Courtesy of Marjan Hessamfar & Joe Vérons architectes associés

Marjan Hessamfar提供

作为通往城市或国家的门户，机场是乘客第一次遇到特殊经历。它需要一个适合这样一个项目的简单形式。此外，我们需要找到一种功能强大、灵活的解决方案，能够及时调整自己，因为每个终端的组织都是复杂和准确的。

As a gateway to a city or a country, an airport is the first particular experience encountered by a passenger. It requires a simple form suitable for such a project. Moreover, we need to find a functional, flexible solution, capable of adapting itself in time because of the complex and accurate organization of each terminal.

 Floor Plan

因此，该项目是一个紧凑的体积，沐浴在一个慷慨的白天，在外部外壳，每个功能基础设施独立发展。

Hence, the project is in the form of a compact volume, bathed with a generous daylight.Inside of the external shell, each functional infrastructure develops itself independently.

 Courtesy of Marjan Hessamfar & Joe Vérons architectes associés

Marjan Hessamfar提供

单信封很简单，通过仔细设计开口，我们创造了独特的节奏和变化。因此，金属表面被聚碳酸酯面板标出一个规则的图案。

The single envelope is simple and by carefully designing the openings, we created unique rhythms and variations. Therefore, the metallic facades are punctuated by polycarbonate panels in a regular pattern.

 Courtesy of Marjan Hessamfar & Joe Vérons architectes associés

Marjan Hessamfar提供

这些开口提供了大量的自然光在里面。他们被视为一个信号，在主要的正面，以及信封的其他部分，包括屋顶。由白色开口和黑色金属条创造的图案是由诺曼·威尔金森爵士为第一次世界大战船只创作的达兹乐画作所启发的。使用斑马样的条纹，他能够打破船的轮廓并创造伪装效果。候机楼C厅使用这一原则来确定其功能：离港/抵港。

These openings provide a substantial amount of natural light inside. They are treated as a signal on the main facade as well as the rest of the envelop including the roof. The pattern created by the white opening and black metallic strip is inspired by the Dazzle Painting of Sir Norman Wilkinson for WW1 boats. Using zebra-like strip, he was able to break the silhouette of ship and create a camouflage effect. The terminal C Hall uses this principal to identify its functions: Departures / Arrivals.

Architects Marjan Hessamfar & Joe Vérons architectes associés

Location Bordeaux-Mérignac Airport (BOD), 33700 Mérignac, France

Category Airport

Area 4000.0 sqm

Project Year 2010