel sleeves force their way down by drilling through the ruins of the blast furnaces buried under the stadium tiers. Forty metre-deep invisible, luxurious footings to escape from the polluted sludge that embraces the Nervion River estuary. A million or more kilos of bolted steel with weird stresses so as not to display tie rods or structures that might speak for themselves. Reinforced steel shapes with constant cores and wings with variable thickness to avoid the pornography of stress. A system that proves itself to be perfect for urgent requirements, solid, resistant but not at all versatile. They are like a diamond, hard, untouchable and there for ever. Metres and metres of tubes of all sorts, colours, resistances, thermal and conductive properties, stainless steels, coppers, aluminiums, polymers, polypropylenes, heat welded, folded or bolted all run through the ring-shaped equipment tunnel, dissapearing out of view but not out of control. State-of-the-art lighting to illuminate are recessed, adapting to the geometry of the folds and cuts, inscribing the skeleton of the building in the darkness. For the players, another story altogether, 150 spotlights that burn thousands of watts and adjustable luminance cones for future digital TV broadcasts.

 © Roland Halbe

罗兰·哈贝

一位能干的金属工人雕刻钢铁森林；一位精巧的装修工将不可能的塑料屋顶缝在一起，而不知道自己进入张力的人则会把膨胀的金属网的每一部分都拼成一条的隔板。刺绣工的工作。激光来了，在我们村的思维中，我们喘息着，“哇！”，在几天早上，它指导整个沥青排水作业，校准不可能的斜坡，以适应北方的雨桶。等等，你确定我们要把所有的座位都涂上颜色吗？现在很难用彩虹的颜色来画任何东西。在一个仍然有点男子汉气概的国家里，它有着难以理解的含义。但现在他们都混在一起了，就像人口本身一样。很高兴有一场首场比赛，Barakaldo足球俱乐部和世界其他地区的比赛。最后，这是那么大的努力，不是吗？

A competent metalworker sculpts the steel forest; a subtle fitter stitches the impossible plastic roof together, and somebody who had no idea about what he was getting into tenses every part of the expanded metal mesh, squaring up the gaps between the panels one by one. A job for an embroiderer. The laser arrives and in our village mentality we gasp, “Wow!”, and in a couple of mornings, it guides the whole of the pitch drainage operation, calibrating impossible slopes for the buckets of rain that fall here in the north. Hang on, are you sure we are going to colour all the seats? Nowadays it is hard to paint anything with rainbow colours. It has taken on incomprehensible meanings in a country that is still a bit macho. But here they go, all mixed up, like the population itself. It would be nice to have an inaugural match, Barakaldo Football Club vs. The Rest of the World. In the end it´s so much effort, isn´t it?

 Floor Plan