架构师提供的文本描述。EYüp文化中心和婚姻厅是通过公共机构和建筑办公室在建筑师与客户关系中的合作获得的。与通过竞争获得的公共建筑不同，客户不仅是建筑师，也是过程的负责人。因此，我们可以声称这座建筑是由双方拥有的。

Text description provided by the architects. Eyüp Cultural Center and Marriage Hall is obtained through a collaboration between a public institution and an architectural office in an architect-client relationship. Unlike public buildings obtained through competition, the client was in charge with the process as well as the architect. Thus, we can claim that the building is owned by the two sides.

 © Cemal Emden

Cemal Emden

该项目位于黄金黄蜂的西北海岸，工业化时期，特别是20世纪50年代以后，形成了一个由非正式聚落组成的城市结构，这些聚落是由来到İstanb的人们为在附近工厂工作而建造的。这种城市结构在正式转变后仍然维持着今天的状态。该建筑被认为是一种结构景观组件，结合船台与海洋之间的水平差异与步行坡道相结合。婚厅、会议厅、餐厅、剧院等建筑方案均位于地面与人行道之间的空间内，尽量暴露在室外透明的环境中。

The project site is located on the north-western seashore of Golden Horn.The industrialisation period especially after 1950's has resulted in an urban texture made up of informal settlements that are built by the people who came to İstanbul in order to work in the factories nearby. This urban texture still sustains today after formal transformations. The building is considered as a kind of structural landscape component combining the level difference between the pedesterian way and the sea with a walking ramp. The programs of the building like marriage hall, conference hall, restaurant and theater are located in the space between the ground and the walking ramp and are exposed to outside as transparent as possible.

 © Cemal Emden

Cemal Emden

通过这种方式，居住在附近的人们可以通过这一坡道结构到达哈利奇海岸，并与建筑物内正在进行的活动进行视觉接触。从这个意义上说，这座建筑可能被认为与土耳其大多数现存的文化中心有很大的不同。可以说，土耳其的文化中心尽管数量不断增加，但在与街头居民建立联系和创造吸引力方面遇到了困难。

By this means, the people living in the neighbourhood can reach Haliç seashore by using this ramp-structure and have visual contact with the activities taking place inside the building. In this sense, this building might be regarded as highly different from most of the existing cultural centers in Turkey. Since it can be claimed that the cultural centers in Turkey, despite their increasing numbers, have difficulties in getting into relation with the people on the street and in creating any attractiveness.

 First Floor Plan

一层平面图

这些建筑大多具有内向的风格，而最近的一些例子则是为了吸引人们的注意而展示正式的戏剧，甚至它们也可以提出新-塞尔朱基式或新-奥斯曼式的形式。在艾浦市文化中心和婚姻礼堂，我们可以说，建筑的设计并不是一个造形的过程。两个不同层次的坡道连接理念和透明原则是建筑形成的主要动因。透明的透气性使人们即使在建筑物内也能创造出与环境的视觉联系和关系。

Most of these buildings have the introverted manner while some recent examples displays formal plays for the sake of attracting attention, even they can come up with Neo-Seljukian or Neo-Ottoman forms. In Eyüp Municipality Cultural Center and Marriage hall, we can say that design of the building is not considered as a form making process. The idea of the ramp connection two different levels and the prinsiple of transparency are main motivations behing the formation of the building. The permeability crated by the transparency enable the people to create visual connection and relation with the context even when they are inside the building.

Architects Emre Arolat Architects

Location Istanbul, Turkey

Category Cultural Center

Design Team Gonca Paşolar, Natali Tombak, Taner Arıkan, Neşet Arolat, Şaziment Arolat, Berke Debensason, Deniz Odabaşı, Deniz Kösemen, Ercan Yılmaz, Fulya Eliyatkın, Gülin Derman, Hande Bağcık, Hilay Erkin, Merve Yüksel, Olcay Özten, Seden Suataç , Senem Okşar, Sezer Bahtiyar, Sinan Serdaroğlu, Şafak Kızılırmak, Volkan Buluç Yağ

Interior Design EAA

Area 6350.0 sqm

Project Year 2013

Photographs Cemal Emden