架构师提供的文本描述。CAN FOGARADA是一种对话之间的对话，这几个层次的时间已经解决了300年，并设法形成了这个农村马洛芬之家。新居民的出现，它通过一个技术地毯宣布，重组空间，并重新解释他的重要性，而不损害它。

Text description provided by the architects. CAN FOGARADA is an exercise of dialog between the layers of time that have been settling throughout 300 years and that have managed to form this Rural Mallorquin House. The presence of new inhabitants its announced through a technical carpet that reorganizes the space and reinterprets his materiality without hurting it.

在这第一阶段的工程在坎福加拉达的底层，厨房-餐厅作为一个生命引擎，重新居住这个乡村住宅的建筑过程的起点。

In this first stage of the Works at the ground floor of Can Fogarada, the kitchen – dining room acts as a life engine, starting point of the architecture process of Re-Inhabiting this rural house.

 Cortesía de Miel Arquitectos

Cortesía de Miel ArquArchtos

厨房-餐厅作为一个控制室是开放给其他房间在房子(大厅，卧室，客厅和门廊)，并建立了一个水平的使用，简化了原来的斜坡与一个统一的技术地面。这层技术地板具有地毯的灵活性，可以自由地在原来的房间之间建立新的路径，例如通过“阳台”将厨房-餐厅与洗衣间通过“阳台”连接到起居室。

The Kitchen – dining room as a control room is opened to the other rooms in the house (hall, bedrooms, living room and porch) and establishes a level of use simplifying the original slopes with a uniform technical ground. This Technical floor acts with the flexibility of a carpet, ranging freely between the original rooms establishing new paths, such as linking the kitchen – dining room with the bath – laundry through a “balcony” to the living room.

 Cortesía de Miel Arquitectos

Cortesía de Miel ArquArchtos

未来的居民将成为音乐家的家庭，这一事实最终决定了对话的模式；每一种新材料都应与其他人和谐地表达他们的价值观。这一改变是一个节奏的游戏，振动，其中每个系统的真诚物质性发现和采取他在设定的位置。

The fact that the future inhabitants were going to be a family of musicians eventually defined the pattern of dialogue; each new material should express their values in harmony with the rest. This alteration is a game of rhythms, vibrations where the sincere materiality of each system discovers and assumes his position in the set.

因此，马瑞斯(当地砂岩)的墙壁、泥石的正面和松木梁与OSB面板的衣柜一起进入交响乐，厨房用黑色的硅石炉顶烤灰，用多层板架来烘焙灰烬，连续的混凝土地板及其混凝土砌块的路缘和排水的灰泥基座，使墙壁呼吸，同时防止它们因风化而恶化。

Thus the original building warmth transmitted by the walls of Mares (local sandstone), the facades of stone with mud and the pine beams enter in symphony with the OSB panel wardrobes, the kitchen roasted ash with the black silestone stove top, with the multi-layer board racks, the continuous concrete floor and its concrete blocks curb and the draining mortar sills that allow the wall breathe while preventing their deterioration by weathering.

 Cortesía de Miel Arquitectos

Cortesía de Miel ArquArchtos

作为一个Jam环节，每一个新的音乐家都通过他们的个性和适应开课者的节奏来丰富整体，但这只是个开始。

As a Jam Session every new musician enriches the whole through their individuality and adapting to the rhythm of those who opened the session, but that’s just the beginning.