Master Plan

沙漠生活

The Desert Lives

“无”一词是我们用来指没有容器或地方的内容的非正式术语。对于建筑来说，很可能是最正统的，那就是缺乏人为的或自然的引用，在那里，一切都是持续的，几乎是行为。对于建筑来说，沙漠总是一个挑战，而且可能是最相似的东西。在这一特定的景观中，没有模式力在很大程度上进行搜索，这将能够被定义为多种形式，但它永远不会是一个“不存在的地方”。

The word "nothing" is the informal term that we use to refer to the absence of content of a container or place. For the architecture, probably for the most orthodox, it is the absence of artificial or natural references, where everything is in the habit of being sustained almost acts. The desert is always a challenge for the architecture and probably the most similar thing to nothing. The absence of modals forces to a major degree of search in this particular landscape, which will be able to be defined of many forms, but it will never be one “not place ".

 © Francisco Campodonico

弗朗西斯科·坎波多尼科

Salar和Geoglifos的主角：Tamarugal和Salar of Pintados保留的沙漠空间-这是一种与遥远的距离有关的体验，一次浩瀚的旅行，一种空虚的旅行，一种通往最后一层皮肤的方式，一种通往地平线边缘的体验。它使我们成长，使我们没有其他环境处于独特和最后的状态，体验到在最后的极限中，在身体连接这两个海洋的极限上，生活在最外在的皮肤上的状况。

The Protagonism Of The Salar And The Geoglifos.: The desert space of the reservation of the tamarugal and salar of pintados it is an experience that is related to the big distances, a tour for the immensity, for the emptiness, a way for the last skin, for the edge of the horizon. It raises us and places us as no other environment in the situation of uniqueness and of placing in the last end, of experiencing the condition to live on the most exterior skin in the last limit, in the limit where the body joins these two oceans.

此外，我们还必须加上具有高度科学意义的考古遗址，即人类遗产，它今天受到国家空间行动委员会的保护。

To this we must add the archaeological Site, Heritage of the Humanity, of high scientific interest, who today is protected by CONAF.

 © Francisco Campodonico

弗朗西斯科·坎波多尼科

它们对应于可追溯到公元前9世纪的西班牙前的表现形式，位于距离长度5公里的山坡上，其中有被识别的几何形状、体型庞大的人形人物，其中一些人的长度为100米，是南美洲第二大的。

They correspond to pre-Hispanic manifestations that date back to the 9th century D. of C., are located on a hillside of hills of 5 km from length in which there are identified figures of geometric forms, zoomorphous  and anthropomorphous of great size, reaching some of them a length of 100 meters, the second biggest of South America.

 © Francisco Campodonico

弗朗西斯科·坎波多尼科

2.建筑概念：定义项目的建筑决策是随着环境和距离的变化而变化的颜色。这是它的综合设计。由于当地的了解，作品不可能出现对比，与国家和沙漠纪念碑在任何方面的竞争，因为他的规模，表达和维度总是被这一庞大的最小化，部分必须做他，变成沙漠。

2. Architectural Concept: The architectural decision that defines the project is the change color with his environment and the construction of the distances. This one is the synthesis with which it is designed. Due to the local understanding the work could not appear for contrast, compete with national and desert monument in any aspect since his scale, expression and dimension always would be minimized by the vastness of this one, part had to be done of him, turn into desert.

 Ground Floor Plan

建筑淹没到1.5 MTS，这样就能让人感觉到掩埋的感觉，材料被移除(肋隆盐建造了融入景观的人工山丘，发挥了其规模、和谐和质地)。这样的话，这是包含在沙漠中，成为它的一部分，而不是产生作用，而是我伪装在它的广阔。

The construction submerges to 1.5 mts, this way to give the sensation of buried, with the material removed (costrón salt builds artificial hill that blends into the landscape, engaging its scale harmony and texture). This way this is contained in the desert becoming part of it, not generating role but instead I camouflaging in its vastness.

 Bathrooms Plan

浴室计划

3.气候概念：由于沙漠气候具有每日热的重要振荡，决定了前西班牙裔人的古建筑能够像这样半掩埋建筑物，从而从热惯性的角度利用该地区的自然特性，在那里白天积累的热量是在夜间解放出来的，利用陆地的恒定温度，白天和夜间产生热稳定性。

3. The Climatic Concept : Due to The desert climate with thermal daily important oscillations was decided, As the ancient architecture of the pre-Hispanic peoples to semi bury the building to be able like that to take advantage of the natural qualities of the area from the aspect of thermal inertia, where the heat accumulated during the day is liberated in the night period, generating a thermal stability so much the day as in the night, taking advantage of the constant temperature of the land.

 © Francisco Campodonico

弗朗西斯科·坎波多尼科

5.Geoglifos之旅的路径：土产之旅，由长度约1公里和最大宽度3米组成。在这次旅行中，3处休息地点是由5人建造的，除此之外，还将有一个传说，说明它是被观察到的。

5. Path Of Tour Of The Geoglifos: Tour of the Geoglifos, it consists with a length about a kilometer and a maximum width of 3 meters. Inside this tour 3 sites of rest are constructed by capacity for 5 persons where in addition there will be a legend that will make clear that it is observed.

 © Francisco Campodonico

弗朗西斯科·坎波多尼科

5.Geoglifos之旅的路径：土产之旅，由长度约1公里和最大宽度3米组成。在这次旅行中，3处休息地点是由5人建造的，除此之外，还将有一个传说，说明它是被观察到的。

5. Path Of Tour Of The Geoglifos: Tour of the Geoglifos, it consists with a length about a kilometer and a maximum width of 3 meters. Inside this tour 3 sites of rest are constructed by capacity for 5 persons where in addition there will be a legend that will make clear that it is observed.

 © Francisco Campodonico

弗朗西斯科·坎波多尼科

6.管制棚：保障进入部门和人员的控制。注意和警惕领域，住房国家公园护林员，受控制的进入部门，地理信息系统和沙星的品塔多。

6. Shed Of Control: To safeguard access to sector and persons' control. Area of attention and vigilance, housing national park ranger, controlled access sector geoglifos and salar of pintados.

 Cross Section AA

横截面AA

Architect William Obregon , Aldo I Testa

Location Pampa del Tamarugal National Reserve, Tarapacá Region, Chile

Category Heritage

Area 320.0 m2

Year 2013

Photography Francisco Campodonico