Silence Cloister in the Lorvão Monaster João Mendes Ribeiro
2014-02-06 01:00
Text description provided by the architects. The intervention in the ÒSilence CloisterÓ in the Lorv‹o Monastery aimed to preserve and rehabilitate the existing building and to extend it for a new program: a sacred art museum with an interpretation center.
不仅仅是一个深层次的干涉主义姿态,有效地重新阅读空间是寻求的策略,接受风格上的重叠和反对。以先前的存在作为项目的实质内容,主要关注的是保持过去和现在之间的明确对话,通过在新建立的要素中使用当代语言来强调两者之间的差异。
More than a deep interventionist gesture, an effective rereading of the space was the sought strategy, accepting stylistic overlaps and oppositions. Working with the preexistence as project substance, the main concern was the maintenance of a clear dialogue between past and present, emphasizing the differences between them by using a contemporary language in the newly built elements.
保护工程和更换一些不完善的建设体系,尊重空间、历史和象征特征,保证建筑物的身体完整。回廊、十三座小礼拜堂、庭院、教堂门和外部空间等地下空间均得到修复,形态无明显变化。这座新建筑,即使具有强大的当代特色,也是为了与修道院保持顺畅的关系,再现了古老的厨房、宿舍楼和餐厅建筑的存在,这些建筑在修道院灭绝后的20世纪被摧毁。它的无声存在是由一个半透明的盒子在屋顶上升起,明显地与先前的存在分开。展览空间在这个盒子的内部,在一系列的房间里,在其高窗户的柔和而均匀的光线下,以连续的方式彼此跟随,所有的空间和材料的处理都是一样的。
The conservation works and the replacement of some inadequate constructive systems Ð respecting the space historic and symbolic features Ð allowed to guarantee the building's physical integrity. The cloisters' ground floor spaces Ð the gallery, the thirteen chapels, the courtyard, the church doors and the exterior spaces Ð were rehabilitated with no significant morphological changes. The new building, even with its strong contemporary feature, was designed to have a smooth relationship with the cloisters, reproducing the ancient presence of the old kitchen, dormitory, and dining hall buildings, destroyed in the 20st century after the monastery extinction. Its silent presence is defined by a translucent box raised over the roof, clearly set apart from the preexistence. The exhibition space lengthens itself inside of this box, in a sequence of rooms which, under the soft and homogeneous light of its high windows, follow one another in a continuous way, all showing one same spatial and material handling.
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