© Jeroen Musch

c.Jeroen Musch

 © Jeroen Musch

c.Jeroen Musch

HET Buro/de Bovenkmer是一个专门为年轻人开发和设计的项目。在博文卡默尔24工作室实现了，其中12家以前退出，每周得到几个小时的专业指导，而另一间工作室是为年轻的专业人士，作为榜样。Buro拥有475平方米的办公空间，为小型企业的创业提供了可能。玻璃街角将用作咖啡角，供年轻人、来自Buro的企业家和来自邻里的人聚会。

Het Buro/De Bovenkamer is a project specially developed and designed for young people. In the Bovenkamer 24 studio’s are realised, twelve of which for former drop-outs, getting a few hours of professional guidance a week, while the other studio’s are for young professionals, acting as role models. With 475m2 office space the Buro offers the possibility for easy start-up of small enterprises. The glazed corner will serve as a coffee corner, a meeting place for the youth, entrepreneurs from the Buro and people from the neighbourhood. 

鹿特丹西部Duysstraat和Rochussenstraat拐角处的五套公寓和一家商店被合并、改造和可持续地丰富起来，以实现这一目标。由于建筑物是一个市政纪念碑，建筑师采用了修复技术和现代细节。

Five apartments and a shop on the corner of Duysstraat and Rochussenstraat in Rotterdam West have been combined, transformed and sustainably enriched to serve this goal. Because the buildings is a municipal monument, the architects used both restoration techniques and modern detailing.

社会可持续

Socially sustainable

HET Buro/de Bovenkmer是一个源自荷兰建筑研究所的“表现形式”项目。这恰逢鹿特丹青年，因此，艺术家鲁德·鲁特林斯佩格(RuudReutelingSpger，观察者)与年轻人共同发展了一个概念。青年表示需要有一个空间，使年轻的新兴企业。这一概念已被伍布伦住房公司采纳。伍布伦买了五套破旧的公寓，在一排梯田房的角落里买了一家商店。在第二阶段，Krill架构被要求参与一个开发小组，以创建一个编程概念和一个空间草图。这就产生了一个办公空间和24个工作室的概念。12间工作室是为有辍学史的年轻人准备的，他们在回归独立的道路上每周会得到一到两个小时的指导，而另一个工作室则是为年轻的专业人士准备的，他们扮演着榜样的角色。办公空间

Het Buro/De Bovenkamer is a project originating in the manifestation Make Place in the Netherlands Architecture Institute. It coincided with the Rotterdam Year of the Young Adults, therefore a concept has been developed by artist Ruud Reutelingsperger (Observatorium) together with young adults. The young adults expressed the need for a space enabling young emerging enterprises. This concept has been adopted by housing corporation Woonbron. Woonbron bought five run down apartments and a shop in the corner of a row of terraced housing. During this second stage, Krill architecture was asked to participate in a development group to create a programmatic concept and a spatial sketch. This resulted in a concept for office space and 24 studio's. Twelve studio’s are meant for young adults, who, having a history of dropping out, are provided guidance for one or two hours per week on their way back to independency, while the other studio's are reserved for young professionals, acting as role models. The office space was

建筑考古学

Architectural archaeology

 Third Floor Plan

三层平面图

在初步设计阶段，Krill Architecture要求Christian Müller参与设计过程。这座建筑在多年被忽视之后，处于一种令人遗憾的状态，尽管如此，它在设计过程中还是获得了巨大的地位。Krill/Christian Müller建筑师决定通过揭示这栋建筑的所有时间层来处理这一问题，因此不仅把建筑-文化层视为纪念碑，而且还将使用过的材料和痕迹-从最初建筑商的最早笔记-用铅笔画在以前覆盖的横梁上-烟囱被移除的墙壁上留下的黑色煤的痕迹，新的COR十钢屋顶增加了结构玻璃。

During the preliminary design phase, Krill Architecture asked Christian Müller to participate in the design process. The building was in a deplorable state after being neglected for years, nonetheless it was granted a monumental status during the design process. Krill/Christian Müller Architects decided to deal with this by revealing all time layers in this building, thus not only the architectural-cultural layer was treated as a monument, but also the used material, and traces human intervention, from the earliest notes of the original builders, drawn with pencil on previously covered beams, the traces of black coal on the walls where the chimneys were removed, to the new Cor Ten steel roof additions with structural glazing. 

 © Jeroen Musch

c.Jeroen Musch

在空间上，这座建筑已经发生了巨大的变化。迷宫的结构，是许多以前转换的结果，被用来交换一个清晰的细分区域，每层都有一个中央大厅。为便于居民之间的非正式接触而发展起来的所有大厅都有各自的好处：一楼是“广场”，二楼有一个小的“半岛”，可以看到街道，第三层是通过空隙与第二层相连的，第四层是通往屋顶花园的通道。

Spatially the building has been drastically changed. The labyrinthine structure, result of numerous previous conversions, was traded in for a clear subdivision, with a central hall on each floor. Developed to enable informal contacts between the inhabitants, all halls have their individual bonus: the first floor is a ‘square’ , the second floor has a small ‘peninsula’  with a view to the street, the third is connected to the second through a void, while the fourth has access to the roof garden.

 © Jeroen Musch

c.Jeroen Musch

为了使空间清晰，执行了一项结构困难的任务；将一半的承重墙移除在现场，用钢桁架代替。这在底层创造了一个宽敞的空间，可容纳16个新兴办公室，并为邻里提供一个咖啡厅。地板上有一个玻璃区域，通过暴露的旧横梁和安装管道，可以看到楼下的“地下世界”，有会议室、厕所和灵活的空间。

To enable the spatial clarity, a structurally difficult task was performed; half the carrying wall was removed on site and replaced by a steel truss. This created a single wide space on the ground floor level, with place for 16 emerging offices and a coffee corner for the neighbourhood. A glass zone on the floor offers, through the exposed, old beams and the installation tubes, a view to the ‘underworld’ downstairs, with conference rooms, toilets and flexibility space.

该项目不仅为社会可持续发展服务，而且还非常注意确保能源效率和使用二氧化碳中性材料。采用综合平衡通风系统、太阳能集热器和绝缘材料，能耗水平由高耗能水平G级降至绿色级A级。

Not only social sustainabillity has been served by this project, great care was also taken to ensure energy efficiency and the use of C02 neutral materials. Using an integrated balanced ventilation system, solar collectors and insulation, the energy consumption level went from a high energy consuming  level G down to the green level A.

Architects Krill Architecture , Christian Müller Architects

Location Rochussenstraat 355, 3023 DL Rotterdam, The Netherlands

Category Commercial Architecture

Project architects Harmen van de Wal, Christian Müller

Contributors Arnold de Bruin, Barbara Costatino, Raimonda Cibayte, PaulPeter Kuper, Magdalena Merchan, Jiri Serek, Elena Vicente

Programmatic concept Het Observatorium, Greetje Hoitink en/and Krill architecture, met/with Hans Venhuizen, Michaela Stegerwald Architectuur, John van de Wetering Advies

Area 1385.0 sqm

Project Year 2012

Photographs Jeroen Musch