© Odile Decq - Roland Halbe

Odile Decq-Roland Halbe

材料的模糊性，形状和结构的光-从吸收垫到反射黑色的黑色块状物质密度，成为透明垫-悬挂式布鲁特和精密的重量和重量的倒置

Ambiguity of material, of light of shape and structure A massive block Black material Densities of black From absorbent mat to reflecting lustrous black, becoming transparent mat The inversion of weight and lightness Gravity in suspension Brute and sophisticated

 © Odile Decq - Roland Halbe

Odile Decq-Roland Halbe

FRAC的新建筑是法国第一座新的当代艺术博物馆。它结合了保存、展示以及在图书馆、会议室和教育服务中传播艺术知识的主要功能。主门面为安装在FRAC前的Nemour艺术作品提供了一个静默的环境，但在内部，建筑以一种出乎意料的复杂性展现了自己，它以整个建筑高度上垂直的空隙的力量、饱满和性感的表现吸引了游客。

The new building for the FRAC is the first of new contemporary art museums to be realized in France. It combines the main functions of conservation, exhibiting as well as diffusion of knowledge about art throughout a library, a conference room and educational services. The main façade offers a silent setting in respect to Nemours art work installed in front of the FRAC, but, inside, the building reveals itself in an unexpected complexity, catching the visitor by the strength full and sensual expression of the vertical void running over the entire building’s height.

 Ground Floor Plan

从这一空白中，博物馆的主要功能是清晰可读的，沿着一条探索和改变观念的渐进式步行街，从地下室开放到公共存储，再到顶层的图书馆，把不同的空间划分为三个维度。这座博物馆虽然规模不大，但作为当代艺术的地方地标，并结合了在预算紧张的框架内实现的密集铰接式整体所需的所有功能，这是一项具有挑战性的工作。

From this void, the museum’s main functions are clearly readable, dispatching and articulating the different spaces in three dimensions along a progressive promenade of discovery and changing perception, from the basement’s open to public storage till the library on top. This museum, though modest in size, is challenging as a local landmark for contemporary art and combining all the functions needed in a densely articulated ensemble realized within the frame of a tight budget.

Architects Studio Odile Decq

Location Zac de Cleunay, 35000 Rennes, France

Category Gallery

Area 5000.0 sqm

Project Year 2012

Photographs Odile Decq - Roland Halbe