© Gustavo Frittegotto

古斯塔沃·弗里特戈托

JujuyRedux是位于阿根廷罗萨里奥的一栋中高层公寓楼.作为我们在阿根廷[也位于Jujuy街]公寓楼的第二个委员会，该项目提供了重新考虑城市住房的可能性。该项目由13个小型共用楼层单元和一个以交叉通风布局组织的复式公寓组成。地面层为10辆车提供停车服务，8楼室外休闲空间设有公共露台。

Jujuy Redux is a mid-rise apartment building located in Rosario, Argentina. As our second commission for an apartment building in Argentina [located also on Jujuy street] the project presented the possibility of rethinking urban housing. The project consists of thirteen small, shared-floor units and a Duplex organized in a cross-ventilated layout. The Ground level provides parking for 10 vehicles, and a common terrace on the 8th floor outdoor leisure spaces.

占据了一个角落的地段，新的发展目标是振兴罗萨里奥的传统邻里的“皮钦察”。毗邻历史悠久的市中心和巴拉那河畔，街道宽敞，植被丰富，城市文化遗产密度低，是年轻家庭和学生的理想环境。因此，对新的中期干预措施的需求达到了历史最高水平。

Occupying a corner lot, the new development aims to revitalize Rosario’s traditional neighborhood of “Pichincha”. Adjacent to both the historic downtown and the Parana Riverfront, it enjoys generous street sizes, large amounts of vegetation and a low urban density of cultural heritage, making it the ideal environment for young families and students. As a result, the demand for new mid-rise interventions stands at an all-time high.

 © Gustavo Frittegotto

古斯塔沃·弗里特戈托

JujuyRedux提出了一个微妙的圈定质量，运行在整个体积的规模和每套公寓的规模。这种灵活的二元性克服了许多中高层住宅类型中存在的问题，如固定的标量转换的发生，这些变化要么与单元分离的包络发挥作用，要么与单元单独作用。

Jujuy Redux proposes a subtle delineated mass, operating both at the scale of the entire volume and the scale of each apartment. This flexible duality overcomes issues that exist with many mid-rise housing typologies, such as the occurrence of fixed, scalar transformations that play either with the envelope as detached from the units, or with the units alone.

从质量到体积、从体积到表面的过渡，会在行人层面引起视觉和物理上的扭曲。更重要的是，它能使建筑物的沉重外观在拐角处显着地非物质化，使每一套公寓的社会空间在视觉上与下面街道上的行人活动联系起来。

A transition from mass to volume, from volume to surface, induces a visual and physical distortion at the pedestrian level. More importantly, it enables the weighty appearance of the building to sinuously dematerialize towards the corner, allowing the social space par excellence of each apartment to visually connect with the pedestrian activity in the street below. 

按需换班：阳台

Shifts on-demand: The Balconies

 © Gustavo Frittegotto

古斯塔沃·弗里特戈托

问题是，阳台是南美洲中高层住宅不可避免的文化元素.在类型上，阳台已经成为形式主义的游乐场，往往忽略了空间整合到一个整体方案中的问题，更糟糕的是，它与社会问题和人类居住无关。相比之下，对JujuyRedux阳台的正式、空间和物质处理是该项目最重要的、创新的和具有社会表现力的方面之一。

Problematically, Balconies are the inevitable cultural element in mid-rise residential buildings of South America. Typologically, balconies have become the playground for formalism, often neglecting issues of spatial integration into an overall scheme, and worse, dissociating them from social issues and human inhabitation. By contrast, the formal, spatial and material treatment of the balconies of Jujuy Redux is one of the most significant, innovative and socially performative aspects of the project. 

 © Gustavo Frittegotto

古斯塔沃·弗里特戈托

我们认识到，住宅建筑中与阳台有关的开放文化条件尚未与建筑类型相吻合。JujuyRedux的阳台设计灵感来自多边形海湾窗口以及水平阳台。传统的海湾窗户严格地表现为室内空间，而Jujuy Redux阳台在向拐角处打开时，则表现出定向性，既允许暴露的空间，也可以是更加隐秘的空间，遮挡着天气，也可以直接从街道上看到风景。

We recognize the open cultural conditions associated with balconies in housing buildings that are not yet coded with an architectural typology. Jujuy Redux’ balcony design takes inspiration from the polygonal bay window as well as from the horizontal balcony. While traditional bay windows perform strictly as interior spaces, Jujuy Redux balconies perform directionally as they open up towards the corner, allowing for both exposed spaces with oblique vistas as well as more intimate ones, sheltered from the weather and direct views from the street.

 © Gustavo Frittegotto

古斯塔沃·弗里特戈托

虽然这个项目几乎完全是用现浇混凝土建造的，但阳台的内部空间却覆盖着灰色的威尼斯瓷砖。这种布置在阳台的外部白色混凝土外壳和内墙之间产生了对比感，同时也突出了每套公寓室外居住空间内的空间封闭感，增强了其用途，因为每个居民都在私人空间和公共空间之间协商门槛。

While the project is built almost entirely of cast-in-place concrete, the interior space of the balconies is clad with grey venetian tile. This arrangement produces a sense of contrast between the outer white concrete skin and the inner walls of the balcony, while also accentuating a sense of spatial enclosure within the outdoor living space of each apartment, enhancing its use as each inhabitant negotiates the threshold between private and public space.

空间上的矛盾和微妙，JujuyRedux的阳台被认为是高度铰接的标量多样性，其中包括孔，栏杆，直接和间接LED照明以及材料变化。内置的长凳为休闲活动和小型聚会提供了场所，同时允许居民根据自己的需要定制使用。

Spatially ambivalent and nuanced, Jujuy Redux’s balconies are conceived as highly articulated pieces of scalar diversity that incorporate apertures, railing, direct and indirect LED lighting as well as material changes. A built-in bench provides a place for leisure activities and small gatherings, while allowing inhabitants to tailor its use according to their individual needs.

趴在地上：打开角落

Down on the Ground: Opening the Corner

 © Gustavo Frittegotto

古斯塔沃·弗里特戈托

在地面水平，混凝土交叉支撑接收由阳台产生的对角线偏差，创造了一个双高度城市角落无柱。这个悬臂拐角处让位给位于Jujuy街的一个不显眼的建筑入口，接着是一系列的空间：一个门控门廊和一个由两层玻璃门廊连接的主大厅，以及电梯大厅，所有大厅都用抛光的卡拉拉大理石装饰着。

At ground level, concrete cross braces receive the diagonal deviations produced by the balconies, creating a double-height urban corner free of columns. This cantilevered corner gives way to an inconspicuous building entrance located at Jujuy Street, followed by a sequence of spaces: a gated porch and main hall linked by a two-storey glazed doorway, and the elevator lobby, all clad in polished Carrara marble.

高处：征服屋顶

High Above: Conquering the Roof

 © Gustavo Frittegotto

古斯塔沃·弗里特戈托

斜向偏离的正式顺序在屋顶层加剧，在那里，建筑物呈锥形，以容纳一组机械空间、一个角落复式、一个带有日光浴室和半覆盖区域的公共露台，供烧烤-所有这些都能欣赏到市中心和河边的迷人景色。从视觉上看，这座建筑打开并减轻了它扭曲的质量，因为它在按顺序排列的对角线凹槽中上升到古老的树林上方，以满足城市的天际线。

The formal sequence of diagonal deviations intensifies at the Roof level, where the building tapers to accommodate a set of mechanical spaces, a corner duplex, a common terrace with a solarium and semi-covered areas for barbecuing- all of them enjoying attractive views of downtown and the riverfront. Visually, the building opens up and lightens its contorted mass as it rises above the ancient grove in sequenced diagonal recesses to meet the city skyline.

发音：整体和孔

Articulation: Whole and Holes

 © Gustavo Frittegotto

古斯塔沃·弗里特戈托

沿着阳台系统的几何形状，沿壳体的三角形开口打开了一系列的阈值空间，以控制阳光、自然通风和景观。当外壳加倍时，它就会被穿孔，创造出一种被动太阳能技术，除了交叉通风的公寓布局之外，还有助于产生一个有效的自然冷却系统。同样，倒角和主要入口被刺穿，尽管数量更多，允许建筑物门廊接收过滤的晨光，同时提供给过路的偷窥者进入建筑物。

Following the geometry of the balcony system, the triangular openings along the shell open up a series of threshold spaces to control sunlight, natural ventilation and views. Where the shell doubles up, it becomes perforated, creating a passive solar technique that, in addition to the cross-ventilated layout of the apartments, helps produce an effective natural cooling system. Similarly, the chamfered corner and main entry are punctured, albeit in a larger number, allowing the building porch to receive filtered morning light while offering passers-by voyeuristic peeks into the building.

材料的进出：白色混凝土

In and Out of Material: White Concrete

传统上，白色墙壁与剥离细节和装饰联系在一起，常常导致陈腐的物质性，就像在许多十九世纪的建筑中发现的明显的粉饰一样。或者，JujuyRedux探索一种不同类型的白度：它将整体可塑性置于局部物质之上，并与深度和平直度进行高低对比，从细微的白色到非白色。

White walls have traditionally been associated with the stripping away of details and ornamentation, often resulting in a stale materiality, like the overt whitewash found in many nineteenth-century buildings. Alternatively, Jujuy Redux explores a different kind of whiteness: one that privileges overall plasticity over local materiality and engage in high or low contrast to address depth and flatness, subtle white to off-white.

Architects P-A-T-T-E-R-N-S, Maxi Spina Architects

Location Rosario, Santa Fe Province, Argentina

Category Housing

Architects in Charge Marcelo Spina, Georgina Huljich, Maximiliano Spina

Area 1350.0 sqm

Project Year 2012

Photographs Gustavo Frittegotto