Peter’s House Craig Steely Architecture
2014-03-19 00:00
架构师提供的文本描述。坐落在旧金山的多洛雷斯公园之上的一个陡峭的地点,毗邻一个公共花园,明确的小房子,只有1800平方英尺(只有1800平方英尺)建立在这个陡峭的地段尽可能有效。
Text description provided by the architects. Located above San Francisco’s Dolores Park on a steep site bordering a public garden, the decidedly small house, (only 1800 square feet) builds on this steep lot as efficiently as possible.
© Bruce Damonte
布鲁斯·达蒙特
彼得的房子位于一个24英尺高的地方,而不是在山坡上交错地布置地基的典型施工方法。x 24英尺在最底层浇铸混凝土车库,并在上面建造一座3层的玻璃塔,几乎没有改变土地和乡间山坡排水的效果。
Rather than the typical construction practice of locating foundations staggered up the hillside, Peter’s house locates a 24 ft. x 24 ft. cast-in-place concrete garage at the lowest level and builds a 3-story glass tower above it, altering the land and native hillside drainage very little.
© Bruce Damonte
布鲁斯·达蒙特
顶层的起居层从地块顶部的平坦高原延伸到塔楼,就像一座桥,从本质上说,这类建筑所涉及的开挖量减少了2/3。
The top living floor then spans from a flat plateau at top of the lot to the tower like a bridge, essentially reducing the amount of excavation typically involved in construction of this type by 2/3.
Floor Plans: Garage, First, Second
平面图:车库,第一,第二
除了结构上的挑战,彼得的房子设计中最大的问题是把这栋建筑开放到开阔的视野中,同时保持人行道和旁边花园的高度隐私。
Beyond the structural challenges, the biggest issue in designing Peter’s house was opening the building to the expansive view while maintaining a level of privacy from the sidewalk and garden that pass alongside.
© Bruce Damonte
布鲁斯·达蒙特
在房子被设计的时候,通往金门大桥的新入口正在建设中,因此有必要清理蒙特利柏树的一片树林,从普雷西迪奥(Presidio)到金门大桥。我们保护了其中一些树木,并与当地的一家铣削店合作,将它们变成90个实木百叶窗(固定在外部/内部可操作),以规范开放性和隐私。
Around the time the house was being designed, the new on-ramp to the Golden Gate Bridge was under construction which necessitated clearing a grove of Monterey Cypress trees in it’s path from the Presidio. We secured some of these trees and working with a local milling shop turned them into 90 solid wood louvers (fixed on the exterior/operable on the interior) that regulate openness and privacy.
Architects Craig Steely Architecture
Location San Francisco, United States
Category Houses
Area 1900.0 ft2
Project Year 2013
Photographs Bruce Damonte
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