架构师提供的文本描述。就在格拉纳达省、马拉加省和科尔多瓦省之间，IZNájar村停留在Genil河和Prigo河的一座小山上。这个地方给村庄下游的水库起了名字，因为它的规模被认为是安达鲁西亚湖。

Text description provided by the architects. Just between the provinices of Granada, Málaga y Córdoba, the village of Iznájar stays in a hill on the river Genil and the stream of Priego. This locality gives name to the reservoir situated down the village; for its dimensions it is considered the lake of Andalusia .

 © Jesús Granada

(Jesús Granada)

从土壤的用途来看，橄榄树单一种植在整个领土上占主导地位。以准时的形式，这一景观被山林空间(由于其高坡度和岩石阻碍其农业用途的飞地)和水库所打断。它位于最近城市化的一个地区，朝北、朝南、向南、靠近太阳

Looking to the uses of the soil, the olive monoculture is predominant in the whole territory. Of punctual form this landscape is interrupted by forest spaces of the hill (enclave that for its high slope and rocks prevent its agricultural use) and by the reservoir. Placed in an area of recent urbanization, the set borders towards the North on a royal glen, towards the South on solar others where similar actions of housings will be realized, toward East with houses already ended and toward west with a transformation centre.

 © Jesús Granada

(Jesús Granada)

该行动分为两个情节，R1(B)，最西部的，由11个住宅和R2(B)，7。地块的形态特征是一个非常显著的坡度，一端与另一端的水平相差12米。

The action is divided in two plots, the R1 (B), the most western, by 11 housings and the R2 (B), by 7. The morphology of the plot is characterised by a very pronounced slope with a difference of level between an end and the other one of 12 meters .

 © Jesús Granada

(Jesús Granada)

通往这所房子的通道是通过车库对面的南面实现的。在这个层次上，有白天区，厨房和一个内部庭院，它的视线仍然被外面遮住，两个前门格栅来支持它的私人特性。这个宫廷是向私人住宅的自然扩展，就像传统的安达卢斯式住宅一样。

The access to the house is realized by the south front across the garage. At this level there is the day-zone, the kitchen and an interior court whose sight remains veiled by the outside with two front-door gratings to support its private character. This court is the natural expansion towards the private exterior of the house like the traditional Andalusian housing.

这一系列并置的空间也是为了房子的内部。起居室被认为是主要的房间，它把室内空间表达出来。双高度沐浴在天象灯下，将一楼的白天区与一楼的夜间区联系起来。

This succession of juxtaposed spaces has been got also for the interior of the house. The living room has been thinked as the principal room, who articulates the interior spaces. The double height bathed by the zenithal light, puts in relation the day-zone at the ground floor with the night-zone at the first floor.

 © Jesús Granada

(Jesús Granada)

70实用平方米的严格规划，通过清空房屋内部容积，扩大最低高度，从餐厅区域的7米到三间卧室中的两间4米的屋顶，得到了丰富；所有这些都没有破坏最终的执行预算。

The strict program of 70 util square meters has been enriched by the emptying of the interior volume of the housing, extending the minimal heights and obtaining roofs that go from the 7m in the zone of the dining room down to the 4m in two of the three bedrooms; all this without damage of the final budget of execution.

向后移动的外观和空荡荡的交替，我们可以玩在这些纬度的有效和有利可图的方式的灯光和阴影。盖子的布置不仅使早晨的光线进入屋内，而且还使你从旧船体上只能看到屋顶，而看不到前面的任何东西。向后移动的立面可以让场景自然地适应街道的大坡度。在每一批的西端，前线的节奏发生变化，以适应每一批的边缘的奇点，并以这种方式提出每一个系列的中断或中断的元素。瓷砖和墙壁的白色与顶部百叶窗的红色车架形成对比，这将有助于将这一促销活动整合到IZNájar村的美丽套装中。

Moving back the façade and the alternation of empty and full, we could play with the lights and the shadows of an effective and profitable way in these latitudes. The disposition of the cover not only makes the light of the morning go inside the house but it get too that from the old hull you can only see the roofs and nothing of the fronts. Moving back the façade allows that the set should adapt naturally to the great slope of the street. At the west ends of every lot the rhythm of the fronts changes to adapt itself to the singularity of the edge of every lot and to propose in this way an element of break or interruption of every series. The tiles and the white color of the walls in contrast with the red carriage of the top shutters will be the finishes that will help to integrate this promotion in the beautiful set of Iznájar's village.