Mölle by the Sea Elding Oscarson

2014-04-23 00:00

公司名称：上海市发布时间：2009-4-18；多规格少规格

Proyect Team Jonas Elding, Johan Oscarson, Yuko Maki, Gustaf Karlsson Textile Akane Moriyama Manufacturers Loading... More Specs Less Specs

 © Åke E:son Lindman

C.E：Son Lindman

莫勒是一个极端的位置，在地形和景观，以及历史和光环。在1900年前后，北欧移民到了“罪恶的莫勒”-在那里，男人和女人可以在同一个海滩上享受彼此的陪伴-从20世纪上半叶开始，留下了一丝离经叛道和实验性建筑的痕迹。

Mölle is an extreme location with regards to topography and landscape, as well as history and aura. Around the turn of the century 1900, Northern Europeans were migrating to “Sinful Mölle” - where men and women were allowed to enjoy each other’s company at the same beach - leaving a trace of excentric and experimental architecture from the first half of the 20th Century.

 © Åke E:son Lindman

C.E：Son Lindman

然而，从那时起，实验就被保护所压倒。我们与客户的共同目标是恢复莫勒的沉寂的建筑传统，将其延伸到21世纪，同时为后代提供适合一个思想开放的家庭的房子，目前只有一个孩子。

However, from that point in time and onwards, experimentation has been overpowered by conservation. Our shared ambition with our client has been to recover Mölle’s dormant architectural tradition, extrapolating it into the 21st Century, while providing a house for generations to come suited an open minded family, presently with one child.

 © Åke E:son Lindman

C.E：Son Lindman

该建筑表达对比和柔情与场地和环境。它的音量一直很低，没有任何凸起或倾斜的屋顶。面对着resund，梯田可以看到海景，但建筑却质疑传统，让所有房间都能看到同样的景色-这个地方到处都有许多特色，有石墙、砖墙、植被，还有一个半淹没在山上的旧冰窖。

The building expresses both contrast and tenderness in relation to site and context. Its volume has been kept low, without any plinth or pitched roof. Facing Öresund, the terraced site has an ocean view, but the building questions the convention to turn all rooms towards that same view - the site has many qualities all around, with stone and brick walls, vegetation, and an old ice cellar semi-submerged into a hill.

 Ground Floor Plan

建筑物的形状将场地划分成不同的外部空间，并提供了一个内部的柔和分割顺序。平面图的图形形式并不是立刻就能察觉到的，它的结果是一个建筑的体积，从一些角度看，从一些角度来看，从整洁的角度来看，它只是一个零碎的整体。

The building’s shape divides the site into different exterior spaces and provides a softly divided sequence to the interior. Not immediately perceptible, the graphic form of the plan results in a building volume that rather reads as a fragmentized whole - from some angles striking, from other angles neat.

 © Åke E:son Lindman

C.E：Son Lindman

在一楼，一个用低铁制玻璃包裹的柱子空间，滑动的门和长达7米宽的不分割的玻璃板，花园和它的石墙构成了室内空间。

On the ground floor, a pilotis space wrapped in low iron glass, with sliding doors and undivided panes of up to almost 7 meters wide, the garden and its stone walls frame the interior space.

上面的音量位于一个细长的钢结构上，玻璃和锯成巨无霸形式的道格拉斯板突然相撞-这是第一个这样的门面，就像当年莫勒最著名的房子“意大利别墅”棋盘上的以太石板(Ethernite Shingles Facade)一样。

The upper volume is resting on a slender steel structure in an abrupt collision between glass and saw finish douglas planks in jumbo format - a façade which is the first of its kind, just like Mölle’s most famous house “Villa Italienborg’s” chess-board ethernite shingles façade was, back in the days.