© Pedro Mutis Johnson

佩德罗·穆提斯·约翰逊

架构师提供的文本描述。这项任务包括为Maipú镇开办一所学校。该项目考虑：1280名学生的教室，工作室，行政区域和内院内的这所学校的平均伏鲁门。

Text description provided by the architects. This assignment consisted in the implementation of a school for the town of Maipú. The program considered: classrooms for 1280 pupils, ateliers, administrative areas and inner yards inside the mean volumen of this school. 

还有一个庭院区，有花园，运动场和室内健身房。这所学校位于El Bosque St.和Hernán Diaz Arrieta St.之间的勒内贝格拉街，第3600号。

There is also an area of courtyards  with gardens, sports fields  and an indoor gym. This school is placed in René Becerra Street, nº 3600, between El Bosque St. and Hernán Diaz arrieta St.

位于一个不断增长的房地产开发所关注的地区，而且在其边界上也有农业区。这个地形的一个特殊的属性是它的表面，13.200平方米，让建筑有一个大的庭院和花园，使良好的学校生活。

Is located  in an area noted by the increasing real estate development besides there are agricultural areas in its boundaries. A particular property of this terrain is its surface, 13.200m2 that lets the building  to have big courtyards  and gardens  that make a good school life. 

 © Pedro Mutis Johnson

佩德罗·穆提斯·约翰逊

这座建筑坐落在土地的最大和主要的正面，4层的伏鲁门占据了最前面的部分。因此，这所学校在当前的规模和社区环境中发挥了主导作用。

The building sets in the largest  and main front  of the land with a 4 floor volumen that occupies most of the front. So this the school gets a leading role within the immediate scale and communal context.

建筑的水平性给出了一致的比例来设定由内部庭院隔断所引起的垂直节奏。微井遮阳和混凝土是学校的重要组成部分，这两种材料是建筑的空间特征。在Windows和阴影中使用活色调，这座建筑获得了城市的特色和存在

The horizontality of the building gives consistent proportions to set with the vertical rhythm induced by the inner yards partitions. Microwell shades and concrete are the ritmical elements of the school, these two materials are the spatial characteristic of the building. Using live colours  in Windows and shades the building gets an urban identity and presence

 © Pedro Mutis Johnson

佩德罗·穆提斯·约翰逊

Architects Gubbins Arquitectos

Location René Olivares Becerra 3600, Maipú, Región Metropolitana, Chile

Category Schools

Architects in Charge Víctor Gubbins Browne, Pedro Gubbins Foxley

Area 3535.0 m2

Project Year 2011

Photographs Pedro Mutis Johnson

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