© Atelier Kim ZWarts

c.Atelier Kim ZWart

架构师提供的文本描述。作为马斯特里赫特的Céramique地区最后要实现的城市街区之一，该方案不选择封闭周边街区的共同解决方案，而是采用开放城市空间的空间策略。通过策略性地布置三卷，不仅使公共空间流经该地段，而且还将其东侧的三角形绿地纳入到城市空间的互联之中。

Text description provided by the architects. As one of the last urban blocks to be realized in the ‘Céramique – Area’ of Maastricht the scheme does not opt for the here common solution of the closed perimeter block, but employs a spatial strategy in which urban space is opened up. Through strategically placing three volumes, it not only makes the public space flow though the site, but it also involves the triangular green area to its east into this interlinking of urban spaces.

 © Atelier Kim ZWarts

c.Atelier Kim ZWart

将设在塞拉米克广场内的方案是一种综合居住和工作形式，该方案部分纳入生活单元，部分与生活单元分离。该项目的基本建筑概念，在结构和地下结构方面，允许在建筑围护范围内保持高度的灵活性。客户端最大限度地利用了这种灵活性。在设计和建造过程中，客户对公寓、工作单位、家庭办公室和商业空间的数量几次改变主意，因此，目前的项目有92套公寓、27套家庭办公室、1个商业空间和7个单独的工作单位。在家庭办公室类型学方面，该项目试图复兴19世纪的豪宅类型-通常由律师、医生、建筑师等人居住的附属惯例。这种综合的家庭和实践的特点是入口分离，导致公共实践和私人住宅。因此，为这些综合家庭办公室公寓的设计提供信息的主题之一是，家庭和生活的私人空间越多，工作和接待客户的公共空间越多，就会有双重进入和心理分裂。在同一街区内整合住宅和工作的协同作用的另一个结果是有可能建立一个比荷兰住房项目中通常可能的更宽敞的入口大厅。在这种情况下，它是一个玻璃中庭，作为一种公共游说的公寓和工作区。

The program to be housed within Piazza Céramique was that of an integrated form of dwelling and working, which was partly integrated within the living units and partly separated from them. The basic architectural concept of the project, in terms of structure and infra-structure, allowed a large degree of flexibility while remaining within the limits of the buildings envelop. This flexibility the client exploited to the maximum. During design and construction, the client changed his mind several times about the numbers of apartments, work units, home offices and commercial spaces, which resulted in the present project with its 92 apartments, 27 with home offices, a commercial space and 7 individual work units. In terms of home office typology the project tries to revive the 19th century type of mansion-annex practice usually inhabited by lawyers, doctors, architects etc. Characteristic for this type of integrated house-and-practice was the separation of entrances, leading to the public practice and the private house. Thus, one of the themes informing the design of these integrated home office apartments is the double entry and the psychological split between the more private space of the family and for living, and the more public space for working and receiving clients. Another result of the synergy of integrating dwelling and working within the same block is the possibility to create a more spacious entry-hall than the one usually possible in a Dutch housing project. In this case it is a glassed atrium that acts as a sort of public lobby for both the apartments and the workspaces.

 © Atelier Kim ZWarts

c.Atelier Kim ZWart

对于一个住房项目来说，建筑的选择也是一个罕见的选择。然而，通常情况下，楼层从一套公寓延伸到另一套公寓，为了保持综合公寓的细分尽可能灵活，本项目的楼层从外立面一直延伸到服务空间的内环，集中了所有基础设施。正如前面所解释的那样，这允许了很大程度的灵活性。

The choice of construction was also an uncommon one for a housing project. Normally the floors span from apartment to apartment, however, to keep the subdivision of the integrated apartments as flexible as possible, the floors in this project span from the outer façade to an inner ring of service spaces, which concentrates all infrastructure. As earlier explained this allowed a large degree of flexibility.

 © Atelier Kim ZWarts

c.Atelier Kim ZWart

马斯特里赫特的Céramique区是以1859年以来在该地区建立的SociétéCéramique命名的。一个世纪后，他们与生产瓷器和陶器的“皇家狮身人面像”行业合并。作为遗址传统的延续，总体规划要求在一块传统的蓝石上使用红砖。我们进一步选择了一个低科技建筑，自然通风和传统的折叠百叶窗过滤阳光透过他们的孔，并为居民提供隐私。

The Céramique quarter in Maastricht was named after the Société Céramique established on the site since 1859. A century later they merged with the “Royal Sphinx” industry that produced porcelain and earthenware. As a continuation of the site’s tradition, the masterplan demanded the use of red brick on a plinth of traditional blue stone. We further opted for a low tech building with natural ventilation and traditional folding shutters to filter the sunlight trough their perforations and provide privacy for the inhabitants.

 First Floor Plan

一层平面图

在物化方面，有意识地尝试着与周围的建筑进行协调，使建筑集体内部的个性化能够准确地以“向内翻”的概念来表达。在扩展这一概念时，寻求解决室外空间问题的整体解决办法，包括通常对带遮阳帘的阳台和露台的个别解释，以及保护隐私的措施。这一方面是在立面后面的私人户外空间的应用中发现的，另一方面是在折叠百叶窗中发现的，通过这种方法，每个人都可以在每个房间中不同程度地过滤他的隐私和阳光。尽管立面有严格的节奏结构，但由于这些折叠百叶窗是人工操作的，这种可能性确保了正面的动态表现画面。

In terms of materialization, a deliberate attempt has been made to harmonize with the surrounding buildings so that individualization within the architectural collective can express itself, exactly in the concept of 'turning inside out'. In the extension of this concept, an integral solution to the problem of the outdoor space was sought, consisting of the usual individual interpretation of balconies and terraces with sun blinds and privacy-protection measures. This was found, on the one hand, in the application of private outdoor spaces behind the façade and, on the other, in the folding shutters, by means of which every individual can filter his privacy and sunlight to various degrees in each room. Despite the strict rhythmic structure of the façade, this possibility ensures a dynamic expressive picture of the façade, as a consequence of the fact that these folding shutters are manually operated.

 © Atelier Kim ZWarts

c.Atelier Kim ZWart

Architects Jo Janssen Architecten

Location Boschcour, 6221 Maastricht, The Netherlands

Category Apartments

Project Architects Jo Janssen, Wim van den Bergh, Jeroen van Haaren, Simon Zumstein

Project Developer Vesteda Project bv Maastricht

Area 18970.0 sqm

Project Year 2006

Photographs Atelier Kim ZWarts