Dauphin Felix de Montesquiou
2014-02-10 01:00
Floor Plan
架构师提供的文本描述。我们面临的挑战是为这个品牌创造一个建筑词汇,在不与他们竞争的情况下强调这些珠宝的激进的极简主义设计。
Text description provided by the architects. The challenge was to create an architectural vocabulary for the brand that would underline the radical minimalist design of the jewels without competing with them.
© Samuel Lehuédé
塞缪尔·莱胡埃
当我们决定与夏洛特·多芬·德·拉罗什福科(夏洛特·多芬·德·拉罗切夫库尔德)(艺术总监和品牌创建者)一起在巴黎的卢浮宫(Louvres)举办发布会时,我开始研究家具,这些家具将在卢浮宫非常古典的建筑与宝石的简单敏感性之间建立一种连续性。
When we decided with Charlotte Dauphin de La Rochefoucauld (the artistic director, and creator of the brand) to stage the launch at the Louvres in Paris, I started working on furniture that will create a continuity between the very classical architecture of the Louvres and the simple sensitivity of the jewels.
© Samuel Lehuédé
塞缪尔·莱胡埃
在第一个纪念性的房间,珠宝展示在5个简单的展示柜,由薄薄的金属制成。玻璃、控制台、灯具等都是精心设计的,使用的是古典的黄金比例,你已经可以在空间的建筑中找到,但应用于非常现代的形状和细节。
In the first monumental room the jewels are displayed in 5 simple showcases made of thin patinated metal. The vitrines, consoles, lamps, etc, were carefully designed using classical golden proportions that you could already find in the architecture of the space, but applied to very contemporary shapes and details.
© Samuel Lehuédé
塞缪尔·莱胡埃
参观了这间不朽的陈列室后,客人们被邀请到第二个房间,在那里我们营造了一种更舒适的气氛。他们在1950年来自加莱丽市中心的一家皮埃尔?珍妮的沙龙里受到欢迎。来自昌迪加尔(印度)的漂亮家具重新创造了一种优雅和亲密的感觉,在那里,创作者将主持采访。
After visiting the monumental showroom, the guests were invited in a second room where we created a much cosier atmosphere. They were welcomed in a Pierre Jeanneret 1950's salon from the Galerie Downtown. The beautiful furniture from Chandigarh (India) recreated an elegant and intimate feeling, where the creator would host interviews.
© Samuel Lehuédé
塞缪尔·莱胡埃
保罗·罗弗西(Paolo Roversi)的照片以一种简单的节奏被曝光,由落地灯和镜子组成,所有这些都是为
Paolo Roversi photographs were exposed in a simple rhythm made of floor lamps and mirrors, all designed for the occasion.
Architects Felix de Montesquiou
Location 103 Rue de Rivoli, 75001 Paris, France
Category Interiors Architecture
Client Maison Dauphin
Project Year 2013
Photographs Samuel Lehuédé
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