The Number 6 Gruppo Building

2014-01-31 01:00
 © Piero Ottaviano
皮耶罗·奥塔维亚诺
架构师提供的文本描述。数字6,帕拉佐·瓦尔佩尔加·加列拉尼的翻新,是建筑抢救、尊重文化遗产、尊重技术、优雅和美感的最佳体现之一。由建筑工程公司进行的修复和开发,旨在极大地重新利用一项重要的历史和建筑财产,尽管它在上个世纪的失形导致了它原来的居住目标的丧失。
Text description provided by the architects. The Number 6, the renovation of Palazzo Valperga Galleani, is one of the best representations of architectural salvage, respect for cultural heritage, technology, elegance and sense of beauty. The restoration and development, carried out by Building Engineering, intended to dramatically re-functionalize an important historical and architectonic property, that in spite of its disfiguration during the last century that led to the loss of its original residential aim.
 © Piero Ottaviano
皮耶罗·奥塔维亚诺
改造背后的主要思想是以“开放”庭院给城市的私人空间,用艺术品、适当的照明、植物和鲜花来装饰庭院的目的。所有为建造36套公寓而进行的重建工作都是按照原有的布局进行的,目的是使其与最先进的解决办法相协调,以尽量减少对生态的影响。
The main idea behind the reconstruction was to bring back the property purpose with a particular intention to “open” the private space of courtyard to the city, decorating it with art objects, proper lighting, plants, and flowers. All reconstructions undertaken to build the 36 apartments which were designed in accordance of the pre-existing layout, are done with the intention to reconcile it with the cutting edge solutions for minimizing ecological impact.
 © Piero Ottaviano
皮耶罗·奥塔维亚诺
从一开始,其意图是建立一项工作,将建筑解决方案与艺术和速记环境相协调,以增加空间的价值,使游客感到愉快。因此,在文化遗产保护机构的帮助下,被营造的环境一度失落,但又不失其强烈的唤起价值。
From the start, the intention was to establish a work that would reconcile architectural solutions to an artistic and stenographic setting designed to give an added value to the space, making it enjoyable for visitors. Therefore, with the help of with Cultural Heritage Protection Bodies, were constructed an environment once lost but, not forgetting its strong evocative value.
 © Piero Ottaviano
皮耶罗·奥塔维亚诺
在修复阿尔菲里街的庭院期间,我们选择了振兴十七世纪的吉阿迪诺(花园),它的设计以灯光和植物为两个平面,水平的和垂直的。这座历史悠久的吉阿迪诺现在正悬挂在院子的平淡空气中,摆出芳香的姿态。
During the restoration of the courtyard of the Alfieri street we chose to revitalize the original XVII century giardino (garden) transposing its design, with lights and plants, in two planes, horizontal and vertical. The historical giardino is now hanging down in aromantic gesture produced in the plain air of the courtyard.
 Ground Floor Plan

                            
悬挂的当代标志-树,代表了宫殿的历史,这是一种情感的象征,它更新了宫殿居民在日常生活中的惊讶,并重新唤起了人们对曾经生活在那里的人的记忆。
The suspended contemporary sign, the tree, is a representation of the history of the palazzo, an emotive symbol that renews the astonishment in the everyday perception of the residents of the palazzo, and revitalizes the memory of the ones that once lived there.
 © Piero Ottaviano
皮耶罗·奥塔维亚诺
一条长长的水平的阳台栏杆,装饰得很好,上面放着许多花瓶,上面放着攀岩植物,沿着建筑物的墙壁露了出来。每只花瓶都设有自动浇水装置,并由安装在半刚性支架上的两个灯笼照明花瓶。
A long horizontal line of balcony rails nicely decorated with numerous flower vases holding climbing plants is exposed along the walls of the building. Every vase is provided with an automatic watering device and by two lanterns mounted on semi-rigid brackets intended to illuminate the vases.
 
计算机控制的所有元素的一致照明将庭院铺路设计、树和多个花瓶结合在一起,形成一幅独特的表现力画面。
Consistent computer controlled illuminations of all elements unite the courtyard paving design, the tree and multiple vases into one unique expressive picture.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

                    

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