SPAR Flagshipstore LAB5 Architects
2014-01-02 00:00
我们的同事András Debreczeni,Zoltán Szegedi,Tamás Tóth,Zoltán Vámos Signage Design Zsuzsi Tolnai,Rita Halasi Engineering(回区和共同工程)MŰpítőmérn kft,LászlóFilepkóConstructor Emel Kft Client Spar Magyarország Kereskedelmi Kft制造商.多规格少规格
Our Colleagues András Debreczeni, Zoltán Szegedi, Tamás Tóth, Zoltán Vámos Signage Design Zsuzsi Tolnai, Rita Halasi Engineering (back zones and co-engineering) MŰÉP Építőmérnöki Kft | László Filepkó Constructor EMEL Kft Client SPAR Magyarország Kereskedelmi Kft Manufacturers Loading... More Specs Less Specs
© Zsolt Batár
(Zsolt Batár)
位置和程序
Location and program
Ground Floor Plan
斯帕尔决定在位于布达佩斯一个富裕地区中心的一家名为“妈妈公园”的购物中心开设新的超市。他们的想法是建立一个独特的内部,这提供了高质量的客户体验。为了选择这家旗舰店的设计师,他们邀请建筑师和室内设计师参加一个非公开的竞争,并提交想法草图。LAB 5的建筑师赢得了一个市场空间的外观和感觉,与友好的工业氛围。幸运的是,后来90%的原始想法都实现了。
SPAR decided to open its new supermarket at a shopping mall called MOM Park, situated in the heart of a wealthy district of Budapest. They had the idea of building up a unique interior, which provides a high quality costumer experience. To chose the designer of this flagship store, they invited architects and interior designers to take part in a non-open competition, and submit sketches of ideas. LAB5 architects won because of the look and feel of a market space, with a friendly industrial atmosphere. Luckily later 90% of the original ideas could have been realised.
© Zsolt Batár
(Zsolt Batár)
这个零售主要吸引三种顾客,因此布局是相应的。一个人可以很快购物,甚至不进入大门,这是非常方便的,例如,人们跑到电影院。对于快速的日常购物,有一条“短途”,而周末买家则有一条“长路线”。
This retail draws mainly three kinds of costumers, so the layout is organised accordingly. One can be shopping very quickly even not entering across the gates, which is very convenient for example for the people running to the movie theater. There is a "short route" for quick daily shopping, and a "long route" for weekend buyers.
形状和天花板
Shapes, and the ceiling
内部的所有形式都是受顾客流动的启发。
All the forms in the interior are inspired by the flow of costumers.
© Zsolt Batár
(Zsolt Batár)
天花板是引导和吸引你从入口到后面的区域,然后显示不同的替代方式继续下去。收银员面前的街区更像是一个传统上有组织的超市,因此它没有悬挂的天花板,而且布局是基于一个规则的网格。由于内部高度适中,我们想要获得吊顶区域上方的空间,所以我们没有设置一个天花板,除非它是必要的,我们把它放在哪里,它被以自由的方式使用,作为一个个体的,膨胀的雕像物体。在我们可以使用的地方,我们使用固体白色的表面,在那里我们必须添加额外的元素(灯,洒水,等等)。我们用了光学天花板。
The ceiling is guiding and attracting you from the entrance to the back zone, and then shows different alternative ways to go on. The block before cashiers is more like a traditionally organised supermarket, so it doesn't have suspended ceiling, and the layout is based on a regular grid. Due to the condition of the modest internal height, we wanted to gain the space above the suspended ceiling zone, so we didn't put a ceiling, unless it was really necessary, and where we put it, it was used in a free-form way, for being presented as an individual, expanded statuesque object. Where we could we used solid white surface, and where we had to put additional elements (lights, sprinkler, etc.) we used optical ceiling.
© Zsolt Batár
(Zsolt Batár)
由于使用的不同,有两个区域,其中光学部分的天花板转换为一个三维形式的流动到地面。在面包店的产品中,温馨的感觉得到了加强。在葡萄酒部分,天花板的层板一直延伸到地面,形成一个地窖空间,并在此时表明产品的质量和文化。
Because of different use, there are two zones where the optical part of the ceiling converts into a 3d form by flowing down to the ground. At the bakery products warm feelings are strengthen. At the wine section, the lamellas of the ceiling are continuing down to the ground to form a space of a cellar, and to indicate at this point the quality and the culture of the product.
一般说来,由于天花板是随处可见的要素,它成为了定位和印象的主要要素之一。
Generally saying, as the ceiling is the element that can be seen from everywhere, it became one of the main elements of orientation and impression.
© Zsolt Batár
(Zsolt Batár)
货架和柜台正在形成圆圆的岛屿,就像它们站在市场上一样。
Shelves and counters are forming rounded islands together, just as if they were standing at a market.
材料和颜色
Materials and colors
© Zsolt Batár
(Zsolt Batár)
荷兰单词“Spar”的意思是松木,它的意思是在天花板或酒厂使用“类似木材”的材料。它还有助于创造一个更舒适的气氛,尽管强调的工业外观的大多数要素。
The Dutch word "Spar" meaning pinewood gave the idea of using "wood-like" materials at the ceiling or at the winery. It also helps to create a more cosy atmosphere in spite of the emphasized industrial look of the majority of the elements.
Acryl(科里安)被选择用于所有圆形家具的修整,因为它们必须是白色的,光泽的,干净的,耐用的,并且支持“流体”的效果。
Acryl (corian) was chosen for the finishing of all rounded furniture, as they had to be white, shiny, clean, durable, and supporting the "fluid" effect.
© Zsolt Batár
(Zsolt Batár)
由于许多相互矛盾的规格,我们不能按我们的计划在地板上应用混凝土,但是灰色瓷砖的单一颜色解决方案对我们的目标来说是完美的。
Due to many contradictory specifications we couldn't apply concrete for the floor as we planned, but the single colour solution of grey tiling is perfect for the goal.
也许是因为我们最初是建筑师而不是室内设计师,所以我们把这个零售店看作是大型购物中心的一部分,所以我们在许多元素(地板、天花板、货架后面等)上使用了公共空间的棕色,没有其他颜色(除了灰色和白色)。
Maybe because of the fact that we are architects and not interior designers originally, we were seeing this retail as being one part of the big shopping mall, so we used the colour brown of its public spaces, on many elements (floor, ceiling, rear of shelves, etc.), and no other colours (beside grey and white).
Architects LAB5 Architects
Location MOM Park Bevásárlóközpont, 1123 Budapest, Alkotás Street 53, Hungary
Category Market
Design Team Linda Erdélyi, András Dobos, Balázs Korényi, Virág Anna Gáspár
Area 2000.0 m2
Project Year 2013
Photographs Zsolt Batár
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