架构师提供的文本描述。奥弗顿19是一个精心策划的立场，八个功能适应性强的出租单位。这一发展形成了以前工业用地的边缘。由西面一处住宅物业的业主承建的一排竖直的单元，将用作一堵活花园墙，以保护业主的房屋免受道路噪音和邻近商业用途的影响。该项目包括五个两层楼高的阁楼空间，主要是商业和生活空间之间的振荡；两个高架住宅单元；以及一个有玻璃装饰的街角零售空间。

Text description provided by the architects. Overton 19 is a carefully curated stand of eight functionally adaptable rental units. The development forms the edge of a formerly industrial parcel. The upright row of units, undertaken by the owner of a residential property to the west, will serve as a living garden wall protecting the owner’s house from the road noise and neighboring commercial uses. The project is comprised of five two-story loft spaces that can oscillate between primarily commercial and living space; two elevated residential units; and a glazed corner retail space.

 © Joshua Jay Elliott

乔舒亚·杰伊·埃利奥特

该项目正式采用了一个简单的姿态-提升两个角落单元，使该项目能够在一个主要商业干线的交汇处对其城市状况做出反应，并将简单的体积清晰地表达出来，以供更具体的用途。外观采取面纱的形式，以调解一种开放和隐私的感觉。该外墙由一套基本的部件组成，可以建造一堵经济的玻璃幕墙。屏幕有效地从路边开始，将街道植树区的密度增加一倍，并在前面的建筑平面上增加一个植草机，以达到隐私和自然光的相反要求。19岁的欧弗顿(Overton)的核心思想是，基本的简单性允许复杂性：在使用和解释中。基本的集合策略可以将简单的形式表达成更多样化的方案组合，减少结构方法和方案效率可以提供真正的混合空间所固有的所需的灵活性。

The project formally employs one simple gesture—lifting the two corner units allows the project to respond to its urban condition at the intersection of a major commercial arterial, as well as to articulate the simple volumes for more specific uses. The façade takes the form of a veil to mediate a sense of both openness and privacy. Constructed with a rudimentary kit of parts, the façade allows for an economical glazed screen wall. The screen effectively begins at the curb by multiplying the density of the street tree planting zone and adding a grass planter at the front building plane to achieve the opposing requirements of privacy and natural light. Overton 19 has at its core the idea that elemental simplicity allows for complexity: in use and interpretation. A basic massing strategy can articulate simple forms into a more diverse programmatic assembly, and a reduced structural approach and programmatic efficiency can provide the required flexibility inherent in true hybrid space.

 © Joshua Jay Elliott

乔舒亚·杰伊·埃利奥特

作为一项出租工程/住宅开发项目，这些单元需要有能力适应每个租房者在整个项目期间的预定用途。通过使用带有结构木结构的厚木梁，可以最低的成本创造出类似阁楼的耐用空间。支持和服务部分被整合并沿一堵墙排列。由此产生的程序设计和构造使得单元具有开放性和适应性，但可以根据潜在租户的需求量身定做。

As a rental work/live development, the units need the ability to adapt to their intended use for each renter over the life of the project.  By using heavy timber beams with structural wood decking, loft-like durable space was created at minimal cost. Support and service components were consolidated and arranged along one wall. The resulting programming and tectonic makes units that are open and adaptable yet tailored, in anticipation of a range of potential tenant needs.

 First Floor Plan

一层平面图

 Second Floor Plan

二层平面图

作品合作建筑是一个进步的建筑设计工作室，位于太平洋西北部。2005年，卡丽·斯特里克兰和威廉·尼伯卡共同创办了W.PA。自那时以来，W.PA已经建立了一种基于明确的概念图的设计方法，它适用于广泛的项目类型，同时响应各个站点、程序和环境需求。W.PA的方法在性感和严厉之间走来走去，在面对不断变化的复杂性时，它与简单相呼应，在最新的喧嚣中保持安静。我们努力在事物中找到简单；因为在这种简单中，会有一种经济的手段，而在这种经济中，往往有一个真理。在这个事实中，可以有一种深刻的美。

Works Partnership Architecture is a progressive architectural design studio located in the Pacific Northwest. Carrie Strickland and William Neburka launched W.PA together in 2005. W.PA has since established a design approach rooted in clear conceptual diagrams applied across a wide spectrum of project types while responding to individual site, program, and environmental requirements. W.PA’s approach walks a line between sexy and stern and echoes simplicity in the face of ever evolving complexity, a quiet amid the cacophony of the newest. We work to find the simplicity in things; for in that simplicity there will be an economy of means, and in that economy there is often a truth. And in that truth, there can be a profound beauty.

 © Joshua Jay Elliott

乔舒亚·杰伊·埃利奥特