© Odile Decq - Roland Halbe

Odile Decq-Roland Halbe

架构师提供的文本描述。就像一个幽灵，沉默和阴险，软蛋白曲线的阁楼水平漂浮在上面的晚餐客人，覆盖的空间，弯曲和起伏的表面。

Text description provided by the architects. Like a « phantom », silent and insidious, the soft protean curves of the mezzanine level float above the dinner guests, covering the space with a surface that bends and undulates.

在歌剧院东立面柱的后面，这家餐厅位于一个地方，当大楼第一次开放时，马车会把持票人送到那里，然后到达那里观看演出。

Behind the columns of the east facade of the Opera Garnier, the restaurant is located in a place where, when the building first opened, horse-drawn carriages would drop off ticket holders, arriving for a performance.

 © Odile Decq - Roland Halbe

Odile Decq-Roland Halbe

在歌剧院加尼尔创造一个新的空间意味着严格遵循有关纪念碑历史性质的指导方针：为了确保完全拆除该项目而不损害现有结构的可能性，我们不允许接触任何墙壁、柱子或天花板。

Creating a new space in the Opera Garnier meant following strict guidelines concerning the historical character of the monument: in order to ensure the possibility of completely removing the project without damage to the existing structure, we were not allowed to touch any of the walls, the pillars, or the ceiling.

 © Odile Decq - Roland Halbe

Odile Decq-Roland Halbe

餐厅的正面是一层起伏的玻璃面纱，在每根柱子之间滑动。由于没有可见的结构，玻璃被沿着天花板的拱形曲线移动的一条弯曲的钢带固定在适当的位置。该钢带用不锈钢连杆固定在离地面6米的柱子上。因此，玻璃的位置就像魔术一样。因此，外墙允许清晰的视图和最小的影响。

The facade of the restaurant is a veil of undulating glass, sliding between each pillar. With no visible structure, the glass is held in place by a single strip of bent steel running along the arched curve of the ceiling. This steel strip is fixed to the upper cornices of the columns 6 meters above the ground with stainless steel connecting rods. The glass is therefore held in place as if « by magic ». The façade therefore allows for clear views and a minimum impact.

 Ground Floor Plan

为90人提供足够的楼面空间是这一有限空间的另一项要求。因此，夹层是作为一个连续的表面被创造出来的。狭窄的柱子向上延伸到模制的石膏壳，这弯曲形成扶手的边缘。这艘被滑倒在冲天炉下面的容器是一团云团，漂浮在房间的现有元素之间，没有接触到它们。这是对幻影不断变化的形式的暗示，它的白色面纱在太空中悄悄地滑行。

Providing enough floor space to seat 90 people was another requirement for this limited space. The mezzanine was therefore created as a continuous  surface.  Narrow  columns extend upwards towards the molded plaster hull, which curves to form the edges of the handrail. This vessel, which has been slipped under the cupola, is a cloud formation floating between the existing elements of the room without touching them. It’s an allusion to the changing form of the phantom, whose white veil glides surreptitiously in space.

 © Odile Decq - Roland Halbe

Odile Decq-Roland Halbe

悄悄的，几乎隐隐约约的，软蛋白曲线的阁楼覆盖了空间，其中拱形，起伏，漂浮在客人之上。空间是开放的，向外转。

Quietly, almost insidiously, the soft protean curves of the mezzanine cover the space with a volume that arches, undulates, and floats above the guests. The space is open and turned outward.

 Mezzanine Floor Plan

阁楼平面图

现有穹顶的基石从底层仍然可以看到，而突然变得非常接近上层的食客。坐在靠近天花板的石头拱门，冲天炉的对称性不再明显，参照点的变化，以及对空间的感觉被改变。在上面船体的曲线中，沉浸在温暖的红色色调中，上层变成了一个亲密而私密的空间。

The keystone of the existing dome remains visible from the ground floor, while suddenly becoming very close to the diners on the upper level. Sitting close to the stone arches of the ceiling, the symmetry of the cupola is no longer apparent, the reference points change, and sense perception of the space is altered. In the curve of the hull above, immersed in warm red tones, the upper level becomes an intimate and private space.

 © Odile Decq - Roland Halbe

Odile Decq-Roland Halbe

红色地毯戏剧性地从主楼梯的台阶上流下来，延伸到下面黑色地板的中央，一直跑到桌子下面，直到它到达立面的边缘。

The red carpeting flows down the steps of the main staircase dramatically, spreading out into the center of the black floor below, and running under the tables until it arrives at the edge of the facade.

在房间的后面，在离歌剧院入口处最近的地方，空间变得更加保护和隐私，与其他房间的白色形成鲜明对比。长长的红色展位排列在这片空间中，为餐厅创造了休息室区域。在休息室的外部边缘，一条长长的黑色酒吧绕着附近的一根柱子蜿蜒而行。

At the back of the room, in the area closest to the entrance  to  the  Opera,  the  space becomes more protected and private, contrasting with the whiteness of the rest of the room. Long red booths line this space, creating the « lounge » area for the restaurant. At the outside edge of the lounge, a long black bar snakes around a nearby column.

 © Odile Decq - Roland Halbe

Odile Decq-Roland Halbe

这个项目的设计是基于创造一个空间，突出餐厅内的歌剧加尼尔，没有模仿现有的纪念碑，但尊重它，同时肯定其真正的当代特征。

The design for this project is based around creating a space that will highlight the restaurant inside the Opera Garnier, without mimicking the existing monument, but respecting it while affirming its truly contemporary character.

Architects Studio Odile Decq

Location 8 Rue Scribe, 75009 Paris, France

Category Renovation

Project Responsible Peter Baalman

Area 1100.0 sqm

Project Year 2011

Photographs Odile Decq - Roland Halbe