Floor Plan

架构师提供的文本描述。对象

Text description provided by the architects. Object

弗朗泰拉的阿托莱罗斯战役解释中心是一种文化设备，旨在提高社会对1384年4月6日发生的这场战争的几个观点的认识，以及它在十九世纪末葡萄牙王国和卡斯特拉王国之间的王朝争端中的重要性。

The Center for Interpretation of the Battle of Atoleiros, in Fronteira, is a cultural equipment intended to raise social awareness on the several perspectives over the battle occurred on April 6th 1384, and its importance in the context of the dynastic disputes between the kingdoms of Portugal and Castela, by the end of the XIVth Century.

鉴于无法在战场地区实地标绘口译中心，市议会批准了在城镇核心、高能见度地点和一个模拟和唤起旧战场的城市公园系统中的地块，在参观口译中心期间，游客将体验到战场的不同视觉视角，但也会体验到历史，通过它的主人公和作家，由画家马丁斯·巴拉塔的手领导。

Given the impossibility on plotting the Interpretation Centre on-site, in the battlefield area, the City Council approved its plot in the town core, on a location with high visibility and inserted in an urban park system that simulates and evokes the old battlefield.During the visit to the Interpretation Centre, visitors will experience different visual perspectives of the battle field, but also about the history, through its protagonists and authors, led by the hand of the painter Martins Barata.

在展览线路的末尾，一张大长凳展示了城市公园的所有维度，排练了另一场由蔬菜和惰性元素组成的展览演讲，这是一个模拟平原和想象的雕塑维度，指的是“阿托莱罗斯之战”(BattleofAtoleiros)。

A large bench, at the end of the exhibition circuit, presents urban park in all its dimensions, rehearsing another exhibition discourse, this made of vegetables and inert elements, a sculptural dimension that simulates the plains and the imagination refers to the Battle of Atoleiros.

建筑物的身体让人回想起传统中世纪建筑的触觉性，它呈现粗糙的纹理表面，通过使用带有原始和不规则表情的着色混凝土来实现，非常接近人类手工获得的原始纹理。这种结构是通过在建筑物的水平接缝中插入片岩板来增强的。

The body of the building recalls the tactility of the traditional medieval construction, presenting rough textured surfaces, achieved by the use of pigmented concrete with raw and irregular expression, very close to the primal textures achieved by human hand. This texture is enhanced by interposing lines of schist slabs in the horizontal joints of the building.

作为一个整体，这座建筑产生了一种引力存在；几乎一座地球雕塑以自己的色调染色，唤起了自然的帕蒂纳模式的时间，就像一个肮脏的垂直战场，在一个小的和更大的身体之间，就像两支处于冲突中的军队。

As a whole, the building generates a gravitational presence; almost an earth sculpture dyed in its own tonalities, evoking time in the spontaneous patina patterns, resembling a stained vertical battlefield, between a small and a larger body, like the two armies in conflict.

混凝土墙和由混凝土柱/梁/板系统构成的结构的结合使用，允许最大面积的开发和展示慷慨的展区。

The combined use of concrete walls and a structure formed by a concrete column / beam / slab system, allowed maximal area exploitation and the display of generous exhibition areas.

通过控制台的完成，结构变得更加复杂，允许横向玻璃化，激发内外区域、展览和城市公园之间的开放关系。

Through the completion of consoles the structure had acquired more complexity, allowing lateral glazing and motivating an open relationship between inner and outside areas, between exhibition and urban park.

Environment

葡萄牙南部的风景有金色/红色的色调。红色的建筑物试图模仿那些颜色和图案，因此加强了归属感。

Portuguese southern landscape has a golden / reddish tone. The reddish wash of the building tries to emulate those colors and patterns, therefore reinforcing a sense of belonging.

在城市公园铺路系统中使用相同的音高也增强了色彩和纹理，作为解释中心的基本框架，同时也重新诠释了战场的原始景观。

Color and textures are also enhanced by the usage of the same pitch used on the urban park paving system, serving as an essential framework for the Interpretation Center, yet reinterpreting the battlefield original landscape.

Architects Gonçalo Byrne Arquitectos, Lda, Oficina Ideias em Linha – Arquitectura e Design, Lda

Location Fronteira, Portugal

Category Cultural Center

Architect in Charge Gonçalo Byrne, José Laranjeira

Design Team Doriana Reino, Ana Abrantes, Miguel silva

Area 935.0 sqm

Project Year 2012