© Simona Rota

西蒙娜·罗塔

架构师提供的文本描述。FCMM是马塔迪罗马德里中型大厅的改造，是一个文化产业孵化器。客户的钱很短，但野心很高：什么过程塑造了现代工作场所？空间是创造力的代言人吗？我们能否将变革作为可持续发展的工具？

Text description provided by the architects. FCMM is the adaptation of medium-sized hall in Matadero Madrid to house an incubator of cultural industries. The client’s money was very short but ambitions very high: what processes shape the modern workplace? Is space an agent for creativity? Could we program change as a tool for sustainability?

这个项目可能是危机肆虐的欧洲的典型代表，尤其是西班牙，在西班牙，建筑师必须找到一条出路，摆脱没有金钱和巨大需求的对立紧张局面。我们使用非常少，便宜，易于安装的材料，我们试图与他们实现尽可能多的不同和不同的工作领域，以适应不同的需要。

The project is perhaps typical of crisis-stricken Europe, and particularly Spain, where the architect has to find a way out of the opposing tensions of having no money and big needs. We used very few, cheap, and easy to install materials, and we tried to achieve with them as many different and distinct work areas as possible, adapted to different needs.

 Ground Floor Plan

入口附近的三卷书组织了空间，折叠并压缩了它周围的循环。这创造了一个梯度，从紧凑到扩展，从繁忙到安静，帮助实现工作空间的多样性。在不到一个月的时间里，我们建立了一个可逆的，真空包装的，105欧元/平方米的工作，适应多种情况的客户要求。

Three volumes near the entrance organize the space, folding and compressing the circulations around it. This creates a gradient, from compact to expansive, from busy to silent, that helps achieve variety in work spaces. In a little less than one month we built a reversible, vacuum-packed, 105 eur/m2 work, adaptable to the multitude of situations the client asked for.

 © Simona Rota

西蒙娜·罗塔

需要120个工作空间，面积为399平方米。m.楼面面积(需要进一步减少到340平方米)。m.为了保持公共通过)是不可能的，除非我们用大厅的高度找到更多的空间。这造成了更多的问题，因为没有足够的资金以传统手段建造第二层楼。

To house the needed 120 work spaces in a 399 sq. m. floor area (that needed to be further reduced  to 340 sq. m. in order to maintain a public pass-through) was impossible, unless we found more space using the height of the hall. This created additional problems since there was not enough money to achieve the construction of a second floor by traditional means.

 Axonometric

我们决定使用非常简单的建筑系统：最便宜的当地松木，都是相同的标准尺寸，这简化了结构的供应和建造，以及多壁聚碳酸酯，非常轻巧和大的板材，允许墙壁在一天之内完成。我们能够实现85平方米，关键是将功能划分为两个级别，这允许在使用上具有更大的灵活性，而客户现在正在很好地利用这种灵活性。

We decided to use very simple building systems: the cheapest local pine lumber, all in the same standard size, which simplified the supply and construction of the structure, and multi-wall polycarbonate, very lightweight and in large sheets, which allowed for the walls to be finished in just one day. We we able to achieve 85 more sq.m., and crucially to split functions in two levels, which allows for more flexibility in use that the client is now making very good use of.

 © Simona Rota

西蒙娜·罗塔

我们能够建造三小卷，或建筑物体，这些改变和改变了现有空间的质量，自然产生了我们认为必要的不同的工作领域。在入口处的这三个不同的卷帮助组织程序，折叠和压缩它周围的循环，使它们尽可能精确和紧凑。这个组织不仅通过减少流通面积来节省空间，而且还创造了一个梯度，从紧凑到扩展，从繁忙到安静，这有助于实现工作环境中所需的多样性。

We were able to build three small volumes, or architectural objects, that changed and modified the quality of the available space, naturally producing the diverse working areas we thought necessary. These three distinct volumes near the entrance help organize the program, folding and compressing the circulations around it, making them as exact and compact as possible. This organization not only saves space by reducing circulation areas, but it creates a gradient, from compact to expansive, from busy to silent, that helps achieve the needed variety in work environments.

 © Simona Rota

西蒙娜·罗塔

手段的匮乏使我们得以研究一种空间直觉：创造性工作和工人，在那些似乎没有完全设计、没有完全完成的环境中茁壮成长，而这些空间似乎处于一个过程的中间，对环境的变化感到惊讶。它还允许在建筑方面进行小型实验，具有示范性质。其中包括：轻型固定装置是由地板和扶手之间的垂直结构木元件切割而成的；一个非常简单的吸声系统纠正了原本依赖于沉重、传统和负担不起的墙结构的声音条件。

The scarcity of means allowed us to research one spatial intuition: creative work, and workers, thrive in environments that seem not completely designed, not completely finished, spaces that seem to be caught in the middle of a process, surprised by a change in conditions. It also allowed for small experiments in architecture, with demonstrative qualities. Among them: the light fixtures are made up of the cut outs made to the vertical structural wood elements between the floor and the handrail; a ridiculously simple sound absorbing system corrects the sound conditions that would otherwise rely on heavy, traditional, and unaffordable wall construction.

 © Simona Rota

西蒙娜·罗塔

我们的主要担心是使之成为可能，为了实现这一点，我们需要使它在财政上负责任，并在社会上可持续发展。每平方米105欧元。我们非常高兴帮助它的基本建筑可持续性：实现高度的社会和使用影响的钱。

Our main worry was to make it possible, and to achieve that we needed to make it financially responsible and socially sustainable. At 105 euros/sq.m. we are very happy to have helped its basic architectural sustainability: to achieve a high social and usage impact for the money.

 © Simona Rota

西蒙娜·罗塔

在建筑方面，使用了当地可持续森林中最经济的松木。近880吨二氧化碳在其结构中被捕获，在计算时付出更多的努力，以及解释其空间特性的能力(空间保持开放、天花板高、循环清晰)，这使我们能够论证不使用阻燃化学物质处理木材的可能性，从而使环境没有有毒化学物质。

Construction-wise, the most economic pinewood from local, sustainable forests was used. Nearly 8,80 tons of CO2 are captured in its structure.A little more effort at the time of calculation and the ability to explain its spatial qualities (the fact that the space is maintained open and high-ceilinged, and circulations clear) allowed us to argue the possibility of keeping the wood untreated with fire-retardant chemicals, which makes the environment free of noxious chemicals.

 © Simona Rota

西蒙娜·罗塔

Architects Office for Strategic Spaces

Location Paseo de la Chopera, 14, 28045 Madrid, Madrid, Spain

Category Adaptive Reuse

Architect in Charge Angel Borrego Cubero

Area 484.0 sqm

Project Year 2014

Photographs Simona Rota