Axonometric 1

（几何学上）轴测法的 1

 © Rasmus Norlander

C.Rasmus Norlande

卑尔根国际音乐节是一个音乐和文化节，将于每年5月底和6月初在卑尔根举行。该艺术节是同类活动中规模最大的，在国家和国际一级举办了广泛的音乐、戏剧、舞蹈和视觉艺术活动。音乐会在格里格音乐厅和哈康音乐厅举行，在西尔维奥尔、特罗哈根、莱森和瓦莱斯特兰德福森的四个作曲家家中以及一些城市教堂、街道和广场举行。第一个节日于1953年举行。

Bergen International Festival is a music and cultural festival to be held in Bergen in late May and early June each year. The festival is the largest of its kind and contains a wide range of events in music, theater, dance and visual arts at the national and international level. Concerts are held in the Grieg Hall and Haakon's Hall, in the four composer homes on Siljustøl, Trolhaugen, Lysøen and Valestrandsfossen as well as in a number of city churches, streets and squares. The first festival was held in 1953.

概念：工作坊/幕后。

Concept: workshop / behind the scenes.

 © Rasmus Norlander

C.Rasmus Norlande

艺术节的前房舍是在一栋旧的银行大楼里，里面有大型的个人办公室，他们的新办公室需要开放的计划办公室，用于越来越多的基于项目的工作。

The festival's former premises were in an older bank building with large individual offices and for their new offices wanted open plan offices for increasingly project based work.

因此，我们已准备了一个高度灵活的项目。在这一年里，房舍的使用发生了变化，从计划期到节庆期间，活动和雇员人数都在增加。这要求在工作人员和房地的使用方面都具有灵活性。我们亦建议加强在新址举办小型音乐会及展览的能力，使艺术节更接近他们举办的活动。

We have therefore prepared a project with a high degree of flexibility. The use of the premises changes during the year with a shift from planning period to the festival period in which both the activity and number of employees increases. It requires flexibility both in the workforce and in the use of the premises. We also proposed to facilitate the ability to organize small concerts and exhibitions in the new premises and that way linking the festival as an organization closer to the events they hold.

 © Rasmus Norlander

C.Rasmus Norlande

我们很早就为这个场所建立了一些基本的想法：节日办公室被想象成制作节日的场所，但也包括在幕前发生的事情的幕后活动。我们关注的是一个生产逻辑，它必须清楚，这是一个地方，你做的东西。

We established early some basic ideas for the premises: the festival offices imagined as workshops where the festival is made, but also the activity behind the scenes of what's happening in front of the curtain. We have focused on a production logic where it must be clear that this is a place where you make something.

 © Rasmus Norlander

C.Rasmus Norlande

因此，木制框架的元素，可以给人的感觉，项目还没有完全完成，和玻璃墙与框架和轮廓隐藏在外面，使箱子看起来更像是开放的空间。否则，我们有一个明确的斯堪的纳维亚重点在于物质性和家具的选择，而艺术节想要站在明确的背景与格里格大厅，卑尔根艺术博物馆和剧院。

Hence the element of wooden framework which can give the feeling that the project is not fully completed, and glass walls with frames and profiles hidden from the outside so that the boxes rather look like open spaces. We have otherwise had a clear Scandinavian focus on the materiality and furniture selection, while the festival wanted to stand clear in context with the Grieg Hall, Bergen Art Museums and theater.

 © Rasmus Norlander

C.Rasmus Norlande

我们已经制定了计划，以便房间有一些组织元素，例如会议室和楼梯井周围的架子盒。我们一直把重点放在保持线条，让墙壁彼此对齐，以创造一个整洁有序的计划。

We have drawn the plans so that the rooms have some organizing elements such as meeting rooms and the shelf-box around the stairwell. We have had a focus on keeping the lines and let the walls align with each other to create a neat and orderly plan.

 Floor Plan 5

平面图5

在5楼有两个灵活的房间，用于不同的用途：办公室，用于项目工作和餐厅。同一层还有两个会议室，休息室，厕所，储藏室，客人衣柜和打印机室。餐厅既可以用松散的墙壁划分，也可以用作音乐厅，舞台朝向楼梯核心，也可以像今天一样，在一端墙上放置一架大钢琴。

On the 5th floor are two flexible rooms for different uses: offices for project jobs and dining room. On the same floor there are also two meeting rooms, rest rooms, toilets, storage, wardrobe for guests and a printer room. The dining room can both be divided with loose walls and used as a concert hall with a stage toward the stair core, or as used today with a grand piano placed at one end wall.

 Axonometric 3

（几何学上）轴测法的 3

在6楼，开放式办公室在楼梯井周围的另一个架子盒周围被抢劫。我们还设立了两个封闭的办公室。在地板上还有一个复制室和一个会议室，也可以作为临时雇员的场所。

On the 6th floor open plan offices are roganized around another shelf-box around the stairwell. We also made two closed offices. On the floor there is also a copy rooms and a meeting room that can also serve as a place for temporary employees.

 © Rasmus Norlander

C.Rasmus Norlande

材料调色板保持非常简单，由抛光混凝土地板，黑色和白色墙壁与凹进的凸起和固定石膏天花板或声学赫尔与隐藏的边缘和大的格式。房屋内的许多房间都有垂直木框架墙、桦树木框架和玻璃系统墙，后面安装有隐蔽的固定装置。有木制框架的房间有桦树天花板和桦木地板。

Material palette is kept very simple and consists of a polished concrete floor, black and white walls with recessed plinth and either fixed plaster ceiling or acoustic hiling with concealed edges and large formats. Many of the rooms in the premises has walls of vertical wooden frameworks of birch with glass system wall behind mounted with concealed fixing. Rooms with wooden frame work have ceiling of birch and birch flooring.

 © Rasmus Norlander

C.Rasmus Norlande

前一轮楼梯井周围的盒子是在桦木单板上，上面有架子、橱柜和长凳，用作打电话或参加小型会议的地方。电影节创始人、歌手范妮·埃尔斯特(Fanny Elster)的青铜半身像也获得了灯光照明的利基地位。

The boxes around the previous round stairwell is in birch veneer with shelves, cabinets and benches and is used as a place to make a phone call or to small meetings. The bronze bust of the festival's founder, singer Fanny Elster, also got a niche with lighting behind.

家具来自设计办公室、Vitra、Artek、Hay和Nikari，照明来自Zero和Fagerhult。

The furniture is from Design Office, Vitra, Artek, Hay and Nikari, while illumination is from Zero and Fagerhult.

Architects Eriksen Skajaa Architects

Location Vaskerelvsmauet 6, 5012 Bergen, Norway

Category Offices Interiors

Area 450.0 sqm

Project Year 2013

Photographs Rasmus Norlander