© Roland Halbe

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这座建筑在城市中的位置包括了它作为城市历史中心和圣克里斯托巴尔社区之间的枢纽的作用。圣克里斯托巴尔是20世纪60年代现代城市规划的原型。

In taking its place in the city the building embraces its role as a hinge between the historic heart of the city and the neighborhood of San Cristobal, a prototype of modern urban planning in the 1960s.

 © Roland Halbe

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我们没有试图使它的组织结构提供一个过于强大或强加的形象，而是尊重和加强这部分城市的天际线。一种具有可变部分的轮廓：一种以有节奏的字形包裹建筑物的皮肤。可变的枝条和外生降低了规模，适应了不同高度的住宅环境。

We have not sought to make its organizational structure offer an excessively strong or imposed image, but to respect and enhance the skyline of this part of the city. A profile with a variable section: a skin that envelops the building in a rhythmic zigzag. The variable shoots and outgrowths reduce the scale, adapting to a residential setting of variable heights.

 © Roland Halbe

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从远处看，大楼的外观反映了人流。室内街道和全景电梯使游客从附近的Avenida Maritima不断进出。

Seen from a distance, the building´s exterior reflects the flow of people. The interior street and panoramic lifts render the continual coming and going of visitors visible from nearby Avenida Maritima.

 © Roland Halbe

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展望旧城或大教堂或到达大通道广场，一个非常大的悬臂作出友好的姿态欢迎进入里面的人。

Looking forward the old town or the Cathedral or arriving in the great access plaza, a very large cantilever makes a gesture of friendly welcome the people entering inside.

 © Roland Halbe

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在室内，一条宽阔的玻璃街道作为城市空间的延续，它的节奏以提供自然光和通风的美化庭院为标志，底层是接待游客最多的楼层。功能结构更像是一个城市，而不是一个单一的建筑。这条巨大的室内街道使人们能够进入为每一座司法大楼服务的垂直通信系统。

In the interior a wide glazed street acts as a continuation of the urban space, its rhythm marked by landscaped patios that provide natural light and ventilation to the ground floor, the floor that receives most visitors. The functioning structure is more like that of a city than of a single building. The great interior street gives access to the vertical communications system serving each of the judicial buildings.

 © Roland Halbe

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最后，我们的目标是实现一种平衡的、简朴的形象，这是一座象征真理和正义的白色水晶建筑，但不放弃其代表性；接近公民，但保持对制度的尊重的距离。

Finally, there is the aim of achieving a balanced austere image, a white crystalline building that symbolizes truth and justice, but without renouncing its representative character; close to the citizens, but maintaining the distance of respect for the institution.

 Longitudinal Section

追求一种直截了当但支离破碎的形象，透明和不透明，横向和纵向的同时：因此，提出的座右铭：“一个是多”。一个包含其他人的公共建筑，它是紧密相连的，但也是一个概念：接受多样性和多样性，理解“一个确实是一个，同时又是许多”(摘自“梅塔波利斯词典”)。

The pursuit of a forthright but fragmented image, transparent and opaque, horizontal and vertical at the same time: hence the proposed motto: “One is Many”. A communal building that contains others, intimately linked, but also a concept: the acceptance of diversity and multiplicity, understanding that “one is indeed one and many at the same time” (from the Metapolis Dictionary).

Architects Magüi González, José Antonio Sosa , Miguel Santiago

Location Calle Málaga, 2, 35016 Las Palmas de Gran Canaria, Las Palmas, Spain

Category Institutional Buildings

Architects in charge Ramón Cruz, Alexis López, Alejandra Vera, Juan José Martínez, Susana Gerstberger, Sonia Montesinos, Salvador Padrón, Guacimara Quintana, Javier Cabrera, Olga del Castillo, Ruth Suárez, José Luis Novo, Daniel Hernández, Juan Jurado, Carmen Juliá

Area 89700.0 sqm

Project Year 2013

Photographs Roland Halbe