位于南加州一处高度发达的海滩遗址上，Vault House对狭窄的海滨地段上常见的类型学提出了挑战。它没有将注意力集中在单一的优质海景上，而是将透明的内部空间分层在主体空间中，通过房屋提供多种斜视角，同时从不同的角度捕捉自然光。随着堆叠和单向拱形房间的组合包含在一个简单的直线体积内，这些房间的平行方向充当了一个过滤器，将海滨景观从海滨正面延伸到西部，一直延伸到工地东部边界的街道。

Situated in a densely developed beach site in Southern California, the Vault House challenges the typology commonly found on narrow oceanfront lots. Instead of directing its focus on the single prime ocean view, an array of transparent interior spaces layered inside the main volume, offer a multiplicity of oblique views through the house while capturing natural light from a variety of angles. With the assembly of stacked and unidirectional vaulted rooms contained within a simple rectilinear volume, the parallel orientation of the rooms acts as a filter that extends the oceanfront view from the beachfront façade to the West through to the street at the Eastern boundary of the site.

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这座房子是在加州海岸委员会的限制下设计的，该委员会要求在离沙地两米的地方升起主要的生活区，允许可能发生的海啸在房子下面传播。相反，沿街道向东的车库则直接坐落在沙滩上，在海啸的压力下倒塌的墙壁被设计成这样。这导致了一个不对称的部分，三层楼-一层、两层、二层-集中在一个庭院周围，庭院既是房子的主要入口，也是中心的室外房间。

The house was designed under the restrictions imposed by the California Coastal Commission, which require the main living area to be lifted two meters off the sand, allowing for possible tsunami waves to pass beneath the house. The garage to the East along the street, in contrast, sits directly on the sand and is designed with walls that collapse under the pressure of tsunami waves. This results in an asymmetrical section, where three floor levels – first floor, split level, second floor – are grouped around a courtyard that serves both as the main entrance to the house and as a central outdoor room.

 © Eric Staudenmaier

C.埃里克·施陶登迈尔

庭院构成了房子的核心：它在房子的东侧更多的私人房间和与西方相连的开放区域之间进行谈判。在院子里，自然光在一天中以旋转的周期进入，从这个中心空间可以观察到居民在整个房子里移动。位于房子北侧的单程楼梯连接了所有三层楼，通往屋顶甲板，可以看到海滩和海洋的全景。

The courtyard forms the core of the house: it negotiates between the more private rooms on the Eastern side of the house and the open and connected areas to the West. In the courtyard, natural light enters in rotating cycles throughout the day and residents can be observed moving throughout the house from this central space. A single-run stair located along the Northern side of the house connects all three levels and leads to a roof deck that offers panoramic views of the beach and the ocean.

 First Floor Plan

一层平面图

 Second Floor Plan

二层平面图

每个拱形房间都有不同的轮廓和体积，在房子里定义了一个区域或一个功能。综合效应是室内空间的多样性景观，与单一的形式语言相统一。类似于猎枪房的范例，拱顶的单一方向最大限度地利用了建筑物深处所有空间的视觉连接，并将海滩、海洋和地平线的精致外部景观融入了建筑物的深度。

With varied contours and volumes, each vaulted room defines an area or a function in the house. The combined effect is a varied landscape of interior spaces, unified with a singular formal language. Similar to the paradigm of a shotgun house, the singular direction of the vaults maximizes the visual connection of all spaces within the deep building footprint and incorporates the exquisite exterior landscape of beach, ocean and horizon into the depth of the building.

 © Eric Staudenmaier

C.埃里克·施陶登迈尔

极端的海滩气候，无处不在的风和咸的空气，需要一个简化的，耐气候的材料调色板。石灰石用于所有楼层，并作为壁板使用，无论是在里面还是外部，而一种叫做“格莱德大衣”的弹性胶凝膜包裹着外部外墙。这种膜不需要金属闪光和控制接头，使外墙无鳞，形成了光线和阴影作用的抽象背景。

The extreme beach climate with pervasive winds and salty air demanded a simplified, weather resistant material palette. Limestone is used for all floors and as wainscots, both inside and outside, while an elastomeric, cementitious membrane called “Grailcoat" wraps the exterior façade. The membrane eliminates the need for metal flashing and control joints, rendering the façade scaleless and forming an abstract backdrop for the play of light and shadow.

 © Eric Staudenmaier

C.埃里克·施陶登迈尔

Architects Johnston Marklee

Location Oxnard, United States

Category Houses

Architect in Charge Sharon Johnston and Mark Lee

Design Team Katrin Terstegen, Andri Luescher, Nicholas Hofstede, Anna Neimark, Anton Schneider, Yoshi Nagamine, Ryan Roettker

Area 3600.0 ft2

Project Year 2013

Photographs Eric Staudenmaier

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