架构师提供的文本描述。该项目完全假设它的正交几何和，简单和直接的形态，没有进入一个极简主义倾向。它的形态并没有第一次显现出来，它真正隐藏的构造复杂性；在这里，所有的空间、关系、细节和材料都是经过思考、绘制和执行的，只有一个尺度，即人类的尺度。

Text description provided by the architects. The project assumes entirely its orthogonal geometry and, simple and direct morphology without getting into a minimalism tendency. Its morphology does not show in a first view, its real hidden constructive complexity; where all spaces, relations, details and materials had been thought, drawn and executed with one only measure, the human scale.

 © Hervé Abbadie

(HervéAbbadie)

11所单独的房屋和30套公寓的组织与场地的界限平行，以解放地块中心的最大表面。其目的是为所有居民创建一个集体花园，作为一个识别、休息、玩耍和会面的场所。

The organization of the 11 individual houses and the 30 apartments follow parallel the limits of the site in order to liberate the maximum surface on the center of the plot. The aim was to create a collective garden to all inhabitants, as a place of identification, to rest, to play and to meet.

 © Hervé Abbadie

(HervéAbbadie)

房屋以不同的体积分布，位于场地南角的底层和一层的建筑面积各不相同。在北边，公寓有四个独立建筑，三层和四层楼高。这种构图使中央花园的自然光在一天中的所有时间，每年的每一天都能到达。同时，不同卷间的阴影是不存在的。

Distributed in different volumes, the houses vary between ground floor and one floor level volumes placed in the south angle of the site. In the north side, the apartments find their place in four independents volumes with three and four floor level height. This composition allows the arrival of natural light in the central garden at all hours of the day, every day a year. At the same time, shadows between the different volumes are inexistent.

 © Hervé Abbadie

(HervéAbbadie)

所有的住房单元都是双面的，大多数人对街道和中央花园都有看法。所有的集体循环自然轻松，开阔视野，既可以看到城市周围的环境，也可以看到内部的花园。

All housing units are double oriented, and the great majority has views towards the street and towards the central garden. All collective circulations are naturally lighten and open large views to both urban surroundings and inner garden.

 © Hervé Abbadie

(HervéAbbadie)

在每套房屋/公寓的概念中，为了方便传统的家庭使用，各单元都有一个私人的外部空间、一个露台、一个花园或一个阳台。

In the conception of each house/apartment unitit had been extremely important to well distinguish the social zones from the night and private room zones in order to facilitate a traditional family appropriation.On the other hand, all units have a private exterior space, a terrace, a garden or a balcony.

 © Hervé Abbadie

(HervéAbbadie)

该项目的形象是通过水平平衡的垂直多重阅读来表示的全局统一图像。所有的外观是由“以太自然”的规则和系统的三色调面板组成。水平波段是由一种颜色色调决定的，其中一个准时的变化激发了整个图像的规律性。这种平稳运动的马赛克是由滑动的窗户面板突出。

The image of the project is a global unify image represented through a horizontal balanced vertical multiple reading. All façades are composed by “ethernite natura’ regular and systematic 3 colors tones panels. Horizontal bands are determined by one color tone,where a punctual variation agitates the regularity of the total image. This mosaic in smoothly movement is accentuated by the sliding windows panels.

 © Hervé Abbadie

(HervéAbbadie)

走向街道时，色彩的选择是中性的，几乎是匿名的，目的是把视野集中在地面-进入不同的处理方式、花岗岩基座、栅格、边界私人花园，以及朝向内部花园的多种视觉视角。一种与花园植被直接对话的绿色色调，直接导致了一个绿色的“情景”环境。

Towards the street, the color tone choice was neutral, almost anonymous in order to concentrate the view in the ground level – into the different treatments, the granite base, the grids, the border private gardens, and the multiple visual perspectives towards the inner garden.Towards the innergarden, warmer welcome tones are placed, a green tonality in direct dialogue with the vegetation of the garden resulting in an immediate green ‘scenario’ environment.

 © Hervé Abbadie

(HervéAbbadie)

在立面平面的背后，几乎是最小的，隐藏着一个复杂而严谨的概念，绘画和实现，在这里，滑动门窗机构是看不见的；窗户和阳台的地方是一丝不苟的。

Behind the flat aspect of the façades, almost minimal, is hidden a complex, rigorous concept, drawing and realization, where the sliding door windows mechanism are turnout invisible; where the windows and balcony’s find meticulous it’s places.