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 © Fernando Guerra | FG+SG

费尔南多·格拉

架构师提供的文本描述。把建筑和景观结合在一起，Nadir Afonso中心将一个新兴的城市中心与它的田园环境联系起来。1858年的单一艺术家博物馆将明亮、清晰的当代艺术与葡萄牙设计的丰富物质性和可持续性融为一体，以纪念葡萄牙最受爱戴的土著儿子之一，艺术家纳迪尔·阿丰索(Nadir Afonso)。除了向这位曾与勒柯布西耶和奥斯卡·尼迈耶一起练习建筑的艺术家致敬外，Centro和艺术家在附近Chaves的基金会还将成为推动该地区经济、文化和社区发展的引擎。这座新美术馆被分割成陡峭的山坡，分为两个截然不同但又相互关联的部分：一个光线充足的文化中心，俯瞰着一条国家公路和市政厅的交汇处；还有一个坐落在后面的广阔、低档的展览空间，顶部是一个绿色屋顶公园。

Text description provided by the architects. Merging architecture and landscape, Centro de Artes Nadir Afonso links an emerging urban center with its pastoral environs. The1858-square-meter single artist museum fuses a light, lucid contemporaneity with the rich materiality and sustainability of Portuguese design to honor one of Portugal’s most beloved native sons, the artist Nadir Afonso. As well as paying homage to the artist, who formerly practiced architecture with Le Corbusier and Oscar Niemeyer, the Centro, along with the artist’s foundation in nearby Chaves, will serve as an engine driving economic, cultural, and community development in the region. Sliced into a steep hillside, the new art museum is divided into two distinct, but connected, parts:  a light-filled cultural center looking out upon the intersection of a national highway and City Hall; and, nestled in the back, a vast, below-grade exhibition space topped by a green-roof park.

 © Fernando Guerra | FG+SG

费尔南多·格拉

城市面貌

THE URBAN FACE

在双高的入口大厅里，这位艺术家的照片和他的素描连续的乐队提供了从街道上可见的明亮颜色的拳头。从这里开始，展厅、室外咖啡厅、儿童图书馆和楼梯都在招手，外面的礼堂也是为了鼓励非正式的公民参与而设计的。

In the double-height Entry Hall, a photomural of the artist and a continuous band of his sketches provide punches of bright color visible from the street. From here, the exhibition hall, outdoor café, children’s library and stairway to the auditorium beckon, as does the exterior auditorium that is designed to encourage informal civic engagement.

 © Fernando Guerra | FG+SG

费尔南多·格拉

田园派

THE PASTORAL SIDE

展览馆坐落在山腰下面，可持续种植的绿色屋顶下，是博物馆的中心。由于展览墙比外墙短，参观者可以在回收的旋风式挡土墙的土石表面背景下观看艺术，创造了一种在奢华的石窟中观赏艺术的独特感觉。在鼓励人们对室内/室外空间分层的感觉的同时，墙壁与内部的接近，既能阻挡直接阳光的照射，又能让间接日光减少博物馆的碳足迹。绿色屋顶公园，本着纳迪尔·阿隆索的几何抽象精神和罗伯托·伯勒·马克思的传统设计，也自然地调节了内部温度，同时也为社区提供了审美愉悦。

Embedded in the hillside below a sustainably planted green roof, the exhibition hall is the heart of the museum. Since the exhibition walls are shorter than the exterior walls, visitors can view the art against a background of the surface of the rustic stone of the recycled cyclopean retaining walls, creating a unique feeling of viewing art within a lavish grotto.  While encouraging the perception of an indoor/outdoor layering of space, the proximity of the walls to the interior both blocks degrading direct sunlight and allows indirect daylight to reduce the museum’s carbon footprint. The green roof park, designed in the spirit of Nadir Alonso’s geometric abstraction and in the tradition of Roberto Burle Marx, also naturally modulates internal temperature while offering aesthetic delight to the community.

 © Fernando Guerra | FG+SG

费尔南多·格拉

Architects Louise Braverman

Location Boticas, Portugal

Category Visual Arts Center

Design Team Artur Afonso, John Gillham, Yugi Hsiao, Jing Liu, Snow Liu, Medha Singh

Local Architect Paulo Pereira Almeida

Area 1858.0 m2

Project Year 2013

Photographs Fernando Guerra | FG+SG

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