© Shai Gil

(C)Shai Gil

 © Shai Gil

(C)Shai Gil

新的保罗H.科克建筑画廊，Gow Hast的最新升级到多伦多赖厄森大学建筑科学系大楼是一个小的建筑插曲与戏剧性的存在。

The new Paul H. Cocker Architecture Gallery, Gow Hasting’s latest upgrade to Toronto’s Ryerson University’s Department of Architectural Science building is a small architectural insertion with a dramatic presence.

 © Shai Gil

(C)Shai Gil

就在正门对面，在以前由一间储藏室占据的空间里，画廊挤进了著名的加拿大建筑师罗恩·托姆(Ron Thom)的布鲁塔(Brutalist)大厅，在厚重的混凝土和采石场内部引入了一个闪闪发光的白色调色画廊还介绍了一个焦点，在复杂的几何结构梁，柱和楼梯。与这些原始订单不同，画廊增加了精心制作的细节和当代的感性。

Directly opposite the main entrance, in a space formerly occupied by a storage room, the gallery pushes into famed Canadian architect Ron Thom’s Brutalist lobby introducing a gleaming white palette to the heavy concrete and quarry tile interior. The gallery also introduces a focal point amidst the complex geometries of beams, columns and staircases. In contrast to these raw orders, the gallery adds carefully crafted detailing and a contemporary sensibility.

 Floor Plan

超大的玻璃枢轴门吸引着学生和教师们穿过一个深而有感觉的门槛，进入了新鲜的白色画廊空间。当门打开时，他们创造了一个戏剧性的入口和一种动力体验。薄薄的、白色的瓷质地砖越过门槛延伸到大厅，宣布了改造后的空间。

Oversized, glass pivot doors draw students and faculty through a deep, felt-wrapped threshold and into the fresh white gallery space. As the doors swing open, they create a dramatic entry and a kinetic experience. Thin, white porcelain floor tiles extend beyond the threshold into the lobby, announcing the transformed space.

 © Shai Gil

(C)Shai Gil

该画廊是自己的独立单位，从现有的元素，从垂直窗口的方式。它超越了它所感知的界限，挑衅性地占据了后面研究生实验室的空间。

The gallery is its own independent unit, pulling away from the existing elements by way of vertical windows. It extends beyond its perceived boundaries, provocatively snagging space in the graduate student lab behind.

 © Shai Gil

(C)Shai Gil

画廊的背面与前面一样独特，用不锈钢装饰，并与珠宝商的精密连接在一起，用金黄的红色毛毡包裹在一起。它的毡墙提供了一个温暖的，纹理的表面，一种声学材料和一个引脚的空间。这一举动提醒学生们，通过创造性和精细的工艺，适度的室内干预可以创造出令人难忘的建筑。

Wrapped in jaunty red felt with stainless steel detailing and joined with a jeweler’s precision, the backside of the gallery is as distinctive as the front. Its felt wall offers itself as a warm, textural surface, an acoustic material and a pin-up space. Functional and playful all at once, this move reminds students that a modest interior intervention can create memorable architecture through creativity and fine craftsmanship.

 Ceiling Plan

在画廊内，后墙是分面的平面部分，以最大限度地可安装的显示区域。一个灵活的照明和悬挂系统，使空间完全重新解释与每一个新的展览。暴露的天花板和画廊的柱子保留了原有结构的高度，并点头空间的转变。

Inside the gallery, the back wall is faceted into flat sections to maximize the mountable display area. A flexible lighting and hanging system enables the space to be completely reinterpreted with each new show. The exposed ceiling and columns of the gallery preserve the height of the original structure and nod to the space’s transformation.

 © Shai Gil

(C)Shai Gil

战略性放置的插口窗口提供了从一系列突出的公共空间偷偷窥视画廊的机会。画廊入口处旁边的特色墙被设计成一个照明灯笼，它将整合来自Ryerson数字制造实验室的创新学生作品。

Strategically placed slot windows provide sneak peeks into the gallery from an array of prominent public spaces. A feature wall beside the gallery entrance is designed as an illuminated lantern that will integrate innovative student work from Ryerson’s digital fabrication lab.

精心设计的建筑画廊为赖厄森建筑科学大楼的混乱环境注入了清晰的气息。这个小小的手势为学校提供了一个适合展览和活动的空间，从而产生了巨大的影响。

The thoughtfully crafted architecture gallery breathes clarity into the chaotic environment of Ryerson’s Architectural Science building. The small gesture creates a large impact by providing the school with an adaptive space for exhibition and events.

Architects Gow Hastings Architects

Location 325 Church Street, Ryerson University, Toronto, ON M5B, Canada

Category University

Area 3120.0 ft2

Project Year 2013