在进入博物馆内部之前，游客必须先经过双子塔的脚印，这是由汉德尔建筑师的级联花岗岩空洞纪念的，然后才能进入博物馆入口处由Sn hetta设计的不锈钢和玻璃展馆。

Prior to entering the museum’s interior, visitors must first walk past the footprints of the Twin Towers, commemorated by Handel Architects’ cascading granite voids, before entering a Snøhetta-designed stainless steel and glass pavilion that is the museum’s entrance.

正如Sn hetta的创始合伙人克雷格·戴克(Craig Dyker)所描述的那样，展馆的主要目的是充当“城市日常生活与纪念馆独特的精神品质之间的门槛”。

As Snøhetta’s founding partner, Craig Dyker describes, the pavilion’s main purpose is to serve as the “threshold between the everyday life of the city and the uniquely spiritual quality of the Memorial.”

更多关于建筑师的展馆，休息后.

More about the pavilion from the architects, after the break...

 © Jeff Goldberg / ESTO

杰夫·戈德伯格/埃斯托

“为了补充水池和树木的力量和简单性，Sn hetta设计了一座视觉上可到达的、没有气势的建筑，并将其完全融入纪念馆。展馆以其低矮的水平形态和向上的几何学，充当了两个世界之间的桥梁-在纪念馆和博物馆之间，在地上和地下，在光明和黑暗之间，在集体体验和个人体验之间。“

“Complementing the power and simplicity of the pools and the trees, Snøhetta has designed a visually-accessible, unimposing, building which is fully integrated into the Memorial site. With its low, horizontal form and its uplifting geometry the Pavilion acts as a bridge between two worlds - between the Memorial and the Museum, the above and below ground, the light and dark, between collective and individual experiences.”

 © Jeff Goldberg / ESTO

杰夫·戈德伯格/埃斯托

“博物馆展馆的某些特征似乎让人想起了原来的塔楼，而在其他时候，这些概念只是被提及而已。”交替的反射处理将反映变化的季节，展示了展馆全年的不同品质。倾斜、反射和透明的表面鼓励人们走近、触摸和凝视建筑物。一旦进入馆内，游客就会透过展馆的中庭向外望去，看到其他人窥视其中，并在从上到下的旅程中开始身体和精神的转变。“

“Certain characteristics of the Museum Pavilion seem reminiscent of the original towers, while at other times these notions are only alluded to. The alternating reflective treatment of the façade will mirror the changing seasons, revealing the Pavilion’s differing qualities throughout the year. Inclined, reflective and transparent surfaces encourage people to walk up close, touch and gaze into the building. Once inside, visitors look out through the Pavilion’s atrium to see others peer in, and begin a physical and mental transition in the journey from above to below ground.” 

 © Jeff Goldberg / ESTO

杰夫·戈德伯格/埃斯托

 © Jeff Goldberg / ESTO

杰夫·戈德伯格/埃斯托

“中庭内有两根结构柱，从原来的塔楼中解救出来。他们虽然离开了原来的位置和功能，但却用自己深刻和审美的姿态来标记这个网站。“

“Within the atrium stand two structural columns rescued from the original towers. Although removed from their former location and function, they mark the site with their own profound and aesthetic gesture.” 

展馆的光和通风的材料允许阳光进入博物馆的等级以下，以纪念展馆与地面的脆弱关系，相等的部分失重和希望。

“The Pavilion’s light and airy materials allow daylight into the Museum below grade, commemorating the Pavilion’s tenuous relationship with the ground, equal parts weightless and hopeful.”

 © Jeff Goldberg / ESTO

杰夫·戈德伯格/埃斯托

展馆内为9/11受害者提供展览空间和私人“家庭房”，以及售票信息、中庭、礼堂和其他便利设施。从这里开始，游客们将迎来一场优雅的游行，走向戴维斯·布罗迪·邦德(Davis Brody Bond)设计的纪念馆的顶峰：基岩和两次展览，以纪念近3000人丧生和恐怖之日。

Exhibition space and a private “family room” for the victims of 9/11 are provided within the pavilion, along with ticketing information, an atrium, auditorium and other amenities. From here, visitors are welcomed to embark on their decent down a gentle procession towards the culmination of the Davis Brody Bond-designed memorial museum: the bedrock and two exhibitions in which honor the nearly 3,000 lives lost and the day of terror itself.

请继续关注沉没博物馆内部的更多图片和信息。

Stay tuned for more images and information from within the sunken museum's interior. 

建筑师Sn hetta位置世界贸易中心遗址，自由街，纽约市，纽约，10006，美国建筑师记录Adamson Associates SMEP Buro Happold高度75英尺；3层面积50000.0英尺2项目2014年照片杰夫戈德伯格/埃斯托制造商装载.

Architects Snøhetta Location World Trade Center Site, Liberty Street, New York City, NY 10006, USA Architect of Record Adamson Associates SMEP Buro Happold Height 75 feet; 3 floors Area 50000.0 ft2 Project Year 2014 Photographs Jeff Goldberg / ESTO Manufacturers Loading...