架构师提供的文本描述。SM‘1 House是建筑师的房子，他有妻子和两个女儿。每个建造房屋的人都想建造自己的房子，但据说很难轻易做到这一点。建筑师没有建立他们的建筑世界的借口，模糊的恐惧和犹豫似乎使他们感到沉重的负担。

Text description provided by the architects. SM'1 House is the house of the architect who has his wife and two daughters. Everyone who constructs wants to build his house but it's said to be difficult to do such a thing easily. The excuse that architects have not established their construction world, vague fear and hesitation seem to make they feel a heavy burden.

 © Eunsoo Sun

孙恩洙

我遇到了这样的麻烦和拖延，当我想‘我必须作为一个建筑师和一个父亲’为最亲近的人“做一些事情”时，我意外地在媒体上看到了一位父亲的故事，这个故事一直萦绕在我的脑海中。据说，房子是一个地方，儿童的价值记忆是，并使他们的童年记忆很多。

I had been in such troubled and delayed it, during thinking 'I have to do something as a architect and a father' for the closest people called 'Family', I watched a father's story on the media accidentally and the story haunted me. It's said that the house is a place where children's value memories are and makes them keep their memories of childhood a lot. 

 © Seunghoon Yum

云杉

然而，大多数人在孩子长大离开父母后为一对夫妇建造了巨大的房子。我自责说，“在这间公寓里住了几十年，有没有一家人的空间同情心？”我们多久交流一次？当我考虑这些问题的时候，我喜欢尽快盖一栋房子，然后把这个想法付诸实践。在家里，我不知道我在这所房子里住了多久，但我想要梦想美好的回忆和家人的幸福。

However, most people build their house tremendously for a couple after children grew up and leave their parents. I blamed myself for ' Are there spatial sympathy of family during living the apartment for dozens of years? How often do we communicate with each other? in that space". During I was thinking about these questions, I liked to build a house as soon as possible and then I put the thought in practice. At home, I don't know how long I live in the house but I want to dream beautiful memories and the happiness of my family.

 © Seunghoon Yum

云杉

奥拉3-洞，济州岛-西，济州特别自治省是位于现有的定居点，在旧城(聚居寺)，在当前居州和中心的新济州岛。在它周围，房子和别墅、仓库等都在村子里，所以他们让人感到有点凌乱。该网站是一个土地，它提供了一个舒适和舒适的感觉，因为良好的照明，有一个完整的南面。南边是哈拉山(山)，北边是机场和未来，所以景色很好。

Ora 3-dong, Jeju-si, Jeju Special Self-Governing Province is located around the existing settlements that is in the old town(Juju-si) in current Juju and in the center of New Jeju. Around it, houses and villas, warehouses, etc are in the village so they make people feel a bit messy. The site is land which gives a cozy and comfortable feeling due to being well-lighted having a full south aspect. To the south, there is Hallasan(Mt), to the north, there are the airport and the offing so it has nice view.

 © Seunghoon Yum

云杉

部署计划的主要概念是，如果可能的话，通过分别在每个房间设置外层空间的关系来指导具有不同感觉的空间。这一空间被划分为保留济州岛传统房屋布局的特色，几个小庭院和一个前院在院子里有适当的等级，并试图有机地相互沟通。此外，院子的感觉是一个抒情空间，在我童年时在祖母家看到的，同样的概念在照明规划中被应用和规划。

The main concept of the deployment plan is if possible, to direct the space with different feelings by setting the relationship of the outer space in each room respectively. The space divided into this is planned to hold features of Jeju's traditional house deployment, several small yards and a front yard have appropriate hierarchy in the yard and try to communicate organically each other. In addition, the feeling of the yard is a lyrical space where I saw in the grandmother's house in the childhood, and the same concept in lighting plan to direct was applied and planned.

 © Seunghoon Yum

云杉

主厅(大库杜)、厨房(Jeongji)、客房和茶室(Barkgeori)、爱好室、公用室(Gopang)都计划集中在一楼的起居室(Sangbang)，计划起居室在房子中央，家庭成员可以聚在一起，客厅总是给人一种明亮而宽敞的感觉，把我的家庭主妇的流量和眼睛公开地放在厨房里打开。

The main room(large Kudul), kitchen(Jeongji), guest and tea room(Barkgeori), hobby room, utility room(Gopang) are planned focusing on the living room(Sangbang) on the first floor, it's planned that the living room is in the center of the house and family members can get together, the living room always gives bright and spacious feeling by placing my housewife's flow and eyes openly with opening it with the kitchen. 

 © Seunghoon Yum

云杉

特别是，我让前院和内后院都来到了室内.在客房里，庞尼昂庭院强调抒情诗，以提醒人们整洁的济州岛石头和庞尼昂在过去的欧莱雅。

In particular, I made both the front yard and inside-back yard come to indoor. In the guest room, Pongnang yard emphasizes lyricism to remind people of neat Jeju stones and Pongnang on the past ollegil.

 © Eunsoo Sun

孙恩洙

立面反映了平面的形式，布置成三维适度的装饰品，尽可能强调整洁的感觉。干净的白色灰泥和玻璃不想用自然的颜色来干扰周围的环境。

The facade reflected on the form of flat arranged as the three-dimension moderated decorations as much as possible to emphasize neat feeling. Neat and clean white stucco and glass has the intention not to disturb surroundings by embracing natural colors.