架构师提供的文本描述。有几次，房子的设计过程从年轻的经历开始，从地方的痕迹开始，从童年开始。在某些情况下，建筑师可以某种方式参与选择地点或土地的地块，但是，幸运地拥有深深扎根于童年底层的景观-就像这种情况一样-并不常见。我们正在谈论Ría的入口，在A Coru a的Mi o海滩。这幅风景-从山的西南方看-将是房子位置的决定性因素。

Text description provided by the architects. A few times, the devising process of a house starts from youth experiences, from the marks of the place, from childhood as such. On some occasions, the architect can take part somehow in the choice of the place or the plot of land, but it is not frequent, however, to be fortunate enough to have the landscape –as in this case- deeply anchored in the bottom of one’s childhood. We are talking about the entrance to the Ría, the Miño Beach, in A Coruña. This landscape -seen from the southwest side of the hill- is going to be the determining factor in the location of the house.

 Courtesy of Vier Arquitectos

维尔·阿奎托斯

对“终身住房”概念(成熟、儿童、老年和家庭住房)的反思，必然决定创造一个灵活、易于适应的空间。但是，这一概念同时要求关注社会和文化方面的所有要求以及当代住宅所期望的那些方面：舒适、安全、身份。因此，房屋必须是灵活的，它的空间必须适应使用的需要，适应可能发生的剧烈或不可预见的变化；它必须对与外界的关系作出反应，而且必须与最遥远的地方作出反应。而且它必须广泛地鼓励-实际上-它自己的空间之间的关系。

The reflections about the idea of the "lifetime house" (for maturity, for the children, for the old age and, also, a house for the family) have necessarily determined the creation of a flexible space, easily adaptable. But that concept of house demands, at the same time, the attention to all the requirements of social and cultural kind and those aspects expected from a contemporary house: comfort, safety, identity. The house, therefore, must be flexible, its spaces must adapt without traumas to the needs of use, to the possible drastic or unforeseen changes; it must respond to a relation with the immediate outside and, also, with the most far-off. And it must widely encourage -indeed- the relationship among its own spaces.

 Courtesy of Vier Arquitectos

维尔·阿奎托斯

起初，这座房子被认为是两卷书与地面之间的对话，其中材料、空隙、透明、内外空间以及无限期或中间空间都积极参与其中。还有花园，水，灯光。最后，结果是一个简单的组成，体积(最高的)把地面雕刻成一堵混凝土墙，沿着前面滑行，形成一个向大海开放的灯箱，充满了透明和反射，漂浮在金属柱子上。随着岁月的流逝，所选择的材料将变得越来越好，这要归功于他们自己的老化所获得的表现力，而没有在加利西亚海岸潮湿的气候下无疑是不合时宜的脆弱和回避的完成。

At first, this house has been conceived as a dialogue among two volumes together with the ground, in which the materials, the voids, the transparencies, the inner and outer spaces and the indefinite or intermediate ones participate in an active way. As well as the garden, the water, the light. Finally the result is a simple composition, with a volume (the highest one) sculpting the ground as a concrete wall and, gliding along the front part, the appearance of a light box which opens to the sea, full of transparencies and reflections, floating over metallic pillars. The chosen materials are to become better and better as years pass by, thanks to the expressiveness achieved by their own aging, without the fragile and evasive finishes which may be undoubtedly inopportune, under the damp climate of the Galician seaboard.

 Courtesy of Vier Arquitectos

维尔·阿奎托斯

由钢筋混凝土制成的最高体积的“墙”-不可能是另一种方式-在内部脱颖而出，被石化，覆盖地板和厕所的石板也是如此。它被覆盖在外面，由来自加拿大的雪松木板制成的包覆通风立面。来自同一物种和起源的是花园里的雪松树。在内部，建立了一个单一的家庭环境，一个空的对角线连接着每一层，并在空间之间建立了视觉和声学的关系。在这一卷，同样的图表重复在每一层：单一的空间和服务的核心。在“开放的盒子”中，由于玻璃平面的摇摆运动，在两卷书之间蜿蜒而行，这些空间达到了有序的露天、室内和外部，寻求最大的丰富性，利用地理位置及其独特的景观，与童年时期的景观相匹配。最后，在一所房子里，那些童年和青春期的经历响起了，在这里，人们对著名的、光明的、沙滩的、海洋的、风景的记忆和游戏的记忆与建筑融为一体。

The highest volume, “the wall”, made out of reinforced concrete –it could not be other way- stands out in the inside, petrified, the same goes for the slate that covers floors and toilets. It is covered on the outside with a cladding ventilated facade made of cedar wood boards from Canada. From the same species and origin are the cedar trees in the garden. On the inside, a family environment has been established, unitary, with an empty diagonal which links every floor and establishes a visual and acoustic relation among the spaces. In this volume the same diagram is repeated on every floor: unitary space and services core. In the "open box", and thanks to the swaying movement of the glazed plane, which goes winding between the two volumes, the spaces reach an order –protected and open-air, interior and exterior, seeking the maximum richness, taking advantage of the location and its singular landscape, which matches up with that of the childhood. At last, a house, in which those childhood and adolescence experiences ring, where the memories of the well-known, the light, the sand, the sea, the landscape and the games melt, indissolubly, with architecture.

Architects Vier Arquitectos

Location Perbes, Spain

Category Houses

Architects in Charge Antonio Raya, Cristóbal Crespo, Santiago Sánchez, Enrique Antelo

Collaborators Emmanuel Vincent, Saúl González Casas

Area 325.0 m2

Year 2003

Photography Courtesy of Vier Arquitectos