合作者Morien H Nel G.、Felipe Urrejola C.SkyView Project Guillermo Hevia García、Nicolás Urzúa S.生物技术研究智利顾问有限公司。生产CAROZI Ingeniería。结构工程，美国承包商建筑工程公司ENV有限公司。制造商装货.。多规格少规格

Collaborators Maureen Hänel G., Felipe Urrejola C. Sky View Project Guillermo Hevia García, Nicolás Urzúa S. Bioclimatic Study BIOTECH Chile Consultores Ltda. Production CAROZZI Ingeniería. Structural Engineering Yanko Morales U. Contractor Constructora ENV Ltda. Manufacturers Loading... More Specs Less Specs

 © Nico Saieh

c.Nico Saieh

架构师提供的文本描述。该项目源于重建2010年烧毁的Carozzi工厂的需要。

Text description provided by the architects. The Project is born out of the need to rebuild the Carozzi factory, burnt in 2010.

这意味着一种挑战和机遇；新的社会和工业概念、创新、新技术和公司可持续性在建筑中得到体现。

It meant a challenge and an opportunity; new social and industrial concepts, innovation, new technologies and company sustainability are expressed in the buildings architecture.

 Emplazamiento

Emplazamiento

意大利面和谷物工厂形成的综合体包含着“市民中心”和员工聚会的露天广场。这个公共空间被工厂屋顶的起伏形式所包围，而在南面则是办公大楼，而水平的红色体积，简单而清晰，似乎漂浮在水面上。

The complex formed by the pasta and cereals factories contains between them the “civic center” and the open square in which the staff meets. This public space is surrounded by the waving forms of the factory roofs, and at the south by the office building, and horizontal red volume, simple and clear, seems to float over water.

 © Cristobal Palma

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工厂屋顶的形状在周围的地理上再现了安第斯山脉，与以前存在的建筑，1964年的面粉厂和谐地对话，这是智利现代建筑中的一个标志。

The shape of the factory roofs recreate the mountains of the Andes on the surrounding geography, the dialog harmoniously with the previously existing building, the flour mill of 1964, an icon in chilean modern architecture.

 Escantillones

Escantillones

一艘巨大的沉船在巨大的机遇中转型，挑战着重建的生产力、技术、能源和社会等新概念。架构是实现这些目标的工具。一组建筑为现代工业建筑提供了新的材料和形状，即卡洛齐·莫利诺(Carozzi Molino)。

A big wreck converted in a great opportunity, the challenge of the reconstruction with new concepts of productivity, technology, energy and social. The architecture is the tool for achieving those goals. A group of buildings give new materials and shapes of the modern industrial architecture, which is Carozzi Molino.

 © Nico Saieh

c.Nico Saieh

金属和玻璃中简单起伏的形状，带着仁慈，埃米利奥·杜哈特项目的对角线，路易斯·米特罗维奇和克里斯蒂安·德格罗特的对角线。(1965)建筑以简单和激进的姿态内容在甲板室，建筑物解释地理环境和它所采取的程序。

Simples undulating shapes in metal and glass, take with kindness, the diagonals of the Project of Emilio Duhart, Luis Mitrovic y Christian de Groote. (1965) The architecture with the simple and radical gesture contents at the deckhouse, the building interprets the geographic environment and the program that it takes.

该设计采用了可持续和最后一代的战略；被动通风、水回收、自然光照、氢化物资源的合理利用等，将使该项目在第一个国家工业中转型，并获得Leed认证。

The design incorporates sustainable and last generation strategies; passive ventilation, water recovery, natural illumination, rational use of the hydric resources, among other, will transform this Project in the first national industry, with Leed certification.

 © Nico Saieh

c.Nico Saieh

双层皮肤、通风的工作区立面、绿色的隐蔽物和令人惊叹的花园，这些都为工人的生活和环境保护提供了更好的质量。

Double skins, ventilated façades at the work areas, green coverts and amazing gardens, which tends to give better quality for the workers life and protection of the environment.

在这个工业项目的中心，有一个市政中心，一个修道院，一个大型的聚集广场，仿照瓦勒中央殖民地的房子，有连接办公室和个人服务的小巷。

In the heart of this industrial Project there’s a civic center, a cloister contents a big gathering plaza, emulating the colonial house from Valle Central, with alleyways that connect the offices and personal services.

 Elevaciones

elevations（水平或数量）提高( elevation的名词复数 )

位于圣贝纳多-R.M的新工业项目Carozzi拥有合理的建筑结构和免费的姿态，它能够展现出一个巨大的企业形象，完成了50年前分离的两座建筑之间的一次伟大的聚会。

The new industrial Project Carozzi at Nos – San Bernardo – R.M, which has a sensible architecture and free gestures is capable of showing a big corporate image, that accomplish a great gathering between two architectures that were separated fifty years ago.

 © Nico Saieh

c.Nico Saieh

Architects GH+A | Guillermo Hevia

Location San Bernardo, Santiago Metropolitan Region, Chile

Category Refurbishment

Architects in Charge Tomás Villalón A., Francisco Carrión G., Javier González E.

Project Area 52.0 m2

Project Year 2012

Photographs Cristobal Palma, Nico Saieh

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