根据建筑师们的说法，“[该网站]要求我们研究植物作为社会有机体王国的行为，它们集体和单独地与建筑分享一些基本原则。”

According to the architects, "[the site] has challenged us to investigate the behavior of plants as kingdoms of social organisms which collectively and individually share some fundamental principles with architectu

“植物采取控制环境资源的措施。他们认识到自己，并有能力区分‘自我’和‘非自我’，从而使它们能够保护自己的领土。植物处理信息并相应地修改它们的行为。也就是说，对植物的系统、生态行为的理解，肯定有助于建筑设计。”

"Plants take measures to control environmental resources. They perceive themselves and have the ability to distinguish between ‘self’ and ‘non-self,’ thereby allowing them to protect their territory. Plants process information and modify their behavior accordingly. This is to say, an understanding of the systematic, ecological behavior of plants can certainly contribute to architectural design."

 Courtesy of Akaran Architects

阿卡兰建筑师

这种结构是完全对称的，呈菱形形状，分布在场地上。菱形(类似钻石的形状)从地面表面生长出来，围绕着位于场地中心的主展馆结构。

"The structure folds out of a completely symmetrical pattern of geometric rhombus-like shapes laid over the site. The rhombi (diamond-resembling shapes) grow off the surface of the ground and wrap around the main pavilion structure located in the heart of the site."

 Courtesy of Akaran Architects

阿卡兰建筑师

“从计划的角度来看，‘我的伊朗’的形式是一片悬浮的叶子，暗示着从地面发芽的种子。这个有机概念不断让人想起一个对周围环境有反应的自我维持系统。自然通风、被动冷却和太阳能遮阳以及其他可持续特征的问题，对于原始概念和物理形态都至关重要。”

"From plan view, 'My Iran' takes the form of a suspended leaf, suggestive of a seed sprouting from the ground. This organic concept is continually reminiscent of a self-sustaining system responsive to its surroundings. Natural ventilation, passive cooling and solar shading, along with other issues of sustainable features, are crucial to, both, the original concept and physical form."

 Courtesy of Akaran Architects

阿卡兰建筑师

在它的内部，叶子提供了一个高度为14到18米的中庭。内部坡道将游客带到天空，这意味着一种叙事式的旅行，游客在此体验到一系列与烹饪相关的不同感官：味觉、嗅觉，或者仅仅是将这些感官释放到有意识的头脑中的记忆。

"On its interior, the leaf provides an atrium with a variable height of 14 to 18 meters. The interior ramp, taking visitors up towards the sky, suggests a narrative, a journey on which the visitors experience a range of different culinary-related senses: taste, smell or simply a memory releasing these senses into the conscious mind."

 Courtesy of Akaran Architects

阿卡兰建筑师

“亭前的一个小池塘坐落在场地的中轴线上，形成了对称的地面图案，提供了一个自我反省的空间，同时微妙地暗示着波斯建筑的重要符号学(即水、对称，“水沿着内部连接地面和天空的坡道流动，暗示着建筑物达到了一种统一的感觉。它也象征着叶脉-一种不断流动的生命。“

"A small pond, at the front of the pavilion, sits on the central axis of the site, forming symmetrical ground patterns that provide a space of self-reflection, while subtly hinting at significant semiotics of persian architecture (i.e. water, symmetry, multiplicity)." Water runs along the path of a ramp in the interior connecting the floor to the sky alluding reaching a sense of unity in the building. It also symbolizes the veins of a leaf — a constant flow of li

建筑师Akaran建筑师、伊朗邦建筑和工程咨询公司所在地米兰、意大利类别Pavillio设计小组Moeen Afzalkhani、Zahra Azizi、Yasser Jafari合作者Najma Forati、Mahsa Shirali、Amin Daneshgar、Javad Erfani、Majid Adab、Alireza Mehdizadeh、Sara Akouchakian、Mahya Fatti项目2013年

Architects Akaran Architects, Iran Bon Architecture and Engineering Consultants Location Milan, Italy Category Pavillion Design Team Moeen Afzalkhani, Zahra Azizi, Yasser Jafari Collaborator Najma Forati, Mahsa Shirali, Amin Daneshgar, Javad Erfani, Majid Adab, Alireza Mehdizadeh, Sara Akouchakian, Mahya Fatemi   Project Year 2013