架构师提供的文本描述。塔斯马尼亚博物馆

Text description provided by the architects. The Tasmanian Museum & Art Gallery is the second oldest museum in Australia and its collection mandate is the most diverse of any in the country. Its campus at Constitution Dock on Hobart’s waterfront includes a rich collection of heritage buildings including the Commissariat Store (1808-10), the Private Secretary’s Cottage (1815) and Custom House (1902).

这一总体规划项目将通过新的增加和适应性再利用来扩大博物馆，并扩大公共开放空间和博物馆前厅。重建将是塔斯马尼亚有史以来最大和最重要的文化发展。

This masterplan project will expand the museum through new additions and adaptive reuse as well as extend the public open space and museum forecourt. The redevelopment will be the single largest and most significant cultural development ever undertaken in Tasmania.

 © John Gollings

约翰·戈林斯

该计划将遗产建筑、新的当代元素和考古学交织在一起，为游客创造了丰富而独特的体验。一系列新的元素已被整合到现有的遗产结构中，以创建一个连贯的博物馆综合体。

The scheme interweaves heritage buildings, new contemporary elements and archaeology to create a rich and unique experience for visitors. A series of new elements have been integrated into the existing heritage fabric to create a coherent museum complex.

一个新的百叶窗和玻璃屋顶悬挂在细木柱，以包围中央庭院。院内立柱的有意随机性暗示了原滨水景观的树木，而多层木材卢浮宫、钢和琉璃屋顶则重新诠释了树冠，并提供了对地下庭院空间的环境控制。屋顶底部可操作的弯曲木材百叶窗，使自然光在一天中的不同时间和全年都能被操纵，从而改变了庭院中光线和阴影的特征。

A new louvred and glass roof is suspended on fine timber columns to enclose the central courtyard. The intentional randomness of the columns within the courtyard allude to the trees of the original waterfront landscape while the multi-layered timber louvre, steel and glazed roof reinterprets the tree canopies and provide environmental control of the courtyard space underneath. The operable curved timber louvres on the underside of the roof enable natural light to be manipulated at different times of the day and throughout the year, transforming the character of light and shade in the courtyard.

 Ground Floor Plan

两个新的箱状木材体积被仔细地放置在与遗产元素相关的地方。第一个框架是进入庭院的新入口，在悬空的音量下有一间咖啡厅，上面还有一个走廊/演讲空间。第二个盒子被锁在私人秘书的平房庭院和通往苏利文湾的街道前面之间，并将广阔的新画廊空间与公共滨水区连接起来。这些悬挂的木材形状类似于保护其内装物的精美珠宝盒，并沿着玻璃后面的一系列螺旋木百叶窗旋转，以揭示霍巴特的滨水环境。

Two new box-like timber volumes are carefully placed in relation to the heritage elements. The first frames the new entrance into the courtyard with a café underneath the suspended volume and a gallery/lecture space above. The second box is locked into position between the Private Secretary’s Cottage courtyard and street-front opening out to Sullivans Cove and connects the extensive new gallery spaces with the public waterfront. These suspended timber forms are akin to fine jewellery boxes protecting their contents, and along one side a series of spiral wood louvres behind glass rotate to reveal Hobart’s waterfront.

 © John Gollings

约翰·戈林斯

这两个新的庭院是由新的和现有的元素并置而成的：中央画廊和私人秘书的家庭庭院。两个中庭空间都改善了新画廊和遗产画廊的定位和流通。

Two new courtyards are formed by this juxtaposition of new and existing elements: the Central Gallery with its glazed lantern roof and the Private Secretary’s Cottage courtyard. Both atrium spaces improve orientation and circulation for both the new galleries and heritage galleries.

 © John Gollings

约翰·戈林斯

最后，一个新的公共开放空间也形成了一个前院的新水门博物馆入口。这个新的公共广场的地面被一系列折叠的条形所描绘，这些折叠条是从现有的织物几何学中产生的。该网站的地形，无论是人工的和自然的，提供了一个充满活力的市民广场，为亲密和大型聚会提供了一系列的机会和规模。

Finally, a new public open space is created that also forms a forecourt to the new Watergate museum entrance. The ground plane of this new public square has been delineated by a series of folded strips that have been generated from the existing built fabric geometry. The topography of the site both artificial and natural is transformed to provide a dynamic civic square that offers a range of opportunities and scales for intimate and large gatherings.

Architects Francis-Jones Morehen Thorp

Location Dunn Place, Hobart TAS 7000, Australia

Category Gallery

Area 4190.0 sqm

Project Year 2013

Photographs John Gollings