© Rafael Gamo

拉斐尔·贾莫

架构师提供的文本描述。建筑干预的核心议程是为出入区设计一个新的功能，并建立一个新的社会空间，主要是在参观博物馆的人和大卫·A·西奎罗斯的壁画之间。

Text description provided by the architects. The core agenda of architectural intervention is to devise a new functionality to the access area and build a new social space, primarily between the visitor to the museum and murals of David A. Siqueiros.

入口面积约75平方米，有新的销售和服务(票房-书店-休息室-咖啡)，至关重要的是，允许公众或旁观者，与墙壁进行眼神接触，并成为街道和博物馆之间的过渡空间。这一连接(外部/公共博物馆)正在通过对空间、新家具(专门设计和专门设计)和仔细照明项目的修正来实施。

The entrance area of about 75 m2, have a new distribution and services ( box office -bookstore -lounge- coffee) and, crucially, allow the public or bystander, make eye contact with the wall and be a transitional space between the street and the museum. The connection (outside-in / public- museum) is being implemented through amendments to space, new furniture (designed expressly and exclusively) and careful lighting project.

 © Rafael Gamo

拉斐尔·贾莫

为进行拟议的建筑干预，两堵墙被拆除，将目前在底层的临时房间和分隔通道的墙壁拆除，从而使博物馆外部和壁画之间的能见度增加。

To carry out the proposed architectural intervention, the two walls were demolished limiting current temporary room on the ground floor and the wall that separates the access, thus opening the visibility between the outside of the museum and murals.

家具设计对应的是一个移动书柜系统，它将使它们沿着空间的长度移动，允许与家具一起产生不同的配置。在最极端的表面，两个永久的位置：在右边的票房位置，左边的咖啡摊。所有的家具都是用深色的木皮做的。

Furniture design corresponds to a system of mobile bookcases, which will move them along the length of the space, allowing to generate, with the furniture, different configurations. In the extreme sides of the surface, two permanent positions: on the right the box office is located, to the left, the coffee stand. All furniture is finished in wood veneer in dark tone.

 © Moritz Bernoully

莫里茨·伯努利

进入这一新的空间是跨越5个窗口，地板到天花板，制造​​铝和钢化玻璃。门窗滑动整个宽度的正面，使它成为一个“场景”模块化和可变，以满足运作和审美的需要，博物馆。

Access to this new space is across 5 windows, floor to ceiling, made ​​of aluminum and tempered glass. The windows - doors slide the entire width of the front, allowing it to become a “scenography“ modular and changeable, that meets the operational and aesthetic needs of the museum.

这样，空间、家具和灯光构成了一个在博物馆外部和内部产生紧密联系的地方，创造了一个新的运动和起居区域，一个完美的前奏曲，一个让游客准备进入墨西哥艺术家大卫·阿尔法罗·西奎罗斯(David Alfaro Siqueiros)壁画世界的空间。

In this way, space, furniture and lighting pose create a place that generates an intense connection between the exterior and interior of the museum, creating a new movement and living area, a perfect prelude, a space that prepares the visitor to enter the world of murals by Mexican artist David Alfaro Siqueiros.

Architects arquitectura 911sc, Esrawe

Location 3 Picos 29, Polanco, Miguel Hidalgo, 11550 Mexico City, Federal District, Mexico

Category Visual Arts Center

Architect in Charge Saidee Springall del Villar, Jose Castillo Oléa, Héctor Esrawe

Design Team Iván Cervantes, Arturo Carreón

Area 75.0 sqm

Project Year 2010

Photographs Rafael Gamo, Moritz Bernoully