Floor Plan

架构师提供的文本描述。秘鲁海滨别墅

Text description provided by the architects. A Peruvian beach house

秘鲁以它的食物和音乐而闻名，它作为一种文化表现形式，它的建筑试图被人们所知，已经成为我们工作的最重要的动力之一。这一尝试是以一种更直观而非理性的方式进行的。更多的感受和反应就是用历史或参考来分析或证明我们的行为是正确的。这就是我们如何向客户展示我们的家，也是我们如何了解到我们作为秘鲁人而拥有的众多情结。

Peru is known for its food and its music as a cultural representation, the attempt by its architecture to be known, has become one of the most important motivations of our work. This attempt was conducted in a more intuitive than rational way, more feeling and reacting to our own nature that analyzing or justifying our actions with history or references. This is how we present this home to our clients and this is how we learned the many complexes that we have for recognizing us as Peruvians.

 © Juan Solano

胡安·索拉诺

在我们的环境中，试图提供秘鲁建筑要比外国建筑更难，这使得当委员会到来时往往会出现一些特定的命令，而忽略了合适的上下文风格。维罗尼卡豪斯(Veronica House)是一个很好的机会，可以在与国际风格更好地相关的背景下探索我们的建筑。

In our environment, it is more difficult to try to offer Peruvian architecture than foreign architecture, complicating the attempt when commisions often arrive with specific orders oblivious to what should be in a proper context styles. Veronica house was a great opportunity to explore this search of our architecture in a context that is better related with the international style.

 © Juan Solano

胡安·索拉诺

这次干预被认为是人工和自然之间的快乐交汇。近40米长的水池和几个层次的楼梯是建筑景观元素，它们使建筑景观元素能够与地方融为一体，并始终寻求自然(岩石遗址)与以同一建筑元素为代表的人工之间的平衡。

The intervention was seen as the happy meeting between the artificial and the natural. The pool of almost 40 meters long and a staircase of several levels are the architectural landscape elements that allowed integration with the place always seeking a balance between the natural (rock site) and artificial represented by the same architectural elements.

 © Juan Solano

胡安·索拉诺

该社区位于露台游泳池水平的一个高平台上，雕刻在山上，它有一个玻璃围护结构，它的基础是一个铁路系统，允许所有的隔断一起在房子的北侧，构成综合空间客厅，厨房与露台和游泳池。

The social area is at the terrace swimming pool level on a raised platform, carved into the hill, it has a glass enclosure that based on a rail system allowing all partitions come together on the north side of the house making integrated spaces living room, kitchen with terrace and pool.

 © Juan Solano

胡安·索拉诺

“亲密地带”被安置在两层的空间中，“漂浮”在露台之上。这卷书与地块南北两面的岩石形成了很好的建筑对话，其散装构图可以被解释为该地区性质的几何化。

Intimate areas are accommodated in a volume of two levels that "floats” above the terrace. This volume generates a nice architectural dialogue with the rock side both north and south of the lot, with a bulk composition that could be interpreted as the geometrization of the nature of the place.

 © Juan Solano

胡安·索拉诺

这座房子的物质性是通过平衡使用五种主要材料来解决的：铸石混凝土，颜色来源于天然岩石背景。

The materiality of the house is solved with the balanced use of five main materials: Cast Stone concrete, with colors derived from natural rock context.

 © Juan Solano

胡安·索拉诺

贝顿和普利什混凝土，适用于特定的建筑元素，例如支持甲板水平的玻璃系统的艺术横梁，以及主楼梯、窗框和门的某些步骤。石花瓦科木阳台和高架露台、墙壁和天花板涂上白色和“体积”的玻璃。

Beton and Pulish concrete, applied to specific architectural elements, such as an artistic beam that supports the glazing system at the level of the deck, and in some steps of the main staircase, window frames and doors. Shihuahuaco wooden balconies and elevated terraces, walls and ceilings painted white and “volumes” of glass.

 © Juan Solano

胡安·索拉诺

总之，它是试图建立一个舒适的地方的房子，诉诸唯一的东西，可以团结一个社区，他们的文化。

In conclusion it was attempted a house that feels comfortable in its place resorting to the only thing that can unite a community, their culture.