Floor Plan

架构师提供的文本描述。这座建筑的三个要素-教堂、教区和社区住宅-围绕着一个正方形的庭院。院子很快就会变成一个花园，里面有树木和鲜花，中间还有一个喷泉。很久以前在修道院里。

Text description provided by the architects. The three elements of the building – the church, the parish and the community house - surround a regular quadrat-shaped courtyard. The courtyard will be soon a garden with trees and flowers and with a fountain in the middle. As long ago in the monasteries.

 © József Hajdú

(József Hajdú)

因为模型就是从那里来的。不同的是，这个院子是在它的第四面开放的-它只有一个花边栅栏-这是对世界的一个重要信息：进来吧，我们是开放的。如果公园也建成了，喷泉的水就会像静脉一样流向那里，然后膨胀到湖里。这一运动强化了先前的观点：内外之间的联系是相关的。

Because the model comes from there. The difference is that this courtyard is opened in its fourth side – it is bordered only by a tracery fence – and this is an important message to the World: come in, we are open. If once the park is finished as well, the water of the fountain will flow as a vein to there and swell into a lake. This movement strengthens the previous idea: the connection between inside and outside is relevant.

 © József Hajdú

(József Hajdú)

这种服务体系似乎具有代表性：有玻璃的走廊沿着庭院延伸到社区前面的最前线。教区的居住和办公部分、社区住宅的房间和教堂的空间等功能被串连在这个“U”型系统中。

The system of the service seems emblematic: the glassed corridors lead along the courtyard and broaden to a forefront in front of the community area. The certain functions as the resident and office part of the parish, the rooms of the community house and the space of the church are strung into this „U” shaped system.

 © József Hajdú

(József Hajdú)

教堂的中心空间是面向民众的。由于四合院周围环绕着三个建筑的翅膀，所以“U”形的画廊超过了建筑物的主要中心点房子里唯一的弧线，它不仅与其他元素的形状不同，而且在颜色上也不同。

The central space of the church is oriented to the apse. As the three building wings surround the courtyard, so the „U”-shaped gallery does surrund the apse, the main central point of the building. The apse, the only arc in the house differs not only by its form from the other elements, but by its colour as well.

 © József Hajdú

(József Hajdú)

63色玻璃窗中隐藏着一条信息。作为荷兰元器件学家AlexanderSkrjabin的研究成果，他创造了一个矩阵，在这个矩阵中，每一个音符都与一种颜色相匹配。应用这个音符-颜色代码，我写了格里高利的旋律，我们的祈祷，凯里，优雅的窗户上的弧形墙。当太阳不在外面照射时，彩色玻璃窗甚至在燃烧，这是一个非设计的惊喜。

The 63 colour glasswindow contain a hidden message. As the result of the dutch componist Alexander Skrjabin’s research he created a matrix, in which every single note matches to a single colour. Applied this note-colour code I wrote the gregorian tune of our prayer Kyrie eleison to the windows of the arc wall. It is a non-designed surprise that the colour glasswindows are even burning when the sun does not shine outside.

 © József Hajdú

(József Hajdú)

教会的色彩世界-也许对某些人来说过于纯洁和奇怪-就是要加强这种升华。取决于一天中的时间，教堂的空间在光流中游动，或在黄昏时分破晓，但共战者的位置仍然是我们关注的中心。

The colour world of the church – perhaps too pure and strange for some – is to strenghten this exaltation. Depending on the time of the day the space of the church is swimming in light stream or dawning in dusk, but the place of the eucharisty remains at the centre of our attention.

 © József Hajdú

(József Hajdú)

教堂旁边的礼拜堂故意要简单一些，我试图用透明的窗户来支撑一个人的内弯。希望这是一个平静祈祷的空间。在塔的尽头。在20世纪的现代圣殿建筑中，建造一座没有塔的教堂是很时髦的。我认为在21世纪初，在匈牙利，在欧洲，教会应该是一个标志，那里似乎需要传道。我希望哥德尔罗马卡托利奇教堂的七层塔楼将成为在场的象征。

The chapel next to the church is purposely simplier, with its transparent windows I tried to support one’s inside-turning. It will be hopefully a space of the calm prayer. And at the end about the tower. Building a church without a tower was stylish in the modern sacral architecture of the 20th century. I think the church should be a sign at the beginning of the 21st century in Hungary, in Europe, where the evangelism seems to be needed. I hope that the seven-storeyed tower of the Roman Catolic Church of Gödöll will be the symbol of the presence.

Architects Tamás Nagy

Location Gödöllő, Hungary

Category Churches

Area 1340.0 sqm

Project Year 2007

Photographs József Hajdú