“大视野”和“光明”这两个概念对于一个好房子来说应该是相容的。然而，集体住房区Pangyo只是由功能逻辑组成，以容纳尽可能多的房屋。

“The great view and the light” These two concepts should be compatible for a good house. However, Pangyo, the collective housing area, is composed only of functional logic to accommodate as many houses as it can. 

 © Sun Namgoong

(孙南光)

它有一个封闭的视野，旁边的其他建筑物在南方，而面对北方，从那里可以看到清真。因此，该工程在功能上的局限性是，如果将重要的房间布置在南方以适应自然阳光的照射，那么北方的房屋就无法获得美丽的景色。这个项目开始于这种不相容的局面，必须加以解决。

It has a closed view being next to other buildings in the south, while facing the north from which Cheonggyesan is seen. Therefore, this project had its functional limitation that the houses couldn’t get the beautiful view in the north if the important rooms were arranged in the south for the natural sunlight. The project began with this incompatible situation which had to be resolved.

最优配置平面和灯光从一个高的位置。主人室和起居室被分配在北部，以捕捉美丽的风景。在这种情况下，规划设计有一个弱点，自然的灯光不进入房间。为了解决这个问题，它的设计有一个高度的差异，屋顶分为四个部分，以便光线可以进入房间。

Optimal allocation of flat surface and lights from a high position. The Master Room and Living Room were allocated in north to capture the beautiful scenery. In this case, the plan design has a weakness that the natural lights do not come into the rooms. To solve the problem, it was designed to have a difference of height, with the roof divided into four parts, so that the light could come into the rooms. 

 © Sun Namgoong

(孙南光)

屋顶的高度不一样，所以从东、南、西从不同的角度照进来。由于窗户发出的自然光线，建筑内部的季节性变化成为可能。这是一种光学空间组织，可以克服北面的物理弱点，获得最大的太阳光。此外，在夏季，自动上窗将内、外的热量排出，使南北两侧的门窗交叉通风成为可能。本项目设计以自然对流为基础，营造了一个生态友好、热效率高的空间。

The height of the roof was different, so the lights came in from various angles from the east, south, and the west. It became possible to feel the seasonal changes inside the building thanks to the natural lights coming from the windows. This is the optical space organization that can overcome the physical weakness of the north side and get the maximal sun lights. Moreover, the automatic upper windows discharged the heat inside to outside in summer, making the cross ventilation possible with the windows and doors in the south and north. This project design was based on the natural convection current to make an eco-friendly and heat-effective space.

 © Sun Namgoong

(孙南光)

玄武岩是材料的本质。砖结构是由每块砖制成的一个像素，它揭示了材料的性质以及组合的形状。特别是玄武岩不同于一般的砖块，因为人们把宝石加工成砖块的形状。因此，玄武岩砖可以保留玄武岩宝石的本质意义。这个项目的重点是收缩玄武岩的特征，包括其粗糙的孔隙和与烧结砖不同的表面。

Basalt, the nature of materials. The brick architecture is produced by each brick as one pixel, it reveals the nature of materials as well as a combined shape. In particular, basalt is different from the general bricks, because people process the gemstone in the shape of a brick. Therefore, basalt brick can keep its essential meaning of basalt gemstone. This project is focusing on contracting the features of basalt including its rough pores and its surface that is different from a fired brick

 © Sun Namgoong

(孙南光)

材料的重新组合-冷、暖、中性物质特性。建筑形式由玄武岩砖、普通砖和不锈钢组成。除一般砖外，约有20，000块玄武岩砖是构成粗糙表面的主要材料，根据其角度将其分为两部分，并根据建筑形式重新组合。玄武岩砖水平地分为五部分，从5度到45度不等。此外，它还分为浮雕部分和雕刻部分垂直。

The recomposition of materials- Cold, warm and neutral matter properties. The architectural form consists of basalt bricks, general brick, and stainless steel. As well as general brick, about 20,000 basalt bricks, which are the main material to compose the rough surface, are divided into two parts according to their angles and recomposed on the architectural form. The basalt bricks are allocated horizontally in five parts ranging from 5 degrees to 45 degrees. In addition, it is divided into the embossed and the engraved parts vertically. 

 © Sun Namgoong

(孙南光)

2分体玄武岩砖与普通砖重新组合，用浮雕和雕刻部分改变垂直和水平的形状。这些变化是由砖的特性引起的，因为材料反映了地层的变化。玄武岩的粗糙孔隙为我们提供了重新组合表面材料的基本信息。砖块是通过改变光线角度的浮雕和雕刻的重组形式来揭示它们的存在的。材料被重新组合，图像被重组。

The 2-parted basalt bricks are recomposed with the general bricks and changes both the vertical and horizontal form with the embossed and engraved parts. The changes are caused from the features of the bricks as the material presents the changes of strata in contrast. The rough pores of the basalt gives us an essential message of the materials inside the recomposed surface. The bricks are revealing their existence by the recomposed forms with the embossing and engraving that changes the angles of the light. The materials are recomposed and the image is re-structured.

 Floor Plan 1

平面图1