房子位于平原的西边。在这个地区，山。雅彦山在这些平原和日本海之间的区域地标，Kakuda海拔约600米。

House located on the west edge of the plains. In this district, Mt. Yahiko and Mt. Kakuda are above sea level at about 600m as regional landmarks stand between these plains and the Sea of Japan.

客户对房子的希望是，从窗户上，他可以看到两座山，这是他童年时经常看到的。

The client's hope for the house was that from the window, he would be able to see two mountains that he used to see in his childhood.

 Courtesy of Future-scape Architects

未来景观建筑师的礼遇

然而，根据设计前的调查，我们发现即使在二楼，他们也看不到山。由于来自另一座房子的障碍物，只有山。叶彦。有可能看到山的景色。如果将来在房子和山之间建造一座新房子，叶彦也会消失。

However, according to the investigation before designing, we found that even at the second floor level, they could not see Mt. Kakuda due to obstructions from the other house, only Mt. Yahiko. There was a possibility of the view of Mt. Yahiko disappearing as well when if a new house was constructed between the house and the mountain in the future.

虽然两座山的景观从房子会消失，但这些元素仍然保留了重要的身份，他们的存在，表明更广阔的世界以外的狭窄空间的网站。因此，我把这座房子设计成一个指南针，它在生活中总是考虑到两座山的存在。

Although two mountains' view from the house will disappear, these elements still keep the important identity for this site and their existence that suggests the wider world beyond the narrow space of the site. Thus, I designed this house as a compass that always considered the existence of two mountains while living.

 Courtesy of Future-scape Architects

未来景观建筑师的礼遇

两个焦点

Two focuses

外墙正面由与立地角度无关的两条对角线构成，一条是正交的，其轴线向山的中心方向移动。雅彦从房子的中心，另一个是正交化的一侧的轴线走向山的中心。空田。

The front sides of the exterior wall are composed of two diagonal sides that are irrelevant with the angle of the site. One is an orthogonal, with the side of its axis toward the center of the Mt. Yahiko from the center of the house, and another is an orthogonalization side of the axis toward the center of Mt. Kakuda.

这些是不明确的正交边，而不是精确的正交边。因为，如果他们站在远离中心的位置上，就会偏离精确的轴线。如果假设未来的变化，那么大窗户就会从展示“山景”变成“暗示山”，成为保持存在的原型，即使环境发生变化也不会发生很大变化。

Those are the orthogonal sides that are ambiguous rather than the accurate orthogonal sides. Because, if they stand at a position away from the center, it shifts from the accurate axis. If the change in the future is assumed, the large windows change from showcasing the "Scenery of the mountain" to "Hint of the mountain" as the prototype in the region that keeps existing without greatly changing even if the surroundings are changed.

 Courtesy of Future-scape Architects

未来景观建筑师的礼遇

在这里，这两座山也相交。

And, herein, the two mountains intersect as well.

第一层的第一层和第二层被缩短的第一层，长廊两端都用镜子完成。根据镜子的效果，通道的深度比实际距离长得多。更重要的是，视角变得狭窄的内部部分被放在了部分的通道上。因此，在一楼产生的深度比实际情况要长。

"The first floor that was enlarged " and "The second floor that was shortened" On the first floor, both ends of the long passage were finished with the mirror. According to the effect of the mirror, the depth of the passage was enlarged far longer than an actual distance. Moreover, the perspective that became narrow toward the inner part was put on a part of the passage. Therefore, the depth was produced long in the first floor more than the actua

从两边的玻璃窗中射出明亮的光，实现了较高的照度。然而，不同的亮度导致了枯萎的灯光强调黑暗的安第斯玫瑰木板。这是因为一楼和二楼的空间差别较大。

Bright light was put from the glass window of both sides, so the high illuminance was realized. While, the difference of the luminance results in the blight light emphasising the darkness of the Andean Rose wood board. this occurs because of the difference of the space between the first floor and the second floor was made larger.

 Courtesy of Future-scape Architects

未来景观建筑师的礼遇

第二层是向两个正交边径向开放的空间。

The second floor is a space that opens radially toward two orthogonal sides.

墙壁和家具呈径向排列，天花板从内向窗向上倾斜，从相反的角度看，二楼的深度缩短了，感觉到外部环境更近了。它使人们更多地意识到了正交的一面和“山的暗示”。

The wall and furniture are radially arranged, and the ceiling has an upward inclination from the inner toward the window. According to the reverse-perspective, the depth of the second floor was shortened and they feel the outer environment closer. It makes more conscious of the orthogonal side and "Hint of the mountain" .

具有钝角的两个正交边产生内部进入外部环境的影响。同时，根据以迟钝的角度冲向城镇，这座建筑被认为是一个缺乏活力的普通城镇的一个小地标。

Two orthogonal sides with obtuse angle generated the effect that the interior entered in the outer environment. At the same time, according to thrusting out to the town with the obtuse angle, this architecture considered becoming a small landmark for an average town that was lack of the vigor.

Architects Daigo Ishii , Future-scape Architects

Location Japan

Category Houses

Architect Daigo Ishii + Future-scape Architects

Area 201.0 sqm

Project Year 2008