架构师提供的文本描述。位于街道拐角处的一栋大楼里，商店里应该有收藏的同时代气息和́品牌的新语言。它已经在市场上运行了60多年，在这项新的事业中，它寻找一种新的审美语言印刷在其产品和建筑。

Text description provided by the architects. Located in a building on the corner of the street, the store should house the contemporaneity of the collection and the brand ́s new language. It has acted in the market for over 60 years and in this new undertaking, it searches for a new esthetic language printed on its products and also in the architecture.

 © Maira Acayaba

(Maira Acayaba)

因此，本文分析了这一现状，认为这是一座弯曲方形后的后退建筑，也是产品展览的需要。这座大楼有10扇小窗户，经过一次研究后，决定在这条繁忙的街道上，在一个可以清楚看到行人和谁开车的地方，用辅助金属结构在立面上开个大口。

Therefore, the situation was analyzed representing a receding building behind a curved shaped square and also the needs of product exhibition. The building had 10 small windows and after a study it was decided to make a great opening on the facade using an auxiliary metal structure in a place clearly visible for pedestrians and also to who drives by this busy street.

 © Maira Acayaba

(Maira Acayaba)

蜂窝启发了六角形的正面，这种形状允许更好的解决平面和曲线的情况。在某些时候，涂层是以不透明的方式使用的，而在另一些时候，则是半透明的，在直线和弯曲的角度之间产生运动。同时，有时在主窗口中显式地塑造开口，有时也会更谨慎地暗示自己，以刺激探视。

A honeycomb inspired the hexagonal shape on the facade and this shape allows a better solution for planes and curves situation. The coating was used in some moments in an opaque way and in others as semi-translucent, evoking movement between straight and curved angles. At the same time, shaping the openings sometimes explicit like in the main window and it alludes itself more discretely at times to incite visitation.

 © Maira Acayaba

(Maira Acayaba)

在商店里，人们注意到有一个集装箱托运门，用来吊装不能通过楼梯运输的大型部件。砖石被剥皮和暴露粗糙，照明使用原有的结构来固定，为商店的产品展览提供了尽可能高的灵活性。现存的旧砖块一直在新旧材料之间交谈。

Inside the store, it’s noticed a container shipping door used for hoisting big parts that can ́t be transported through the stairs. The masonry was peeled and exposed crudely and the lighting uses the preexisting structure to its fixation, bringing the highest flexibility possible for the product exhibition at the store. Old existent bricks were kept making a conversation between new and old materials.

 © Maira Acayaba

(Maira Acayaba)

灵感来自异乎寻常的建筑建议，塑料艺术家费利佩·莫罗齐尼(FelipeMorozini)为星加百列(EstarGabriel)的物品、家具和艺术的创作方向签名。以人性化和逃避陈列室模式的理念，策展人提出了朴素幽默的空间，拯救了历史、怀旧、情感和宾至如归的感觉，让游客感觉就像在自己的家一样。

Inspired by the unusual architectural proposal, the plastic artist Felipe Morozini signs the creative direction of the objects, furniture and the art for ESTAR GABRIEL. With the idea to humanize and escape showroom patterns, the curator proposes unpretentious and humorous spaces rescuing the History, nostalgia, emotion and the feeling of being at home, so the visitors feel as if they were in their own home.

 © Maira Acayaba

(Maira Acayaba)

 © Maira Acayaba

(Maira Acayaba)