© Cristobal Palma / Estudio Palma

(C)Cristobal Palma/Estudio Palma

 Construction Plan

这一独特的实体在乡村葡萄园和橄榄林景观中占据主导地位，背景是中世纪村庄和岩石露头的总体背景。一个裸露的水平体积脱离地面，悬浮在一个几乎古老的时间。

This unique entity occupies a dominant position in a rural landscape of vineyards and olive groves, set against a general background of medieval villages and rocky outcrops. A bare horizontal volume is detached from the ground, suspended in an almost archaic time.

 © Cristobal Palma / Estudio Palma

(C)Cristobal Palma/Estudio Palma

透明和整体，建筑物是平衡在一个盲目的基座之上，其轮廓被划分为从远处可见的高架部分和另一个消失在本地植物的叶子后面。平台的空中境界表明了要点。一个由16列组成的全景圆环，每隔一段固定的时间间隔，可容纳一系列功能不明的房间。

Transparent and monolithic, the building is balanced on top of a blind pedestal, in such a way that its outline is divided between an elevated portion visible from a distance and another that disappears behind the leaves of native plant species. The aerial realm of the platform indicates the cardinal points. A panoramic perimeter ring punctuated by sixteen columns placed at regular intervals accommodates a sequence of rooms with undefined functions.

这些水晶对称的居住空间是相互独立的，在它们的角落由四个开放的露台连接起来。这个门廊太窄了，容纳不了固定的起居室，对阳台和观景台来说也太深了。在这个空中领域里，唯一封闭的房间(中间)不是屋顶；它的四面墙在它们的中心点有孔，而地面是水(人类所知的最温和的铺路)，这反映了天空。

These crystalline, symmetrical living spaces are mutually independent and are linked by four open terraces at their corners. This portico is too narrow to contain a static living room and too deep for a balcony- cum-viewing platform. In this aerial realm, the only closed room (in the center) is not roofed; its four walls are perforated at their central point, while the floor is of water (the gentlest paving known to man), which reflects the sky.

 © Cristobal Palma / Estudio Palma

(C)Cristobal Palma/Estudio Palma

沿着一条倾斜的直线小路走完后，一组分叉的台阶塑造了入口处；进入房子就像进入围绕着中央游泳池的双通道，小开口对角设置，可以瞥见水面上的天空。在这个接入层下，一条建筑服务通道不需要使用就绕着房间走(而且头顶照明也很少)。

After going along a sloping straight path, a bifurcated set of steps shapes the entrance; entering the house is like going into a twin tunnel that encircles the central swimming pool, with small openings set diagonally that allow glimpses of sky across the water. Under this access level a building services passageway goes around a room without use (and with scant overhead lighting).

卷的统一性有一些关于它的一般模式；它的巨大危险的结构在其质量的轮廓中消失了。似乎当智利理论家胡安·博尔哲说“建筑是物理学的化身”时，他所说的不仅是负荷和紧张，而且是生命本身，这抹掉了他们的努力。

The volume unity has something of the generic schema about it; its monumentally risky structure disappears in the outlines of its mass. It would seem that when Chilean theoretician Juan Borchers said that ‘architecture was physics incarnate,’ he was speaking not only of loads and tensions, but of life itself, which erases their effort.

Architects Pezo von Ellrichshausen

Location Cretas, Spain

Category Houses

Architects in Charge Mauricio Pezo, Sofia von Ellrichshausen

Area 313.0 sqm

Project Year 2013

Photographs Cristobal Palma / Estudio Palma