架构师提供的文本描述。这座新建筑是专为一种活动而设计的：创作，一种内省和孤独的体验，就像画家告诉我们的那样。这导致我们处理体积紧凑，采用统一的外部设计-层的绝缘和清晰的灰泥在一个富有表现力的延续墙壁和盖-建立一种熟悉的感觉，以一种不引人注目的方式自然环境。内部是一个流体和多个混凝土洞-一个直接的结果整体结构建设的概念和寻找苛刻和赤裸裸的空间，服务于艺术作品发生在里面。

Text description provided by the architects. The new building is designed for a sole activity: creation, an introspective and solitary experience, just as the painter told us. This led us to handle the volume compactly, with a uniform exterior design –layers of insulation and clear stucco in an expressive continuance of walls and cover– to establish a feeling of familiarity with the natural surroundings in an unobtrusive manner. The interior is a fluid and multiple concrete cavity – a direct result of the monolithic structural construction concept and the search for harsh and naked spaces that serve the artistic work that takes place inside.

地势陡峭，在提比达波北面有许多树木，毗邻画家的房子。这座小建筑有最大的-12米x13.5米-和最空的画室，这是棱柱体和土地的交汇、雕塑车间和画家自己作品的商店的结果。

The plot of land is sloping, with an abundance of trees on the northern face of Tibidabo, and is adjacent to the painter’s house. The small building has the largest –12 m x 13.5 m–, and emptiest painting studio possible, a result of the meeting between the prismatic volume and the land, a workshop for sculpture and a store for the painter’s own work.

 © Adrià Goula

(AdriàGoula)

工作室是一个没有视野的空间，主要从四个倾斜屋顶交汇处的大天窗接收光线，这些屋顶不规则地从5米高的外围墙壁的最高水平线上完成了对空间的定义。

The studio, a space with no views, receives light primarily from a large skylight in the meeting point of the four sloping roofs that irregularly finish the definition of the space from the crowning horizontal line of the 5-metres high periphery walls.

一个楼梯，不突出地放置在一边，以避免破坏统一的工作室，导致较低的地板，较少的间隙高度(3.5米)。最接近挡土墙的后部空间是为存放艺术品而设计的，前面的区域是一个雕塑工作室，完全开放，有一个带有景观布局的大划痕裂缝，在外面的工作平台上，可以看到区别该地方的茂密的绿色植物景观。(鼓掌)

A staircase, positioned unobtrusively to one side so as not to break the unity of the studio, leads to the lower floor with less clearance height (3.5 m-). The rear space closest to the retaining walls is designed for storing works of art and the front area, which is a sculpture workshop, opens fully, with a large scored fissure with a landscape layout, onto an outer work terrace offering views of the dense greenery that distinguishes the place.  

该工程所使用的施工系统是按照建筑物最终形象的要求，进行紧凑设计的。在将内部空间与地面直接接触的悬空地板上，四个钢筋混凝土屏障构成了内部空间，并提供了表面处理。

The construction system used for this project was designed compactly, as required by the final image of the building. Above a suspended floor that separates the inner space from direct contact with the land, four reinforced concrete screens make up the inner space and provide the finish.

 First Floor Plan

一层平面图

对于隔热和防水，选择了一种非常规的解决方案，以确保上述内部涂饰。整个绝缘系统将安装在外面。

For thermal insulation and waterproofing, a non-conventional solution was chosen in order to ensure the aforementioned interior finish. The whole insulation system will be installed outside.

为了达到立面与斜顶连续的要求，选用韦伯材料，为保温隔音砂浆层提供粘结剂。一个特殊的水密网格被放置在热层上，以确保在四个倾斜屋顶的支持下，适当的排水。

To achieve the desired image of continuity between the vertical face and pitched roof, Weber material was selected, which provides the bond for the thermal insulation and soundproofing mortar layer. A special watertight mesh was placed over the thermal layer to ensure, with support from the four sloping roofs, proper water drainage.

 © Adrià Goula

(AdriàGoula)

在结构上，整体的作用是紧凑的、均匀的，只有底层的大开口才能使建筑物的上部起到大的结构梁的作用，从而消除了对任何外部系统的需要，并允许材料和选定的建筑系统解决结构系统问题。

Structurally, the whole acts in a compact, uniform manner, and only the large opening in the ground floor allows the upper part of the building to function as a large structural girder, thus removing the need for any external system, and allowing the material and the chosen construction system to solve the structural system.  

大型屋顶天窗的封口是在一个木工车间的实际实施过程中完成的，并由稍微朝南倾斜的窗玻璃支撑，这又方便了建筑物内自然光的进入，这是用户的主要目标。

The seal of the large roofing skylight is achieved during the actual implementation in a carpentry workshop, and is supported by the sloping window pane slightly facing south, which additionally facilitates the entrance of natural light inside the building, a primary target for the user.