架构师提供的文本描述。该项目是“图书之城”(City Of Books)的一部分，该项目由墨西哥文化部长发起，目的是获取20世纪最相关的墨西哥作家和知识分子的个人藏书，并委托建筑师设计每个个人图书馆的设计，这些图书馆将设在墨西哥城中部18世纪的拉胡达德拉(La Ciudadela)大楼内。阿奎特图拉911 SC被要求设计Jaime Garcia Terres图书馆，该图书馆占地面积仅170平方米(1830平方英尺)，高度6.30米(20.7英尺)，位于La Ciudadela的西北角。

Text description provided by the architects. The project is part of the City of Books a project by the Mexican Secretary of Culture to acquire the personal book collections of the most relevant Mexican writers and intellectuals of the 20th Century and commissioning architects the design of each personal library to be housed within La Ciudadela, an 18th Century building in the central part of Mexico City. arquitectura 911sc was asked to design the Jaime Garcia Terres Library, which occupies a small room, with an area of just 170 square meters (1,830 sqft) and a height of 6.30 meters (20.7 ft) located on the northwest corner of La Ciudadela.

 © Jaime Navarro

c.Jaime Navarro

该项目被设想为一系列的对象和干预措施，通过其规模、重要性和存在性，力求与藏书以及历史建筑进行对话。该设计引入了一个新的区域，其中包含了整个程序；一层由扎拉姆热带木材制成的中央部分的空间，也包裹了一段墙。两个长而巨大的书架悬挂在墙上，其60英尺(0.98英尺)、90英尺(2.95英尺)和120厘米(3.94英尺)的调制产生了一种反映地板图案的切分节奏。这18，000卷书都是从书架后面照出来的，这给书带来了一种轻盈的感觉。

The project is conceived as a series of objects and interventions, which through its scale, materiality and presence, seek to establish a dialogue with both the books of the collection, as well as with the historic building. The design introduces a new area where the entire program is contained; a floor made of Tzalam tropical wood in the central part of the space that also wraps a section of the walls. Two long and massive bookshelves are suspended from the walls, and whose modulation at 60 (0.98ft), 90 (2.95 ft) and 120 cm (3.94 ft) create a syncopated rhythm that mirrors the floor pattern. The18,000 volumes are illuminated from the back of the shelves giving the books a sense of lightness.

 © Jaime Navarro

c.Jaime Navarro

托盘的中央空间被图书馆员、较低的书柜、椅子和阅读桌占用。有三种不同类型的阅读和咨询：休闲与低沙发和灯，书房，与由扎拉姆桌椅和个人，在“阅读立方体”。

The central space of the tray is occupied by an area for the librarians, lower bookcases, chairs and reading tables. There are three areas for different types of reading and consultation; casual with low sofas and lamps, study, with by tzalam tables and chairs and personal, inside the ‘reading cube’.

 © Jaime Navarro

c.Jaime Navarro

这个“阅读立方体”位于房间的西端，是一个小而亲密的环境，四周环绕着书籍，还复制了Jaime Garcia Terres写作、阅读和工作的桌子。

The “reading cube”, located at the western end of the room is a small and intimate environment surrounded by books and with a reproduction of the table where Jaime Garcia Terres wrote, read and worked.

 © Jaime Navarro

c.Jaime Navarro

一个被设想为“空书架”的悬挂木结构悬挂在天花板上，通过一系列与书架相同的调制方式过滤光线。PerlaKrauze的一件名为“悬空时间”的艺术品，由300多块不同大小和颜色的半透明树脂石组成，悬挂在天花板上，并与房间中的其他物体建立了重力、轻盈和重量的关系。房间的整体特征是音响和灯光的温暖；材料调色板和空间外壳有助于阅读活动，纪念Jaime GarcíaTerres的记忆。

A suspended wood structure conceived as an ‘empty bookcase’ hangs from the ceiling and filters the light through a series of mullions modulated in the same fashion as the bookshelves. An art piece by PerlaKrauze entitled “Suspended Time” consisting of more than 300 semitransparent resin stones of different sizes and colors, hangs from the ceiling and establishes a relationship of gravity, lightness, and weight with the other objects in the room. The overall character of the room is one of acoustical and lighting warmth; where the material palette and spatial enclosure contribute to the activity of reading, honoring the memory of Jaime GarcíaTerres.

 © Jaime Navarro

c.Jaime Navarro

该项目是来自联邦政府的一个倡议，以获得二十世纪伟大的墨西哥作家和出版者的个人图书馆，将他们的设计分配给不同的墨西哥建筑师。JaimeGarcia TerresaryLibrary就是其中之一，它坐落在墨西哥城的老建筑里。

The projectis an initiativefrom theFederalGovernmentto acquire thepersonal librariesof great Mexican authorsand publishersof the twentieth Century, assigning their design to different Mexican architects. The JaimeGarcia TerresLibraryis one of them, and it islocatedin the old buildingof CiudadelainMexico City.

 © Jaime Navarro

c.Jaime Navarro

这个项目构想为一系列的物体，尽管它的规模，重量和存在，可以与两个书房，收藏，以及与历史建筑的对话。这个房间是长方形，面积170平方米，高度6.30米，图书馆的18，000册藏书可容纳500多米的书架。

The projectis conceived asa series of objectsorpieces, which though itsscale, weight and presence, could havea dialogue with boththe booksofthe collection, as well aswith thehistoric building. The room isrectangularwith an area of170sqmanda height of 6.30m,where the 18,000 volumes of the library fit in over 500linear meters ofshelves.

 © Moritz Bernoully

莫里茨·伯努利

该设计在空间的中心部分引入了一种新的扎拉姆木地板，并通过围边的方式在墙壁上重复这一姿态。这个“托盘”定义了程序所包含的区域，因为书柜安装在墙壁上，漂浮在地面上。这些书柜在60厘米、90厘米和120厘米处被调制，产生了与地板调制的对话的切分韵律。

The design introduces a new Tzalam wood floor in the central part of the space and repeats the gesture over the walls by way of skirting. This“tray”defines the areawherethe programis contained, as the bookshelvesboxes are mounted alongthe walls, floating off the ground. Thesebookshelvesare modulatedat 60, 90 and 120cm, creating syncopated rhythmsthat dialogue withthe floor’s modulation.

主题空间是专为低矮的书柜，椅子和阅读桌而设计的。在罗玛的西端，“阅读立方体”被放置起来，创造出一种不和谐的环境，并复制了DonJaimeGarcia Terreswork的桌子。

Themain spaceis designed for lowerbookcases, chairsandreading tables. Atthe western endofthe rooma 'reading cube' is placed, creatingamoreintimateenvironment, witha reproduction ofthe tablewhere DonJaimeGarcia Terresworked.

为了控制直射阳光的进入，提出了一种悬挂式隔板，以便通过一系列根据书架进行调制的过滤器进行过滤。由300多块树脂石组成的艺术家PerlaKrauze题名为“暂停时间”的作品被悬挂在天花板上。

Tocontrol the entry ofdirect sunlight, a suspended plafond is proposed in order tofilter thelight througha series ofmullionsmodulatedaccordingto the bookshelves. Anintervention of theartistPerlaKrauzeentitled "Suspended Time", comprising of morethan 300resin stones, hangs from the ceiling.