Archipielago House Nomena

2014-04-22 01:00

 © Juan Solano

胡安·索拉诺

架构师提供的文本描述。群岛大厦探索一种支离破碎的建筑。它在国内范围内使用这种类型，在促进间隙空间交互的同时，将程序分割开来。它位于秘鲁北部，比卡伊托的皮乌拉，远离海岸，在辽阔的沙漠中十分孤立。我们不仅对典型的海景感兴趣，而且对沙丘和秘鲁沙漠的美丽景色感兴趣。

Text description provided by the architects. ARCHIPELAGO HOUSE explores a fragmented architecture. It uses the TYPE at a domestic scale, fragmenting the program while it promotes interaction in interstitial spaces. It is located north of Peru, in Piura, Vichayito, away from the shore and quite isolated in the vastness of the desert. We are interested not only in the typical ocean view, but in the beautiful view of the dunes and the Peruvian desert.

 © Juan Solano

胡安·索拉诺

我们使用的思想是组装不同的部件，可以容纳许多用途和用户。这个程序集重新考虑了体积、外部空间和内部空间之间的关系。它的孤立状态忽视了前线和侧面，它需要从各个方面进行探索，并以多种方式看待环境。

We use the idea of assembling different pieces that can accommodate many uses and users. This assembly rethinks the relationship between the volumes, between exterior and interior spaces. Its isolated condition ignores fronts and sides, it is to be explored from all sides and to perceive the environment in multiple ways.

虽然它位于一个梯形的场地上，但装配并不注意周边，而是在地面上创建和执行自己的命令。每个卷都有特定的功能和特定的空间条件。因此，将起居室、主卧室、次级卧室和服务空间分开，在它们之间制造紧张关系，创造非正式空间，以满足和开展各种活动。因此，在建筑物之间出现了不确定的用途。

Although it is located on a trapezoidal site, the assembly is oblivious to the perimeter, creating and implementing its own order on the ground. Each volume has a specific function and specific spatial conditions. Thus, the living room, master bedroom, secondary bedrooms and service volume are set apart to create tension between them, creating informal spaces to meet and carry out various activities. Thus appear the indeterminate uses between buildings.

 © Juan Solano

胡安·索拉诺

我们在北南轴线的陡坡上进行干预，在平台上寻求扩张范围并控制空间。就像米斯·范德洛的作品一样，这个讲台让我们可以把土地变成一个清晰的边界。这些看起来像未分化的身体的成员，并获得了一个群岛的逻辑：在一个海洋中的一组岛屿，分离和连接他们的同时。

We intervene the steep slope on the north-south axis with a podium that seeks to dilate limits and contain the space. As in the works of Mies van der Rohe, this podium allows us to transform the land into a clear boundary of the pieces it contains. These appear like members of undifferentiated bodies, and acquire the logic of an archipelago: a group of islands in a sea that separates and joins them at the same time.

 © Juan Solano

胡安·索拉诺

我们选择一种无菌的物质性来区分建筑和环境，从而揭示自然界中存在着一个人造物体。我们也希望建筑是透明的，让我们能够透过体积从沙漠沙丘上看到太平洋。

We choose a sterile materiality for differentiating the architecture from the environment; so as to reveal the presence of an artificial object in nature. We also intend for the architecture to be transparent, allowing us to see through the volumes to perceive the Pacific Ocean from the desert dunes.

访问是由抽象棱镜之间的张力组成的。主卧室是一个6米的立方体，独立，改变了它的空间要求和景观。室内是简朴的，松木是在一种乡村的状态下使用的。不同的观点是内部体验的一部分，希望将其扩展到新的极限。外面的地板成了一种连续的材料，一块地毯滑过讲台，构成秘鲁沙漠的小植被。

The access is made up from the tension between abstract prisms. The main bedroom is a 6m cube, independent, altered by its spatial requirements and views. The interior is austere, pine wood is used in a rustic state. Different views are part of the interior experience, looking to dilate it to new limits. The exterior floor becomes a continuous material, a rug that slips through the podium, framing the little vegetation of the Peruvian desert.

 © Juan Solano

胡安·索拉诺

主大厅的设计采用水平、开放和透明的音量。一个独特的屋顶，一个单一的层次，产生了必要的阴影，以容纳各种社会活动。随后的卧室体积更高，以利用远景。领奖台似乎是一个统一的元素的卷，但区别于环境。由成群的体积组成的剩余空间，模糊了自我与他人之间的界限，将地平线连接起来。

The main hall is designed using a horizontal, open and transparent volume. A unique roof of a single level generates the necessary shade to house the various social activities. The subsequent bedroom volumes are taller to take advantage of distant views. The podium appears as a unifying element for the volumes, but differentiating from the environment. The residual spaces, contained by groups of volumes, blur the boundary between self and other, linking the horizon.

最后，该项目回应了对建筑的追求，这种建筑意识到了它的过去，并从它的极限中解放出来，意图是抽象的、透明的、流动的和开放的。

Finally, the project responds to the pursuit of an architecture conscious of its past and liberated from its limits, that intends to be abstract, transparent, fluid and open.