Z Gallery O

2014-04-03 01:00

架构师提供的文本描述。ID镇项目起源于位于深圳东部大鹏新旅游区的废弃红华印染厂。8赫克托工厂发现自己被靠近南海海岸的山所包围.古老的庙宇般的工场建筑唤起了人们对大自然中卫城的印象.我们的设计是从这种特殊的现场破坏自然氛围开始的.

Text description provided by the architects. The ID Town project originates from the abandoned Honghua Dyeing Factory, locating in Dapeng New Tourist District in Shenzhen East. The 8-hector factory finds itself surrounded by the mountain near the coast of Southern Chinese Sea. The old-temple-like workshop buildings evoke one’s impression of an Acropolis in the nature. Our design starts from this special on-site ruining atmosphere in the nature.

 © Likyfoto

© Likyfoto

工厂在地势上分为两部分-居住区建在山坡一侧的北部，我们称之为希尔镇(H-镇)，生产区建在南部的山谷平台上，我们称之为山谷镇(V-镇)。V镇的主要建筑内容为5座大型厂房，其中4幢为单层双坡屋顶混凝土结构建筑，标准柱间距为6米。由于没有门窗，在绿色丘陵地带的中心地带，那些巨大的混凝土倾斜屋顶下面有一个独特的透明地面空间。

The factory was topographically divide into two quarters - the living quarter built in the north on the slope hill side, which we call Hill Town (H–Town), and the production quarter built on the valley platform in the south, which we call Valley Town (V-Town). The main building content of V-Town is 5 large workshop buildings; 4 of them are single-level double-sloping roof concrete structural buildings with standard column distance of 6 metres. The absence of windows and doors of grates a unique transparent ground space underneath those huge concrete sloping roofs in the heart of the green hilly area.

 © Likyfoto

© Likyfoto

在ID镇的第一个改造项目是将过去致力于净化粗布的最长作坊改造为ID镇的接待中心，即Z画廊和7间艺术家工作室。新的建筑干预试图与现有的建筑遗迹保持一定的距离，从而激发人们对遗址历史的空间对话，并保持人工和自然力量交织在一起的强大场址存在。

The first reconversion project in iD Town is to transform the longest workshop, which used to be dedicated to purifying the rough cloth, to a reception centre of iD Town, namely Z Gallery, together with 7 individual artist studios. The new building intervention tries to keep a critical distance from the existing building relics so as to inspire spatial dialogue to the site’s historic past, and maintain the strong site presence of the interweaving of artificial and natural powers.

 © Likyfoto

© Likyfoto

Z画廊的构想是一个线性黑色钢箱漂浮在地面遗址的前净化车间。包厢内设有展览、咖啡厅、会议室和小型接待处。为了响应对空间的多样化使用需求，同时也为了应对中国南方夏季的湿热天气，黑匣子的外墙由一系列旋转墙门和滑动玻璃门组成。他们可以在不同的事件或不同的季节创造不同的表达方式，同时降低空调的能源成本。

Z Gallery is conceived as a linear black steel box floating on the ground ruins of the former purification workshop. Exhibition, café, meeting rooms and small reception are set up within the box. In order to response to the diverse using demands on the space, and to cope with the Southern China’s heat and humidity in summer as well, the black box’s façade are composed of a series of rotating wall-doors and sliding glass doors. They can create different expressions during different events or in different seasons, while reducing the energy cost for air conditioning.

 Floor Plan

个别艺术家工作室的7个灰色盒子与Z画廊保持一致，将空间创作延伸到后工业废墟和废弃机器基板之间的曲折之中。每个盒子既是一个孵化器，也是一个艺术家的展示会，他们可以从这个单一的盒子基地探索建造的空间和整个厂址。半户外金属桥接和平台系统将新的建筑干预连接到更广阔的场地景观总体规划中，将新的设计和艺术精神传播到ID镇的未来空间。

The 7 grey boxes of individual artist studios are in line with Z Gallery, extending the spatial creation into the post-industrial ruins and zigzagging in-between the abandoned machine substrates. Each box is both an incubator and a showcase of one artist, who can explore the built space and the whole factory site from this single box base. A semi-outdoor metal bridging and platform system connects the new architectural intervention into the broader landscaping master plan of the site, spreading the new design and art spirit to the future space of iD Town.